MY BLOODY VALENTINE Vinyl & CDs

Review: There are a whole host of My Bloody Valentine reissues landing at the moment after the band was signed by Domino. It all came digitally last year and now the physical release get some tidy sonic treatment and pressed to heavyweight vinyl. If you're reading this, you will already known that the band which is made up of Bilinda Butcher, Kevin Shields, Deb Googe and Colm o Ciosoig are quote possibly one of the most influential groups of the last four decades. Their second album Loveless came in 1991 and took big leaps forward from their debut in 1988. It's an album that still overwhelms your sense even today.

Review: My Bloody Valentine frontman Kevin Shields has talked a lot about the stress of making Loveless, the band's now iconic 1991 sophomore album. It took over two years (and trips to 20 recording studios) to make, such was Shields sharply focused desire to capture a very specific sound. As this reissue proves, his attention to detail genuinely resulted in what many critics cite as their best album - a wonderfully immersive, wide-eyed and enveloping set that fuses their fuzzy alt-rock guitars with gaseous musical textures, dreamy aural colours and painstakingly layered musical soundscapes that sound as gloriously intense and druggy as they did way back in 1991. It's an album that everyone should own - or at least all those who doubt the sonic potential of primarily guitar-based music.

Review: Domino Records' My Bloody Valentine reissue series concludes with the legendary band's third (and most recent) studio album, a set that finally appeared almost two decades after they started working on it. M B V was critically acclaimed upon its 2013 release - arguably even more so than any of their previous work - and listening back eight years on it's easy to see why. The perfect distillation of the band's uniquely layered, otherworldly and dream-like trademark sound, it ripples with effects-laden guitar textures, shoegaze style haziness, woozy soundscapes and drows, glassy-eyed lead vocals. Basically, M B V is every bit as essential as their other albums - and that's saying something.

Review: Some 33 years after it first hit record stores, My Bloody Valentine's debut album still sounds undeniably fresh. Isn't Anything, which appeared on the back of two similarly ground-breaking EPs, genuinely moved guitar-based music forwards, in part by combining Kevin Shields and company's more traditional alternative rock inspirations - think Dinosaur Junior, Sonic Youth and the jangling sixties psychedelia of the Byrds - with then cutting-edge production techniques, subtle nods towards hip-hop and an impressive dedication to achieving layered, immersive sound. Sometimes loud, gnarled and intense and at other times becalmed, dreamy and otherworldly, the album remains breathlessly inspiring all these years on.

Review: First arriving in 1988, the debut album from My Bloody Valentine really is deserving of re-appraisal and reissue, albeit most musos out there won't have exactly forgotten it existed in the first place. Still, there are a whole lot of ears out there that were born too late and may not have discovered its wonders yet simply because they have far too much back catalogue greatness to unearth, and so this is a great opportunity to get stuck in, for want of better words.

The Irish dream pop and shoegaze pioneers do get pretty loud at times, but overall this is noise being used in a very different way to the vast majority of guitar styles before or since. Hence the record stunning critics of the day, with the sorely-missed Q magazine perhaps publishing the most apt description, from the mind of one Stuart Maconie: "The first full-length expression of this remarkable new sound: gossamer vocals and insinuating melodies glimpsed through sheets of blurred, opaque noise."