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Buchla & TipTop Audio Mixer & Preamplifier Model 207t Module (mixer/preamp synth module)

Buchla & TipTop Audio

Cat: 950885

Mixer and preamplifier module - 28HP.

Notes: TBC

Tags: Mixer module | Preamp module

coming soon HK$1,592.57

(No payment required now - pay when released)

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Klavis Grainity Granular Digitally-Controlled Full-Analogue Path Granular & Multi-Mode VCF Module (silver) (filter/phase shifter/pitch shifter synth module)

Klavis

Cat: 934965

Digitally-controlled full-analogue path granular & multi-mode VCF module in 10HP.

Notes: The Grainity brings a unique and never-heard-before concept to the world of analogue VCF.

While being based on analogue filtering only, the Grainity expands and enriches the sound in creating subharmonics, harmonies, unison, flanging effects and formant filtering all at once.

The module presents two sections, the granular filter itself and a typical multimode filter, each with its own output.

A third output offers a mix of both filter paths. Numerous controls and CV allow a very wide palette of results.

What is the Grainity

Granular?

The word granular was chosen for this filter module in relation to the concept invented by the composer Yannis Xenakis, and which is described as assembling small chops of sounds - he called grains - according to a pattern.

This is exactly what the Grainity does, no more no less ... but, digital control allows doing it in ways that are decades away from what tape and scissors allowed at the time.

Technology wise ...

In the granular section, the incoming sound cycle is determined in order to step through various filtering and phase variations of itself according to predefined patterns called structures.

The controls allow alterations to the cycling phase, cycling frequency offset (tuning), structure selection and frequency division of the filters cycling. This comes in addition to the usual filter frequency and resonance controls.

What the Grainity is not

Technology wise ...

Despite relying on a microprocessor, the Grainity is not a digital audio processor. At any time, the sound remains in the analog domain and goes through analog circuits from in to out.
The digital processor does not convert or generate audio signals; it is there to control the analog circuitry and manage the interface and display.

Sound wise ...

Several digital modules offering granular processing rely on the layering of sound grains, which leads to blurry and cloudy textures.
Layering of the grains is a late addition to the concept of granular synthesis and is not a mandatory feature of the concept.
The Grainity does not use delay lines or sampling memory but is nevertheless true to the foundations of the granular synthesis concept.

The granular VCF in the Grainity is unconventional in that, most of times, it is not filtering the sound in the common expectation of removing something. Typically, the granular process adds more than it removes by expanding both the lower range, creating subharmonics, and the upper harmonic contents in multiples ways.

Dimensions
10 HP
21 mm deep

Current Draw
101 mA +12V
59 mA -12V

Tags: Filter module

coming soon HK$2,221.46

(No payment required now - pay when released)

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SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak) (synthesiser)

Soma Laboratory

Cat: 955441

A complex polyphonic, microtonal synthesiser with a broad and flexible sound palette.

Notes: TERRA is a new SOMA Labs synth that is currently in development.

TERRA is a highly conceptual device. The core idea is unity of nature and technology, and a perfect balance between simplicity and versatility. Behind the extremely simple interface hides a complex polyphonic, microtonal synthesizer with a broad and flexible sound palette that ranges from classical beautiful tones to complex atonal noise, and offers smooth and fast transitions between these extremes.

The innovative keyboard design invites new playing techniques and covers the full range of a grand piano with the possibility to tune each note with an accuracy of 125 steps per semitone. To achieve this range with such a simple keyboard we designed a unique system of pitch shifting using four additional sensors. Pressing different combinations of them will result in 16 variations of keyboard transposing, including up to 3 octaves up and down, fifth, fourth, third, tone etc.

Not only do you get the full range of a grand piano in a very compact design, TERRA also offers an entirely new and different approach to playing melodies and chords.

The keyboard consists of 12-note sensors with velocity and pressure sensitivity allowing for the manual creation of slow attack and vibrato, 4 dynamic sensors for timbre modification and control, 4 pitch-shifting sensors and 2 hold sensors for holding the state of the timbre and note sensors.

Inside TERRA there is a three-axis motion sensor for creating a variety of different modulations by simple intuitive movements of your hands and body.

TERRA is digital and contains 32 complex synthesis algorithms. Each algorithm has been carefully designed to be a complete and flexible musical instrument on its own, ready for learning and playing in its own unique way. The goal is to free the musician from long exhausting programming, setting hundreds of parameters for creating one timbre, and instead putting the focus directly on music and performance and following your imagination and inspiration.

TERRA offers the best of both worlds: the direct intuitive tactile connection from acoustic instruments and the flexibility and versatility of synthesizers. TERRA inherits design principles from LYRA-8 and also contains application of the new principles that were announced for ReFLEX, exploring the future of synthesis.

TERRA has an extremely simple interface that gives you instant access to all its functions in several touches, including saving and loading the 96 presets that are stored directly on the playing sensors. TERRA has no display. Instead it shows and lets you dial all necessary data on the 6 LED-sensor triangle in the centre.

TERRA has a built-in FX processor so the stereo output is ready to use, making it a perfect stand-alone performance instrument. While the sound generation is digital, TERRA has a unique custom-built and top quality analogue part that makes it sound rich, natural, clear and powerful at the same time.

The housing of TERRA comes from a solid piece of wood, making each instrument unique and slightly different. In the photo above and in the announcement demo video you can see the prototype of the synth. The final design is in development and we intend to make several different versions.

TERRA is a sanctuary for a natural soul right in the middle of the rumbling plastic world, a ground where you can breathe in and out slowly, and hold on to your roots.

TERRA is our dream about a bright future where we will be both technologically advanced and more connected to nature, where machines and technology are not a prison for our feelings and spirit but their extension.

Synthesis algorithms: 32
Polyphony: 1-12 voices (depending on the algorithm)
Presets: 96
Pitch Shifter presets: 24
Line out: L, R TS/TRS 1/4-inch jacks / 6.35 mm jacks
Maximum line output signal: 13 V peak-to-peak
Nominal line output signal: ~1.5 V (volume 100%)
Headphone output: TRS 1/4 inch jack / 6.35 mm jacks
Headphones impedance: 6-64 ohm
CV-clock input voltage: 3-15 V
Power supply voltage: DC 12 V *
Consumption current: 0.2 A
DC jack: 5.5 x 2.1 mm, "+" in center
Dimensions: 405 x 365 x 57 mm
Weight: 2.2 kg
* TERRA comes with a high quality power supply . If it gets lost, use a high-quality modern switched-mode power supply with 12 V output voltage, at least 0.4 A maximum current, 5.5 x 2.1 mm DC jack, center "+".

What's included:

TERRA - 1 pc.
Power supply - 1 pc.
CV clock adapter (DIN5 - 3.5 mm mini-jack) - 1pc.
Short interface reference manual - 1 pc.
On-table mounting pads - 4 pcs.

Tags: Polyphonic synthesisers

coming soon HK$10,984.58

(No payment required now - pay when released)

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SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) (synthesiser)

Soma Laboratory

Cat: 951312 Rel: 30 Dec 23

A complex polyphonic, microtonal synthesiser with a broad and flexible sound palette.

Notes: TERRA is a new SOMA Labs synth that is currently in development.

TERRA is a highly conceptual device. The core idea is unity of nature and technology, and a perfect balance between simplicity and versatility. Behind the extremely simple interface hides a complex polyphonic, microtonal synthesizer with a broad and flexible sound palette that ranges from classical beautiful tones to complex atonal noise, and offers smooth and fast transitions between these extremes.

The innovative keyboard design invites new playing techniques and covers the full range of a grand piano with the possibility to tune each note with an accuracy of 125 steps per semitone. To achieve this range with such a simple keyboard we designed a unique system of pitch shifting using four additional sensors. Pressing different combinations of them will result in 16 variations of keyboard transposing, including up to 3 octaves up and down, fifth, fourth, third, tone etc.

Not only do you get the full range of a grand piano in a very compact design, TERRA also offers an entirely new and different approach to playing melodies and chords.

The keyboard consists of 12-note sensors with velocity and pressure sensitivity allowing for the manual creation of slow attack and vibrato, 4 dynamic sensors for timbre modification and control, 4 pitch-shifting sensors and 2 hold sensors for holding the state of the timbre and note sensors.

Inside TERRA there is a three-axis motion sensor for creating a variety of different modulations by simple intuitive movements of your hands and body.

TERRA is digital and contains 32 complex synthesis algorithms. Each algorithm has been carefully designed to be a complete and flexible musical instrument on its own, ready for learning and playing in its own unique way. The goal is to free the musician from long exhausting programming, setting hundreds of parameters for creating one timbre, and instead putting the focus directly on music and performance and following your imagination and inspiration.

TERRA offers the best of both worlds: the direct intuitive tactile connection from acoustic instruments and the flexibility and versatility of synthesizers. TERRA inherits design principles from LYRA-8 and also contains application of the new principles that were announced for ReFLEX, exploring the future of synthesis.

TERRA has an extremely simple interface that gives you instant access to all its functions in several touches, including saving and loading the 96 presets that are stored directly on the playing sensors. TERRA has no display. Instead it shows and lets you dial all necessary data on the 6 LED-sensor triangle in the centre.

TERRA has a built-in FX processor so the stereo output is ready to use, making it a perfect stand-alone performance instrument. While the sound generation is digital, TERRA has a unique custom-built and top quality analogue part that makes it sound rich, natural, clear and powerful at the same time.

The housing of TERRA comes from a solid piece of wood, making each instrument unique and slightly different. In the photo above and in the announcement demo video you can see the prototype of the synth. The final design is in development and we intend to make several different versions.

TERRA is a sanctuary for a natural soul right in the middle of the rumbling plastic world, a ground where you can breathe in and out slowly, and hold on to your roots.

TERRA is our dream about a bright future where we will be both technologically advanced and more connected to nature, where machines and technology are not a prison for our feelings and spirit but their extension.

Synthesis algorithms: 32
Polyphony: 1-12 voices (depending on the algorithm)
Presets: 96
Pitch Shifter presets: 24
Line out: L, R TS/TRS 1/4-inch jacks / 6.35 mm jacks
Maximum line output signal: 13 V peak-to-peak
Nominal line output signal: ~1.5 V (volume 100%)
Headphone output: TRS 1/4 inch jack / 6.35 mm jacks
Headphones impedance: 6-64 ohm
CV-clock input voltage: 3-15 V
Power supply voltage: DC 12 V *
Consumption current: 0.2 A
DC jack: 5.5 x 2.1 mm, "+" in center
Dimensions: 405 x 365 x 57 mm
Weight: 2.2 kg
* TERRA comes with a high quality power supply . If it gets lost, use a high-quality modern switched-mode power supply with 12 V output voltage, at least 0.4 A maximum current, 5.5 x 2.1 mm DC jack, center "+".

What's included:

TERRA - 1 pc.
Power supply - 1 pc.
CV clock adapter (DIN5 - 3.5 mm mini-jack) - 1pc.
Short interface reference manual - 1 pc.
On-table mounting pads - 4 pcs.

Tags: Polyphonic synthesisers

est. release 30 Dec 23 HK$10,984.58

(No payment required now - pay when released)

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Xaoc Devices Batumi II 1974 Quadruple Low Frequency Oscillator II Module (digital/LFO/oscillator/quad/random/clock generator/CV modulation module)

Xaoc Devices

Cat: 979276 Rel: 31 Jan 24

Quadruple low frequency oscillator module - 10HP

Notes: Xaoc Devices presents Batumi II - a greatly improved and enhanced new iteration of the modern day classic that is/was the original Batumi, preserving its layout and form factor. The premise remains the same: four LFO's with individual outputs for sine, assign and rectangle waves. The channels can operate independently or they can be linked - phase shifted, divided or multiplied (new mode alert) with regard to the first channel. Multiple major and minor improvements have been implemented, e.g. when synced to an external clock source, each channel's frequency slider selects a clock division for that channel's outputs.

Xaoc Devices have managed to incorporate the features of the original expander into Batumi II (sync mode switching and assign waveform selection) without changing the size of the module which opened up new possibilities for the new optional expander. The Poti II expander for Batumi II adds multi destination inputs for sine wavefolding, assign output waveform selection or rectangle pulse modulation with the destination set for each channel independently. Poti II also features frequency input attenuation as well as sine and assign output attenuation. All adjustments may be performed separately for each individual channel or for all channels simultaneously.

The Batumi II software has been rewritten from scratch to ensure best performance. The hardware has also been updated to allow for V/oct tracking and stable operation up to audio rates (more powerful CPU, precise, wideband converters, antialiased waveforms).

-4 LFO's
- redesigned from scratch - both the hardware and software
- new waveforms for the assign output (including random)
- new frequency multiplication mode
- all features of the Poti expander incorporated into the main module
- very wide frequency range well into audio rate
- 1V/oct tracking = so can be used as 4 VCO's
- in the Phase/Divide/Mult modes the random waves at the ASGN output follow the values available in the master/A channel
- 10HP
- +90/-50mA

est. release 31 Jan 24 HK$2,319.46

(No payment required now - pay when released)

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Winterbloom Castor & Pollux II Dual Juno-Inspired Oscillator Module (digital/dual/stereo/oscillator module)

Winterbloom

Cat: 939094

Dual Juno-inspired oscillator module - 14HP

Notes: Twins that dance in and out of phase, never completely together but never fully apart, bound to each other in the infinite universe.

Castor & Pollux is a dual oscillator that echoes back to the legendary Roland Juno but shines with its own unique, massive voice. It contains two digitally-controlled analogue oscillators implemented using a faithfully modernized version of the original Juno 106 design. It builds on the classic '80s sounds of its inspiration by using the second oscillator and internal LFO to layer in thick detuned sounds and harmonically complex hard synced waveforms.

Castor & Pollux II brings a redesigned interface and moves individual waveform outputs to an included expansion. Both versions have the same features and use the same firmware.

14 HP
+12 V @ 100 mA, -12 V @ 35 mA
25 mm deep
2 separate oscillators
7 octave range
9 total outputs with waveform outputs and onboard mixers
Pitch CV input jacks (0 V to 6 V) and pitch knobs (-1 to +1 octave, configurable)
Pulse width CV input jacks and knobs
Hard sync
Hardware chorusing
Internal low-frequency oscillator (LFO)

Tags: Oscillator module

coming soon HK$2,294.96

(No payment required now - pay when released)

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Xaoc Devices Poti II 1974 Batumi II Expander Module (expander module)

Xaoc Devices

Cat: 979277 Rel: 31 Jan 24

Expander module for Batumi II - 4HP

Notes: Poti II expander notable features:

- per-channel input and output attenuation for the SINE and ASSGN outputs
- per-channel shape modulation with switchable destination (wave folding, shape switching, PWM)
- stores settings during a power cycle
- LED indication of the discrepancy between the stored setting and current pot position
- 4HP
- +10/-0mA from Batumi II

est. release 31 Jan 24 HK$628.89

(No payment required now - pay when released)

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Klavis Grainity Digitally-Controlled Full-Analogue Path Granular & Multi-Mode VCF Module (black) (filter/phase shifter/pitch shifter synth module)

Klavis

Cat: 951606

Digitally-controlled full-analogue path granular and multi-mode VCF module - 10HP.

Notes: Digitally-controlled full-analogue path Granular + Multimode VCF

The Grainity brings a unique and never-heard-before concept to the world of analogue VCF.

While being based on analogue filtering only, the Grainity expands and enriches the sound in creating subharmonics, harmonies, unison, flanging effects and formant filtering all at once.

The module presents two sections, the granular filter itself and a typical multimode filter, each with its own output.

A third output offers a mix of both filter paths. Numerous controls and CV allow a very wide palette of results.

What is the Grainity

Granular?

The word granular was chosen for this filter module in relation to the concept invented by the composer Yannis Xenakis, and which is described as assembling small chops of sounds - he called grains - according to a pattern.

This is exactly what the Grainity does, no more no less ... but, digital control allows doing it in ways that are decades away from what tape and scissors allowed at the time.

Technology wise ...

In the granular section, the incoming sound cycle is determined in order to step through various filtering and phase variations of itself according to predefined patterns called structures.

The controls allow alterations to the cycling phase, cycling frequency offset (tuning), structure selection and frequency division of the filters cycling. This comes in addition to the usual filter frequency and resonance controls.

What the Grainity is not

Technology wise ...

Despite relying on a microprocessor, the Grainity is not a digital audio processor. At any time, the sound remains in the analogue domain and goes through analogue circuits from in to out.

The digital processor does not convert or generate audio signals; it is there to control the analogue circuitry and manage the interface and display.

Sound wise ...

Several digital modules offering granular processing rely on the layering of sound grains, which leads to blurry and cloudy textures.

Layering of the grains is a late addition to the concept of granular synthesis and is not a mandatory feature of the concept.

The Grainity does not use delay lines or sampling memory but is nevertheless true to the foundations of the granular synthesis concept.

The granular VCF in the Grainity is unconventional in that, most of times, it is not filtering the sound in the common expectation of removing something. Typically, the granular process adds more than it removes by expanding both the lower range, creating subharmonics, and the upper harmonic contents in multiples ways.

Dimensions
10 HP
21 mm deep

Current Draw
101 mA +12V
59 mA -12V
0 mA 5V

Tags: Filter module | Phaser module

coming soon HK$2,686.98

(No payment required now - pay when released)

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1010 Music Nanobox Tangerine Compact Streaming Sampler (audio sampler)

1010 Music

Cat: 976070 Rel: 31 Jan 24

Compact streaming sampler

Notes: Sweet and Tangy Sampling

The nanobox | tangerine delivers powerful sampling in an ultra portable form factor. With this nanobox, you can add recording, sample playback, clip launching, slicing, and musically intelligent looping capabilities to your desktop or travel rig. With an intuitive touch screen interface, nanobox | tangerine makes easy work of selecting, editing, and tweaking your samples. You can stream large samples of up to 4 GB file size straight from the microSD card. Interact with other musical components via MIDI. Load multi-sample banks with over 500 samples for amazing instrument reproduction. Tweak your configurations to get them just right, then save them to multiple presets for future reuse.

Top features

Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card

Play multi-sample banks with up to 16 velocity layers and 576 WAV files loaded in one preset

Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, or new recordings

Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio

Trigger samples with the touch screen or MIDI input as one shots or melodic notes

Control how samples start and stop by choosing from one-shot, toggle, gate and piano (New!) launch modes

Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, and MIDI note and channel mapping

Quickly and easily use MIDI mapped controls for more tactile access to common parameters

Record up to 16 sequence layers per preset.

Get into the groove with a fast, fluid, and intuitive workflow

Make music anywhere thanks to a compact and nearly indestructible design

Recording Capabilities

Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

What is Included:
nanobox | tangerine - Compact Streaming Sampler
MicroSD card with 85 presets and over 1500 wav files
Colour matched USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Technical Specs:

Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type B
Clock Input: 1,2, 4, 8, 12 or 24 PPQ selectable
MIDI support: Note On/Off, Velocity, Pressure, Mod Wheel, Aftertouch, CC mappings to common parameters, program changes and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.
2" touch screen, 2 knobs and 4 buttons in a 3.75" x 3" x 1.5" package

Additional information

Weight: 0.65 lbs
Dimensions: 7.75 × 4.85 × 2.25 in

est. release 31 Jan 24 HK$3,364.77

(No payment required now - pay when released)

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Tenderfoot Electronics QQ2 Quad Quantizer Module (synth module)

Tenderfoot Electronics

Cat: 957292

Quad quantizer module - 12HP.

Tags: Quantizer module

coming soon HK$2,033.58

(No payment required now - pay when released)

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Plum Audio ADVA Smart Multimode Filter Module (black) (distortion/filter/noise/VCA synth module)

Plum Audio

Cat: 970492 Rel: 31 Dec 23

24dB analogue multimode filter module with VCA, white noise generator, pre and post-distortions and a smart interface - 6HP.

Notes: ADVA is a fat-sounding 24dB ANALOGUE MULTIMODE FILTER packed with features including a VCA, white noise generator, pre and post-distortions and a smart interface that makes it a versatile beast in a surprisingly small package.

With 7 filter modes, ADVA provides high richness and a wide variety of tones; it can filter gently like an LPG or it can be pushed up to the edges of hot acid tones.

Unlike many other multimode filters, a phase keeper ensures that ADVA never inverts the input's phase in any of its filter modes.

Self-Oscillation is available for all modes, producing a range of waves from clean sine waves up to soft square waves when activating the post-distortion circuit. Together with V/OCT tracking, ADVA works brilliantly as an oscillator or as a percussive sound generator.

A resonance loudness compensation circuit ensures that ADVA does not compromise on volume when the resonance is increased.

An Internal analogue white noise generator is the little bit of spice that can make the world of difference. Blend it together with the input signal by rotating the dedicated knob to add more richness to your sound and further emphasize cutoff movements, or use it as an FM source to achieve the different flavors of dirty tones.

ADVA is packed with two separate distortion circuits. First, the soft-clipping overdrive is located in the sound path after the white noise blend knob and the input gain knob, a circuit which can push the incoming signal to thicken any waveform. If you blend the input with the noise generator it can compress the noise and exaggerate it to achieve more aggressive levels.

The second (post) distortion is located after the VCA, just before the output. This is a more aggressive distortion and can be used for acid and other dirty hot tones.

Although the sound path is completely analogue, ADVA has a digital support circuit that enables a smart routing system with the option to modulate filter modes via CV, and a very intuitive interface that includes 3 CLICKKNOBS and an RGB LED ring that provides visual feedback for whatever state the filter is in.

Dimensions
6 HP
35 mm deep

Current Draw
110 mA +12V
5 mA -12V

Tags: Filter module | Noise module | VCA module | Distortion module

est. release 31 Dec 23 HK$2,311.23

(No payment required now - pay when released)

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Grp Synthesizer A1 Desktop Semi-Modular Analogue Synthesiser (analogue synthesiser)

GRP Synthesizer

Cat: 949970

A compact desktop semi-modular analogue synthesiser.

Notes: The new portable, compact and powerful analogue synthesizer, the Grp A1, an analogue desktop instrument that can be used as a compact tabletop synth or to complement an Eurorack system.

The Grp A1 monophonic synthesizer can be used as a stand-alone musical instrument or can be used to filter external signals through the Low Pass 18dB VCF resonant circuit. The presence of three internal signals (VCO, SUB and NOISE) ensures timbral power and ease of use. With the two Low Frequency Oscillators - LFOs (the first, integrates a Sample & Hold S&H) and the Envelope Generator ADSR, you can sculpt cyclic or transient modulation behaviour.

The instrument can be powered via a USB type C cable connected to any USB 2.5A power supply.

It can also be taken out of its cabinet to be easily installed in any EuroRack modular system; it can be powered using the normal flat cables supplied with EuroRack systems.

coming soon HK$4,157.04

(No payment required now - pay when released)

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AIAIAI Unit-4 Wireless+ Portable 2-Way Active Studio Monitors (pair) (4" wireless studio monitors)

AIAIAI

Cat: 973245 Rel: 31 Dec 23

2-way active monitors featuring a 4-inch high-excursion woofer and 1-inch silk-dome tweeter.

Notes: Wireless and portable studio monitors with powerful performance and accurate sound representation. Connect wirelessly for a clutter-free setup and bring your creative process anywhere.

Experience unparalleled flexibility and truly liberating mobility in your creative process as a music producer. These studio monitors allow you to create and mix music with accurate sound representation and powerful performance wherever you are. Connect wirelessly to your devices and enjoy crystal clear audio without the hassle of cables. Take control of your creativity and elevate your music to the next level with these wireless portable studio monitors.

Complete wireless freedom

Battery powered with 20H+ of playback time
W+ Link ultra low latency wireless audio for music creation - only 16ms of latency, uncompressed audio and robust connection
Complete wireless freedom - both audio and power cables

Reference monitor sound

2 way active monitor featuring a 4 inch high-excursion woofer and 1 inch silk-dome tweeter
Precision tonal accuracy over a flat +/-2dB frequency response from 50Hz to 20kHz
Bass vent and boosting EQ tuned to provide a clean bass extension down to 40Hz
Precise soundstage and point-source accuracy provided by the minimal front panel design,
incorporating a directivity controlling tweeter waveguide
Stage monitor design enables you to place the speaker upright or angled horizontally, to
optimise your sound field in changing workspaces
Shape UNIT-4's sound to your environment or preference using the AIAIAI app customisable
5-band EQ

Portable, compact and rugged

Size and weight of only 3 litres / 2.5kg
Rear bass vent designed to be a comfortable carrying handle when on the move
Removable steel grille provides sturdy protection for the woofer and tweeter

Connect to everything

W+ Link - use the X02 transmitter for low latency wireless music creation
Bluetooth 5.2 - listen to music from your Bluetooth enabled devices
Cable - connect directly via 3.5mm mini-jack and 6.3mm balanced TRS inputs

Responsible design

Main components produced from 100% recycled plastics, from post-consumer sources
Designed for disassembly and engineered from the inside out
Mechanically assembled in a glue-free design
Take the whole speaker apart using two screwdrivers
Replaceable components including battery and drive units
Future-proofed for new technologies with upgradable wireless electronics

In the box:

UNIT-4 Wireless+ 2pcs

Portable and ultra-low latency wireless studio monitors. Includes protective steel grills and power supplies with regional cord.

X02 Transmitter - 1pcs

USB-C W+ Link transmitter. Transmits to 2 x W+ Link devices simultaneously. Includes a 0,2m USB-C to USB-C cable in neon.

Protective pouch 2pcs

UNIT-4 protective pouch in black. Made from compostable fabric material.

Tech Specs

Freq. range: 40Hz to 40kHz (-10dB)
Freq. response: 50Hz to 20kHz (+/-2dB)
Peak SPL: 105 dBSPL
Woofer: 4-inch high excursion paper cone woofer
Tweeter: 1-inch silk dome tweeter
Amplifier power: 2 x 30W continuous, 2 x 80W peak
W+ Link latency: 16 ms
Bluetooth version: 5.2
Analogue inputs: 3.5mm mini-jack + 6.3mm TRS balanced
Playback time on battery: 20 hours
Charging time: 2 hours
Battery capacity: 77 Wh

est. release 31 Dec 23 HK$5,708.73

(No payment required now - pay when released)

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System80 810 MK2 Subtractive Analogue Voice Module (filter/mixer/oscillator/synth voice/VCA synth module)

System80

Cat: 964068

3-in-1 subtractive analogue voice module - 30HP.

Notes: 3-in-1 Subtractive Analogue Voice Module

Overview

The System80 810 MK2 is a 30 HP Eurorack module consisting of a high quality subtractive analogue synthesizer voice: Voltage Controlled Oscillator (VCO), Voltage Controlled Filter (VCF), and Voltage Controlled Amplifier (VCA). More than just a clone, the design of each sub-module is inspired by the golden age of Japanese analogue, featuring elements of the System 700, System 100m, and the Jupiter-8. Add some modulation and an envelope generator to create a complete patchable analogue voice with a distinctly vintage character.

VCO
* Discrete Voltage Controlled Oscillator with temperature compensated exponential converter
* 1 V/octave tracking over 7-8 octaves
* Sync input with weak and strong oscillator sync modes
* 1 V/octave CV input + two attenuated exponential CV inputs for pitch/frequency modulation
* Six position octave range switch
* Selectable waveform output: Pulse, Ramp, Triangle, or Sine
* Pulse Width Modulation CV input
* Sub-oscillator

VCF
* Cascaded OTA design inspired by classic Roland topologies with selectable 12 or 24 dB response
* self-oscillating with 1 V/octave tracking (3-4 octaves, normalized to VCO KYBD CV input)
* VCO output and sub-oscillator normalized to two log attenuated inputs
* Two frequency CV inputs, one unipolar and one bipolar
* Voltage controlled resonance

VCA
* Traditional single OTA design
* Three log attenuated audio inputs with IN 1 normalized to VCF output
* Two CV inputs with selectable exponential or linear response

Updates to the MK2 version
* Solid-state octave switching
* Memory recall of waveform selection
* Steel back cover

Dimensions
30 HP
30 mm deep

Current Draw
60 mA +12V
50 mA -12V

Tags: Filter module | Synth voice module | Mixer module | VCA module | Oscillator module

coming soon HK$3,503.64

(No payment required now - pay when released)

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VoicAs Multi-Rover Stereo Multi-Band LED OverDrive Module (distortion/dual/stereo/dynamics/equalizer/effect synth module)

Voicas Audio

Cat: 948245

Stereo multi-band overdrive module in 20HP.

Tags: Effects module | Equaliser module | Distortion module

coming soon HK$3,062.63

(No payment required now - pay when released)

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Collision Devices Nocturnal Shimmer Reverb Effects Pedal With Modulated Delay & Dynamic Tremolo (time effects pedal)

Collision Devices

Cat: 880806

A shimmer reverb effects pedal with modulated delay and dynamic tremolo.

Notes: Sleepless nights closer than ever

The Nocturnal is the fruit of the collaboration between Noli and Collision Devices

This pedal was a custom order for him and Collision Devices decided to build it as a limited edition.

Artwork by Noli.

Pass from the Dusk, through the Night to the Dawn with the Nocturnal.

The Nocturnal has a lifetime warranty. Of course.

3 effects, one pedal

Dusk

Modulated Delay

Warmed and inspirational delay based on a tape delay circuit.

Settings:

Mix: Controls the mix between Full Dry or 50% Dry / 50% Wet

Time: Time between each repetition. From a few ms to 1 second. Signal quality turns to Lo-Fi when it's pushed to long repeats.

Feedback: Number of repetitions. Able to self oscillate very easily when the knob is around 7.5.

Modulation: Amount of modulation in the delay repetitions. Create a sort of old tape effect

Speed: Modulation's frequency from 0.1 to 20 Hz.

Night

Dynamic Tremolo

Turn a huge amount of shimmer and reverb into it to make it oscillate faster.

Settings:

Sens: Sensibility, turn it clockwise to make the tremolo more sensitive to your attack

Depth: Controls the tremolo's volume

Dawn

Shimmer

Create bright soundscapes and loose the notion of time until the sunrise.

Settings:

Blend: Controls the amount of Dry/Wet signal. You can have a full Wet reverb.

Reverb: Reverberation time. Max 15 sec.

Shimmer: Makes the reverb shimmer

Filter: Digital filter. Low pass. Lets you make the shimmer darker or more shiny

Colour: Bandpass active and analogue filter around 3.3 kHz. Controls the Q of the filter.

Specs

Maximum current draw: 250 mA
Input Impedance: 1 MOhm
Size: 119 x 116 x 56mm

The use of an isolated power supply is recommended for powering all Collision devices Pedals.

Power supply not included.

The pedal is true bypass

Voltage: +9V DC (negative centre)
Output Impedance: 1 0 KOhm
Weight: 700 grams

~~MRP:HK$2,768.61~~ SAVE 12%
coming soon HK$2,441.97

(No payment required now - pay when released)

FORTHCOMING

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IK Multimedia iLoud Precision MTM 2x5" Studio Monitor (single, black) (2x5" studio monitor)

IK Multimedia

Cat: 895406

2x 5" Woofers + 30 mm Tweeter, 175W RMS, Coherent phase & time response, Built-in ARC, X-MONITOR tech

Notes: Studio monitors re-invented. Again.

iLoud Precision series represents another breakthrough in nearfield monitoring from the company that revolutionized compact monitors with iLoud Micro Monitor and iLoud MTM.

Available in a choice of 3 configurations - 2-way 5" or 6.5", and 2 x 5" MTM - these handmade works of sonic art reflect IK's 25+ years of expertise in loudspeaker design and digital signal processing, delivering a level of sonic detail that beats speakers at three times the price, with unique DSP-based features and software workflow enhancements that can't be found anywhere else.

Best-in-class frequency response

Creating mixes that translate perfectly to the outside world, iLoud Precision offers best-in-class frequency response with an extended range of 36 Hz - 30 kHz and a stunning +/- 1 dB accuracy ultra-flat response from 45 Hz to 30 kHz, for precise and uncolored audio throughout the entire listening range.

True linear phase response for unmatched clarity and translation

iLoud Precision leverages its advanced 96 kHz internal DSP system, digital crossover and custom-designed audiophile amplifiers to deliver true linear phase response above 150 Hz (and the very minimum possible phase rotation at low frequencies) for precise stereo imaging, sharp transients, incredibly solid bass and breathtaking detail. The result is a stunningly clear, transparent and revealing sound quality that's absolutely true to life.

Perfect time alignment that eliminates ear fatigue

iLoud Precision also sets a new standard for time coherence, or the precise timing alignment between all the portions of the audio spectrum. Reaching nearly the theoretical ideal performance, iLoud Precision offers the highest level of time accuracy, without sacrificing frequency response. Precise time alignment offers incredibly transient response and frequency balance and eliminates the ear fatigue that can develop over longer listening sessions on lesser monitors. Plus this improves the "readability" of the program and therefore translation.

Built-in acoustic calibration to hear your music and not your room

With iLoud Precision there's less worry about treating your room. Each speaker features built-in calibration based on the acclaimed ARC™ System technology. Just connect the included MEMS measurement microphone and in a few seconds, the iLoud Precisions will tune themselves to any environment from your mixing room to living room

Deep, controlled bass with or without a sub

With bass extension down to 36 Hz at only - 4 dB, iLoud Precision delivers deep, powerful bass that's nevertheless controlled and balanced, with minimum phase rotations. With ARC enabled, in many rooms iLoud Precision can reach as low as 30 Hz, while an adjustable bass roll-off lets Precisions integrate with a sub, for unparalleled low-end performance in any setup, without the need of an external crossover that could degrade sonic performance.

MTM configuration for point source sound

At the top of the range, the iLoud Precision MTM use the midwoofer-tweeter-midwoofer configuration to deliver not only the highest SPL, but also an ultra-precise, point source sound and an incredible stereo field. This means an even more natural, life-like sound, where the speaker cabinets "disappear" and attention can be focused entirely on the music.

Ideal for immersive setups

In addition to self-calibrating to the listening environment, iLoud Precision includes a range of low- and high-frequency management options, including a switchable Full/35/50/65/80 Hz extension to optimize their performance with Atmosr and other immersive setups.

Powerful software control

Extended calibration and custom voicing

The iLoud Precision series introduces X-MONITOR, a newly developed advanced control application for Mac and Windows that assists with ARC calibration and enables extended acoustic and voicing selection and adjustments to fine-tune iLoud Precision to your taste, plus convenient remote access to the settings on the Precision's back panel. The software is plug-n-play via a simple USB connection with no special setup needed.

Iconic studio monitors and popular speaker emulations

Even more exciting, X-MONITOR emulates the frequency and phase response of the most famous studio monitors on the market, as well as popular hi-fi speakers and mobile devices, for a breathtakingly true-to-life experience. Over 20 studio monitor profiles are included, and more will be released in the future, saving you money and space. A single pair of iLoud Precisions with X-MONITOR lets you test a mix on different reference systems quickly, without ever leaving the sweet spot or needing any other speakers.

Fully accessorized
Measurement microphone included

Each iLoud Precision includes a high precision MEMS measurement microphone for the built-in ARC calibration that makes setting up the monitors a breeze.

Isolation pods included

Designed to meet the specific needs of audio professionals and musicians, each iLoud Precision includes a kit of 4 iLoud Isolation Pods. Enjoy enhanced audio clarity, consistency and imaging precision throughout the whole frequency spectrum as these custom pods dramatically reduce the propagation of vibrations between the speaker and supporting surface.

Optional remote control

The optional iLoud Precision Remote Control lets you switch easily between 4 X-MONITOR speaker emulations or custom voicings and assign functions like ARC On/Off, Mute or Dim. And for use with ARC room correction software, the remote can control the measurement/room calibration process from the desk while providing visual feedback on the process status.

Specs

2x5" ultralight coated paper mid-woofer
1.5" high output, low distortion chambered textile dome tweeter
Audiophile, custom-designed Class-D power amplifiers
175 W total RMS power
Max SPL, peak, pair, music, 1 m: 119 dB
Complete DSP controlled system, 96 kHz sampling rate
45 Hz to 30 kHz frequency response +/- 1dB
37 Hz low frequency extension @-4 dB
Phase response: Coherent, 0/+20- max from 150 Hz up
Phase rotation at 100Hz (with high pass filter off): 40- max
Directivity (Vertical - all voices): +/-50-
Directivity (Vertical - Wide Dispersion mode): +65-/-65-
Continuous, long term SPL free field, 1 m distance, one speaker, fullband pink noise: 103.5 dB(A)
Peak SPL free field, 1 m distance, one speaker, fullband pink noise: 109.5 dB(A)
Peak SPL, half space, 1 m distance, one speaker, fullband pink noise: 111.5 dB(A)
Maximum peak SPL, per pair, 1 m distance, music program: 119.5 dB(A)
Crossover frequency: 1.9 kHz
Crossover type: 8th order, linear phase
LF Power amp (short term): 145 W
HF Power amp (short term): 30 W
Power amps distortion at nominal power: 0.005%
Total latency or TOF: 2.5 ms
Adjustable additional delay: 0-10 ms
High pass filter: off, 35, 50, 65, 80 Hz
LF contour: from -10 to +6 dB
Desk contour: from -10 to 0 dB
Mid contour: from -4 to +4 dB
HF contour: from -6 to +6 dB
Sentitivity: -4 dBu / 93 dBSPL
Input gain trim: +/-5 dB
Unit to unit consistency: +/-0.5 dB
Operating temperature (non condensing): from 0 to 35 -C
Coherent time response across the audio spectrum
High performance vented design
Built-in ARC room calibration
X-MONITOR technology
Remote control for X-MONITOR voice selection and measurement process control
X-MONITOR macOS and Windows control software

Dimension and weight
(H x W x D): 442 mm/17.40" x 177 mm/6.96" x 223 mm/8.77"
9.9 kg/21.8 lbs.

Package includes:

1 x iLoud Precision MTM monitor
Power cord
ARC Microphone
ARC Microphone clamp
USB-B to USB-A 2.5 m/8.2 ft. cable
1 x kit of 4 iLoud Isolation Pods

coming soon HK$9,800.30

(No payment required now - pay when released)

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Zoom R4 MultiTrak Handheld 4-Track Recorder With 32-Bit Float Audio (mixer/audio recorder)

Zoom Corporation

Cat: 976400 Rel: 31 Jan 24

Handheld 4-track recorder with 32-bit float audio

Notes: The Little Recorder For Big Ideas

Introducing the Zoom R4 MultiTrak

Designed By Musicians

All of our engineers are musicians and they designed the R4 to empower musicians to explore big ideas. With a unique dedicated 'bounce track' and 32-bit float recording, the R4 is perfect for capturing your most ambitious compositions.

Record. Bounce. Repeat.

With the R4, you can record up to four tracks, mix and then bounce them to the dedicated 'bounce track.' This lets you free up additional tracks to keep adding layers.

You can choose to do a 'quick' bounce or mix and bounce in real time.

The R4 also allows you to 'undo' your last bounce, if you're not satisfied with the results.

32-Bit Float Recording

The R4 captures perfect audio with every take, without the need to set gain.

Combo Inputs

The R4 has 2 XLR/TS combo inputs with legendary Zoom preamps. You can plug in microphones, instruments, keyboards, and more.

Track Effects

Each track features a 3-band EQ, pan, echo, and reverb to refine your mix.

Input Effects

Apply effects to input A such as amp simulations, delays, distortions and more.

Built-In Microphone

The R4 features a high-quality built-in microphone, perfect for acoustic guitars, vocals, or capturing a quick reference recording.

Much More Than A Metronome

The R4 has a rhythm section preloaded with over 80 different drum patterns to play along with featuring genres such as rock, hip hop, funk, heavy metal, and more.

Every Take Is Saved

Tracks that you record are automatically saved individually, even after they have been bounced.

32-Bit Float Audio Interface

The R4 is also a powerful 2-in/ 2-out USB audio interface with 32-bit float technology. Connect it to either your computer or smartphone.

Control and Create

With a fader for each track and dedicated hardware buttons for the most used functions, you won't need to menu dive to record your music.

Powered For Your Ideas

The R4 can be powered by 4 AA Batteries, or through its USB-C port.

Specs

Inputs/outputs
Inputs: Built-in mic (mono): 1
XLR/TS inputs (mono): 2
Output: Headphones: 1

Inputs
XLR/TRS inputs:
Connectors: 2 XLR/TRS combo jacks (Balanced, XLR: 2 HOT)
Input gain: No adjustment required (dual A/D converter circuit used)
Input impedance XLR: 2.3 kO; TS: 1 MO
Maximum input level: XLR: +4 dBu, TS: +10 dBu
Phantom power: +48 V (switchable separately for INPUTS A and B)
Equivalent input noise: XLR: -120 dBu or less (IHF-A); TS: -107 dBu or less (IHF-A)
Frequency response: XLR: -0.5 /+0.0 dB : 20 Hz - 20 kHz; TS: -0.2 /+0.0 dB : 20 Hz - 20 kHz

Built-in mic input
Directionality: Omnidirectional
Input gain: No adjustment required (dual A/D converter circuit used)
Maximum sound pressure input:
115 dB SPL
Output

Headphone

Connector: 1 stereo 3.5mm mini jack
Output impedance: 10 O
Maximum output level: 20 mW + 20 mW (into 32O load)

Recorder

Maximum simultaneous recording tracks: 2
Recording format: WAV: 48kHz, 32-bit float, mono
Recording media: Cards compatible with microSDHC specifications 4 GB - 32 GB; Cards compatible with microSDXC specifications 64 GB - 1 TB

Display: 2" full-colour LCD (240 × 320)

USB

Connector: USB Type-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Audio interface function
Class: USB 2.0 High Speed
Sampling frequency: 48 kHz
Bit rate: 24-bit/32-bit float
Input / output channels: 2 in/2 out
Mass storage function: USB2.0 High Speed

Power supply

Batteries: 4 AA (alkaline, lithium, or rechargeable NiMH)
AC adapter: ZOOM AD-17 (5V/1.0A)
* USB bus power is supported.
Estimated continuous operation time using batteries

Alkaline batteries: about 7 hours
NiMH batteries (1900 mAh): about 6 hours
Lithium batteries: about 14 hours
* Use conditions: Recording 1 track, playing 1 track, phantom power off, headphones into 32O load, power saving on
* The above values are approximate. * Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

Power consumption: 5 W
External dimensions: 74 mm (W) × 138 mm (D) × 36 mm (H)
Weight (including batteries): 287 g
Note: 0 dBu = 0.775 Vrms

est. release 31 Jan 24 HK$1,845.71

(No payment required now - pay when released)

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Omiindustriies Quad Mute 4-Channel Passive Mute Switch & Multiple Module (multiple/switch synth module)

Omiindustriies

Cat: 941423

A four-channel passive mute switch and multiple in 4HP.

Notes: The Quad Mute is a four-channel passive mute switch and multiple, great for performative control over your patches. Each channel includes a mute switch that interrupts the signal going from the input to the output. The module features top-down normalization, meaning without a jack present at an input, the signal above it is connected to that input. This allows the module to function as a multiple and pass one signal to several destinations. Each channel includes a bicolor LED that displays the activity of the input signal when it passes to the output.

Tags: Multiple module | Switch module

coming soon HK$318.51

(No payment required now - pay when released)

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Buchla Music Easel (Retro) Modular Analogue Synthesiser (modular analogue synthesiser)

Buchla

Cat: 956180

The development of the legendary modular analogue synthesiser by Don Buchla.

Notes: The Buchla Music Easel was one of the first truly portable electronic music instruments. Fifty years ago, in 1973, only a few dozen were made. Unlike many iconic technologies, the influence was not grown through force of scale, but rather the force of the ideas. The Music Easel made available virtually every musical dimension: timbre, melody, rhythm, and time; how these dimensions intersected was no longer the court of acoustics and material, but signals and voltage. The 208 Stored Program Sound Source engendered "a new functional organization [with a] particularly rapid system of patching and program storage via plug-in cards."

Taking cues from the then-recent discipline of cybernetics, the 218 touch plate was for "real-time communication" to help realize the "potential vocabulary" of the Easel, rather than exploiting existing modes of musical virtuosity. The Stored Program Cards ensured rapid repeatability and repertoire on its own terms. The battery terminals made sure the music was as portable as any acoustic instrument. And the name let you know it was designed for art rather than science.

Buchla is ecstatic to revive the Music Easel for its third run in 50 years. Buchla first released the updated 208 Stored Program Sound Source, dubbed the Easel Command, with expanded MIDI and USB capability. Next came the update of the Easel Program Manager - a complete kit for storing and recalling sounds sources, even more rapidly than imagined in 1973. The new 218 Touch Activated Voltage Source provides the optimal input facility, as originally envisioned. It is now all together in a rugged case and the advanced EMBIO module that unifies all the audio and control inputs and outputs for integration with the rest of your musical world.

More than a retro novelty, the Music Easel still speaks to a future we strive for. A technology that invites conversation, not chats, and controls that engage expression, not work. There are many new worlds to explore in this instrument created at the crossroads of the jazz and computer ages. Designed as "an integrated assemblage of functions", rather than a collection of modules, the Music Easel's colour coding, comfortable access to controls, and solid patch connections allow for satisfying sessions of sonic discovery.

The Music Easel (retro) is available for pre-order starting in June 16 at Buchla.com and your favorite Buchla Dealer with delivery expected in winter 2023.

Stored Program Sound Source Model 208C

The sound source of the Music Easel is the 208C, which includes a complex oscillator and a modulation oscillator (which can also serve as another voice), each with independent switchable waveforms, as well as a noise generator, allowing for rich and intricate sound design. The 208C also features a five-stage sequencer, envelope generator, pulser and modulation source - with switchable triggers - allowing for complex patterns and evolving textures. The dual low pass gate provides dynamic control over the tone and amplitude of the sound, as well as natural-sounding decay and sustain. The 208C has a number of modulation sources, including a random voltage generator, the envelope generator, modulation oscillator, and an envelope detector. These sources can be used to modulate various parameters via the extensive patchfield - creating movement, texture, and complexity. The 208C also includes a mixer section with spring reverb.

Touch Activated Voltage Source Model 218e (v3)

The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been elevated with a new foundation of stable, modern electronics with incredible sensitivity and accuracy - the lightest touch will produce triggers and control voltages. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience. As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the 218e a uniquely expressive controller. The 218e includes portamento and an arpeggiator, which can be driven by external inputs and are allowed to interact with the automated notes to make patterns more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising. The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control. The 218e also gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel.

Electric Music Box Input/Output (EMBIO)

Maintaining the spirit, sound, and process from the original, the new Music Easel adds a variety of new features. Buchla's latest renditions of the Stored Program Sound Source and Touch Activated Voltage Source are tied together with the Electric Music Box Input/Output (EMBIO) module. This of course provides MIDI out (mini jack and USB) and CV out from the 218, MIDI in to the 208, and the audio out from the 208C. Additional creative control comes from the Audio Mixer, for integration with other Buchla modules and systems, and the CV conditioners and controls. The slew control can turn your sequencer into a wavy modulator, or soften up a square LFO. The attenuator and crossfader gives you the opportunity to find new levels and combinations of voltages from existing ones. The pulse converter offers new rhythms to trigger. And a simple LFO provides another valuable modulator when you just can't quite let yourself flip that Mod Osc switch from "high" to "low."

coming soon HK$40,826.80

(No payment required now - pay when released)

FORTHCOMING

Related products...

Buchla Music Easel (Modern) Modular Analogue Synthesiser (modular analogue synthesiser)

Buchla

Cat: 956175

The development of Don Buchla's legendary modular analogue synthesiser.

Notes: The Buchla Music Easel was one of the first truly portable electronic music instruments. Fifty years ago, in 1973, only a few dozen were made. Unlike many iconic technologies, the influence was not grown through force of scale, but rather the force of the ideas. The Music Easel made available virtually every musical dimension: timbre, melody, rhythm, and time; how these dimensions intersected was no longer the court of acoustics and material, but signals and voltage. The 208 Stored Program Sound Source engendered "a new functional organization [with a] particularly rapid system of patching and program storage via plug-in cards."

Taking cues from the then-recent discipline of cybernetics, the 218 touch plate was for "real-time communication" to help realize the "potential vocabulary" of the Easel, rather than exploiting existing modes of musical virtuosity. The Stored Program Cards ensured rapid repeatability and repertoire on its own terms. The battery terminals made sure the music was as portable as any acoustic instrument. And the name let you know it was designed for art rather than science.

Buchla is ecstatic to revive the Music Easel for its third run in 50 years. Buchla first released the updated 208 Stored Program Sound Source, dubbed the Easel Command, with expanded MIDI and USB capability. Next came the update of the Easel Program Manager - a complete kit for storing and recalling sounds sources, even more rapidly than imagined in 1973. The new 218 Touch Activated Voltage Source provides the optimal input facility, as originally envisioned. It is now all together in a rugged case and the advanced EMBIO module that unifies all the audio and control inputs and outputs for integration with the rest of your musical world.

More than a retro novelty, the Music Easel still speaks to a future we strive for. A technology that invites conversation, not chats, and controls that engage expression, not work. There are many new worlds to explore in this instrument created at the crossroads of the jazz and computer ages. Designed as "an integrated assemblage of functions", rather than a collection of modules, the Music Easel's colour coding, comfortable access to controls, and solid patch connections allow for satisfying sessions of sonic discovery.

The Music Easel is available for pre-order starting June 16 at Buchla.com and your favourite Buchla Dealer. Delivery of the Music Easel (modern) is expected fall 2023.

Stored Program Sound Source Model 208C

The sound source of the Music Easel is the 208C, which includes a complex oscillator and a modulation oscillator (which can also serve as another voice), each with independent switchable waveforms, as well as a noise generator, allowing for rich and intricate sound design. The 208C also features a five-stage sequencer, envelope generator, pulser and modulation source - with switchable triggers - allowing for complex patterns and evolving textures. The dual low pass gate provides dynamic control over the tone and amplitude of the sound, as well as natural-sounding decay and sustain. The 208C has a number of modulation sources, including a random voltage generator, the envelope generator, modulation oscillator, and an envelope detector. These sources can be used to modulate various parameters via the extensive patchfield - creating movement, texture, and complexity. The 208C also includes a mixer section with spring reverb.

Touch Activated Voltage Source Model 218e (v3)

The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been elevated with a new foundation of stable, modern electronics with incredible sensitivity and accuracy - the lightest touch will produce triggers and control voltages. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience. As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the 218e a uniquely expressive controller. The 218e includes portamento and an arpeggiator, which can be driven by external inputs and are allowed to interact with the automated notes to make patterns more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising. The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control. The 218e also gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel.

Electric Music Box Input/Output (EMBIO)

Maintaining the spirit, sound, and process from the original, the new Music Easel adds a variety of new features. Buchla's latest renditions of the Stored Program Sound Source and Touch Activated Voltage Source are tied together with the Electric Music Box Input/Output (EMBIO) module. This of course provides MIDI out (mini jack and USB) and CV out from the 218, MIDI in to the 208, and the audio out from the 208C. Additional creative control comes from the Audio Mixer, for integration with other Buchla modules and systems, and the CV conditioners and controls. The slew control can turn your sequencer into a wavy modulator, or soften up a square LFO. The attenuator and crossfader gives you the opportunity to find new levels and combinations of voltages from existing ones. The pulse converter offers new rhythms to trigger. And a simple LFO provides another valuable modulator when you just can't quite let yourself flip that Mod Osc switch from "high" to "low."

coming soon HK$40,826.80

(No payment required now - pay when released)

FORTHCOMING

Related products...

Plankton Electronics Spice Desktop Modular Saturation Effects Unit (saturation effects unit)

Plankton Electronics

Cat: 934364

A modular saturation unit capable of a huge variety of sounds and colours.

Notes: SPICE is a modular saturation unit capable of a huge variety of sounds and colors. From subtle tube warmness to extreme fuzz distortion.

Features:

Rackable (38HP eurorack) modular desktop unit.

8 CV inputs with led level indicators.

6 main functions: Prefilter / Digital / Analog / Mixer / Envelope Follower / Feedback

Prefilter: High Pass and Low Pass filters to shape the sound before being processed. Both controllable via fader + CV input.

Digital: 12 bit Bit Crusher / Bit mute, Biswap and Bit inversion + Sample Rate reducer. Both controllable via potentiometer and CV inputs. It also offer an analogue input control with led clip indicator and a low pass filter to smooth the output signal. All the code will be Open Source

Analog: 7 analogue distortion circuits selectable with a rotary encoder + a sweet resonant state variable filter. Drive and Cutoff parameters are controllable via potentiometer and CV inputs. 2 of the circuits use the new Korg NU-TUBE.

Mixer: Dry and Wet controls to mixed the processed signal with the clean one of the input. Both controllable via fader + CV input.

Envelope Follower: A dedicated envelope follower with gain control and normal and inverted outputs to convert an incoming signal to an envelope. With its output you can control any of the CV parameters and shape the processed sound in many creative ways.

Feedback: a triple feedback section that sends the Wet input to the Prefilter, Digital and Analog sections. It's capable from a subtle resonance to a collapsed hardcore self generating tone.

Semi-modular architecture with pre-patched sections that can be restructured using patch cables. Each section (minus the feedback) can be used as an independent function from the rest.

coming soon HK$4,532.69

(No payment required now - pay when released)

FORTHCOMING

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Atomosynth Tottem v2 4-Voice Analogue Drum Synth Module (drum/quad synth module)

AtomoSynth

Cat: 958687

4-voice analogue drum synth module - 24HP.

Notes: Atomosynth's legendary drum synthesizer comes back this time with four independent, all-analogue percussion synth voices.

Two of them feature a full percussion synth with triangle and square wave oscillator, an envelope for the "sweep" effect, one modulator with triangle and square wave as well as noise, also a decay envelope for the overall volume contour.
These are very flexible generating from powerful bass drums, toms, clicks, all the way to "laser gun" and weird glitch sounds.

The other two voices feature an oscillator with "metal" and square wave, a white noise generator, a mixer, and also a decay envelope. These are great to produce metallic sounds like hi-hats, crashes, cymbals, clicks, beeps, and all craziness in between.

Combining the two synth voice types you can expand the possibilities even further for more complex sounds. Finally an output mixer with individual level controls and outputs for each voice and a master output.

The new Tottem produces a "raw" organic character sound, that does not emulate any drum machine and stands apart from the very polished and over-processed digital drum synthesizers and samplers, giving you a new sound to enrich your percussion palette.

Specs

Four analogue percussion synthesizer voices.
Two voices feature, one oscillator, two decay envelopes, one LFO, and a noise generator.
Two voices feature, one square wave and metal oscillator, one noise generator, one mixer, and a decay envelope.
Individual manual gate buttons.
Output mixer.
Individual outputs for each voice.

Dimensions
24 HP
25 mm deep

Current Draw
197 mA +12V
75 mA -12V

Tags: Drum module

coming soon HK$2,164.22

(No payment required now - pay when released)

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Midronome MIDI Master Clock & Metronome (MIDI clock/metronome)

Midronome

Cat: 963545

MIDI master clock and metronome.

Notes: EEffortless and reliable MIDI synchronisation.

Set the tempo on your MIDI devices, modular synths, your daw and use the built-in metronome with live musicians.
At the core, the Midronome is a MIDI Master Clock, that means it will set the tempo on your MIDI gear like synths, sequencers, drum machines, Ableton, guitar pedals, etc.

Live, it will sync acoustic musicians as well with its built-in metronome in time with the sequencers.

In the studio it will solve any sync issue you might have, by syncing tightly your DAW and your outboard gear together.

It has two CV/Analog outputs for your Modular gear like Euro-racks, which can also be used a DIN (sync24) clock output for your vintage synths.

The function

So damn easy to use

Plug 3 cables and you're ready to play. Your sequencers and drum machines will automatically start in time. Change the configuration with a few clicks directly on the device.

Tons of possibilities

Customize the Midronome so it fits your setup. Choose the click sound, the speed of your CV signal, the pedals' function, the play button behavior, even the brightness of the LEDs.

Ready for live

Big display, to stay in control on the dark stage. Large metal knob and buttons that light up. Sturdy steel metal case. Special locked Mode to prevent accidental changes.

Fast and responsive

Press a button, turn a knob, or power it up, the Midronome responds instantaneously, you will never have to wait.

Tap tempo in five ways

Turn the knob, tap the button, use a drum pad, a pedal or simply send an audio sync signal - pick what fits your setup.

Ultra stable clock

No more sync issues with a jitter-free MIDI clock. Measured jitter of under 10ns, 50000 times more precise than a computer-based MIDI Clock.

The connectivity

Midronome's back

MIDI/DIN/CV/analogue clock

Whatever clock signal your equipment needs, Midronome has got you covered.

Headphones/LINE out

Send the audio click to headphones directly, or send a balanced line-level signal to your in-ears mixer.

USB powered

Avoid the classic "oh no I forgot the power plug!", just get any USB cable and plug it in a phone charger, a computer, or whatever you have handy.

Pedal / drum pad input
Connect 2 pedals to control Mute, Play, or Tap Tempo. Replace one pedal with a drum pad to tap both tempo and time signature.

Sync DAW over audio

Get your software and hardware in sync with one simple audio track in your DAW. Send the signal to the Midronome's input, and your DAW will control your Midronome, both tempo and time signature at sample rate precision.

Independent MIDI ports

Start or stop your devices independently on each port, using either two buttons or two pedals. Need more ports? Connect a MIDI powered Thru box, or even add more Midronomes to expand while keeping the same remarkable precision.

The versatility

Hybrid studio

Do you have a recording studio with lots of gear? Do you struggle to get your hardware in sync with the recording software?

Rock band

Do you want to spice up your rock sound with a few sequencer synths, without having the hassle of a complex computer setup?

Solo artist

Are you a solo artist who plays many instruments on stage? Do you need a hands-free solution to sync your gear?

Tempo

Tempo Range: 30 to 400 BPM
Time Signature: from 1 to 99 beats per bar

Connections

Physical Outputs: 2x independent MIDI Outputs, 1x Audio Output (6.35mm Stereo TRS jack) with headphones/line switch, 1x CV/Analog/DIN Sync Clock Output (3.5mm Stereo TRS jack)
Physical Inputs: 1x USB plug (also used for power), 1x Multi-function input (6.35mm Stereo TRS jack)

MIDI Clock

MIDI Outputs
No-load voltage 3.3V
Follows MIDI Specification
Compatible with MIDI-powered devices

MIDI Packets
Constantly: F8 (MIDI Clock)
Start: F2 00 00 (MIDI SPP 0), FA (MIDI Start)
Stop: FB (MIDI Stop)
Resync: same as Start

MIDI Clock Jitter: +/- 5 nanoseconds; Other MIDI packets do not add any jitter

USB-MIDI
Class Compliant
3 interfaces: Midronome Clock & Start, Midronome Clock Only, Midronome Commands (see below)

USB-MIDI Commands (to send to the Midronome over USB-MIDI)
MIDI Start/Cont./Stop -> same as pressing PLAY
MIDI Clock -> ignored
Ch 12 MIDI CC 85-89 -> set tempo
Ch 12 MIDI CC 90 -> set time signature

Analogue Clocks

CV/Analogue clocks:
2 independent outputs (Stereo TRS jack)
5ms pulse 0-5V
Configurable speed from 1ppq to 24ppq (pulses per quarter note)

DIN Sync (sync24)
Tip/Left = pulses 0-5V 24ppq
Ring/Right = start/stop signal 0-5V
Compatible with vintage Roland devices with a TRS to DIN adapter

Audio Metronome

Metronome sound
60 different click sounds
Different click sound for downbeat

Max. Audio Level
Balanced Line Out: +13 dBu
Headphones: 15 mW + 15 mW at 32 O

Audio volume
9 volume levels
+/-6dB step
Different volume for downbeat click

Multi-function Input

Possible functions:
Pedal/Footswitch
Drum Pad
"Audio Sync" Mode (to sync with DAWs f.ex.)
Additional pedal (with one of the above)

Pedal functions
Mute/Unmute
Play/Stop
Tap Tempo

Drum Pad Modes
Tap Tempo
Tap Tempo + Tap Time Signature (detects stronger hits)
3 configurable sensitivity levels

Audio Sync Mode: Sync to an Audio Sync Signal generated by the SyncFileGenerator Tool

Accepted pedal type: Momentary (typical sustain pedal), Latching (typical guitar amp footswitch)
Accepted pedal polarity: Any (automatically detected)

Other

Play/Stop Modes: Play on the next bar, Play right away and reset metronome (to the beginning of the bar)
PLAY Button Modes: Play on both MIDI Ports, Play only on MIDI Port 1
MUTE Button Modes: Mute/unmute, Second Play button: Play only on MIDI Port 2 (one button per MIDI Port)
Power Source: USB Bus Power - 5V

Current consumption: 60mA average (default display brightness, set to 003), 90mA average (maximum display brightness, set to 008), 300mA peak (without add-on module)
Asks for 500mA from USB host
Dimensions (W x D x H): 128 x 76 x 54mm
Weight: 382g

coming soon HK$1,380.19

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Bleep Labs Sensory Coupler Multi-Sensor Interface Module (interface synth module)

Bleep Labs

Cat: 943691

Converts touch, proximity, light, magnetic fields and motion into CV and gate.

Notes: The Sensory Coupler allows you to easily convert touch, proximity, light, magnetic fields, motion, and more into CV and gate.

Built-in touch contact and 1/8" TRS jack sensor interface. Other sensors and devices like expression pedals can be easily added. DIY info coming soon.

Calibration mode. Sensors produce different readings in different environments, the Sensory Coupler calibrates them to utilize the entire 0-10V CV output range.
CV output based on calibrated or raw sensor data. 0-10V.
Two gate outputs. Work based on an adjustable threshold level. When the sensor reading is above or inside the threshold, GATE will output 12V while !GATE will be 0V and vice versa.
Smoothing modes. Sensor readings can be chaotic when you might not want them to be so there are two smoothing modes. One simply averages readings to create slow rises and falls while the other acts like an envelope follower with adjustable decay.
Large LED strip display. Visualizes the sensor reading, threshold, smoothing mode and more.

USB MIDI standalone mode. The Sensory Coupler can work without modular +-12V power, getting power with the built in USB-C connector and sending and receiving MIDI notes and CC. In USB mode gate outputs work at 4V instead of 12V but CV out is disabled.

Includes:

Phototransistor / light sensor
Hall effect / magnetic sensor
Accelerometer / motion sensor
Gooseneck 1/8" TRS cable. Easy to bend and stays in place.
2M 1/8" TRS cable. Has a higher gauge than a regular 1/8" modular cable, allowing for sensors to be connected at a distance without introducing noise.
50mm long alligator clip wire for touch sensor
Donut magnet
6 hp, 32mm deep
+12V 150mA
5V 0mA
-12V 12 mA

Tags: Interface module

coming soon HK$1,959.98

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Omiindustriies Cascading Register Source Of Pseudo-Random Voltages & Gates Module (clock generator/random/video synth module)

Omiindustriies

Cat: 941415

A shift register-based pseudo-random voltage and gates module in 12HP.

Notes: The Cascading Register from Omiindustriies is a source of pseudo-random voltages and gates using a shift register-based architecture. It takes inspiration from digital shift registers, runglers, linear feedback shift registers (LFSRs), and analog shift registers. The module features an eight-bit shift register and voltage-controlled clock; broken into four main function blocks: clocking, data, CV, and gates.

The shift register includes eight gate outputs and three variable CV outputs derived from the state of those gates. CV 1 is determined by OO, O1, O2, and O3. While O2, O3, O4, and O5 correspond to CV 2 and O4, O5, O6, and O7 make up CV3. This grouping of stages creates three copies of the same data shifted by two clock pulses. Each CV output includes variable control over the amplitude. CV1 and CV2 include attenuverters and CV3 uses an attenuator. The eight pseudo-random gate outputs work great as both timing and modulation sources, particularly when used with percussive modules.

Data comes from the data gate input, manual seed button, and three feedback taps from the shift register itself; with each part of the data stream XOR'd with the other parts. While the module includes a voltage-controlled clock normalized into the clock input, it accepts a wide range of external clock sources, from sub-audio to audio, all the way to video rate signals. The module includes normalization from CV3 to the CV input on the clock oscillator, creating a self-influencing feedback configuration without the need for any patch cables. When using an external clock signal, the internal clock works great as a data source by patching from the clock output to the data input.

Tags: Clock generator module | Random module

coming soon HK$2,360.23

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SoMa Laboratory Terra Soft Case (synthesiser soft case)

Soma Laboratory

Cat: 951479

Soft case

Notes: Soft case for Soma Laboratory Terra.

Tags: Studio equipment cases

coming soon HK$612.53

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Jomox MoonWind MKII Analogue Stereo Filter Tracker (effects unit)

Jomox

Cat: 967079

Analogue stereo filter processor with multi-mode filters, integrated step sequencer, a digital effects chip, 2 LFOs and envelope modulation.

Tags: Filter pedal

~~MRP:HK$7,154.29~~ SAVE 10%
coming soon HK$6,443.66

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Noise Engineering Sinc Defero 4-Channel Buffered Attenuator & Multiple Module With LEDs (black) (attenuator/multiple/utility synth module)

Noise Engineering

Cat: 942751

Buffered quad attenuator module with LEDs in 4HP.

Notes: Yep, it's an attenuator. With a fancy name! And LEDs!

Sinc Defero's inputs are circularly normalled, too, so you can use it as a mult by leaving inputs unpatched.

Features:

Size and power:

4HP Eurorack
+12v: 45mA
-12v: 40mA
Sinc - from Old English sinc for "treasure" and Greek clastic for "easily removable"

Defero - from Latin for "sloping down"

"Portable treasure reduction"

What's in the box:

Module
Power cable
To reduce excess materials, screws will no longer be included with Noise Engineering's modules beginning in 2023.

Tags: Attenuator module | Multiple module | Utility module

~~MRP:HK$1,184.21~~ SAVE 23%
coming soon HK$915.85

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Quanalog Boubou 5-Voices Analogue Drum Module (drum synth module)

Quanalog Instruments

Cat: 941890

A combination of 5 voices of filter based analogue drum synth: kick, low and high tom, rimshot, snare and high hats.

Notes: The Quanalog Boubou is a combination of 5 voices of filter-based analogue drum synth that covers the basic drum set. It includes Kick, Low and Hi Tom, Rimshot, Snare and Hi Hats that can be the foundation for your Eurorack drum setup. Each voice has a lot of necessary control, which can be developed further to reach a wider range of possibilities.

At its base, every drum engine can become a signal processor with the core made by the analogue filter, so it can also process other engines, or alternatively other modules.

Each sound has been carefully made with a specific analogue filter structure to be able to create the feel of real percussion to cover both low-end and high-end frequencies. Quanalog have carefully tweaked every single component to give it a very classic sound quality, with a high-end built with an all metal pot, jack and switch to make sure it's the last module that breaks on your setup.

Kick drum

The kick drum is the combination of 2 parts; the bottom sound of the drums come from pure sine waves generated by analogue low-pass filter being excited to a resonance point, giving a thick and powerful sound blend with click sounds made by the feedback circuit, with control over frequency and mix volume to create a perfect bass drum.

All parameters affected by 3 compression mode define 3 differences, and a level that can be useful in different situations such as studio, live performance, etc. The sound from the kick voice can range from very soft and gentle, punchy energetic kick to a very harsh, overdriven sound that can send the dancefloor crazy!

The click tone and blend control are for the feedback circuit that can choose the frequency for the click sound from high click to low mid boost which can be cranked up until the distortion point.

The overdrive knob controls the amount of signal that feeds in. Start with a low input signal, that sounds familiar to an 808 bass drum and can be more overdriven so that it becomes more like a 909 or like Vermona kicks. It can be cranked up until it self resonates and can be use as a sine oscillator for generating bass sound.

The new version of Boubou has a tune CV and decay CV for the kick drum, making it an even more flexible kick drum pattern.

If you feed the trigger input instead of a short trigger but a waveform or audio, the kick drum becomes a wavefolder/bit crusher, which can make your simple waveform more complex. The Lo tom section without plugging the trig in becomes a notch filter for the bass drum with CV control over pitch.

Dual Tom

The Lo and Hi tom voices use the same core engine as a kick voice with CV control for the resonance point which affects the drum pitch. You can use voltage signal from other modules such as a sequencer, envelope, LFO or more, to vary the pitch to create multiple and polyrhythm feels.

The Lo Tom can vary from low frequency kick drums to a hi-tom/ bongo, using the combination of frequency and resonance control. The Hi tom can also become very high pitched, and can be used as a rimshot.

The dual tom has retrig knobs, which control the volume of the retrigger drum when gates are off. Depending on the gate length, it can create a flam, roll or a natural flap sound that makes "hand play". If you had a sequencer with trigger that has a different gate length for each step, it can create a very complex rhythm.

Like the kick drum, the dual tom part can become a sound processor with the low and hi tom as a dual notch filter with both low and high-frequency range. Can use it to create very rich and musical harmonic based on its resonance peak point.

Snare

The Snare voice is an analogue white noise going thru decay VCA, then it triggers a band pass filter with frequency and resonance control to define snare pitch. Turning "RES" makes it into a thin spring snare sound. By blending the Resonance amount and frequency, it starts to define the body tone of the snare. It can vary from a hi tom, to a hand clap, or 2nd hi hats.

Without plugging the trig in jack of the hi tom , it becomes a notch filter for the snare. So if you plug only the Snare trigger, the hi tom becomes the resonance section of the snare, which helps to create a very thick realistic bottom snare sound, and a rimshot sound can be created by the hi tom section. By plugging the trig to the hi tom sound, it separates the trigger from the snare trigger input.

Hats

The Hats engine uses an independent noise source going thru a high-pass filter that resonates at high frequency, then thru a decay-VCA which CV control over decay amount with an attenuator. Not only does it create an open-closed hi-hat, but it can also resemble a real hi-hat using a "CV pedal" to make it sound more natural.

It also has a mixer section that is able to feed in another sound source from an ext. VCO or anything can be mixed with the noise part. When the noise volume turn off, this sections acts as a decay VCA for another sound module. By this design, the module doesn't stick with fixed VCO tune like the other module, but it allows you to be creative on the timbre of the hats to make a very fine cymbal sound with precision pitch from another 1v/oct module.

Also, instead of trig in if you plug a VCO source to the trig input, it can make a noise VCO which follow the roots VCO frequency. You can use this to "ring" the ext.in VCO.

Overall

All 5 voices are analogue filter-based and they can process the signal that is being fed in, so the gate signal being processed thru VCA circuit can create a multi-level accent. Each module can process a gate signal to become a drum sound, or process each other or another sound source. The only limit is your imagination!

With 5 analogue drum engines, you can create a very good rhythm in your setup. When paired with any drum trigger, it becomes a very powerful drum machine that can be useful both in live and studio environments.

Boubou sound tips:

With the kick drum, the best sound is when you set the volume with soft mode, all parameters are low to a reasonable level, then you will see the magic when you crank it up!

With kick, lo and tom, you will be able to make them velocity sensitive by plugging a step CV signal instead of a trig or gate signal to the trigger input. You can create a multiple dynamic to the sound.

The Lo and Hi tom sound can be part of the Kick and Snare sound by not plugging any jack to the trigger input. You can use the sound from the lo and hi tom section to become a 2nd body sound with CV control resonance to create a thicker Kick and snare sound.

Try plugging an audio or waveform signal from another sound source, or VCO, and use the modulation for it. Or you can even try to plug the result of one section to the trigger input of the other.

Tags: Drum module

coming soon HK$4,696.06

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Yaeltex Turn MIDI Controller & 8-Channel Studio Mixer (MIDI controller/studio mixer)

Yaeltex

Cat: 962708

MIDI controller and 8-channel studio mixer.

Notes: This solid piece of hardware is great to get hands-on control of your Ableton or Bitwig live sessions, and ready for both live performances and studio use.

With its 32 RGB push encoders, 24 small RGB buttons, 16 long RGB buttons, 8 faders, and 32 potentiometers It offers a ton of possibilities, and because of its quality components and generous spacing between components, it feels comfortable to play.

TURN's layout includes Volumes, Mute, Select, Arm, Solo/Cue, Clip/Session navigation, and other classic controls for an Ableton or Bitwig. The 32 RGB push encoders in the upper area can be used as a clip launcher, to automatically control the devices of the selected channel, to control the 8 sends of each channel, and much more. A curious detail: the background texture of the layout is a high-resolution image of Mars's surface.

Control-surface-ready: TURN requires no MIDI mapping and works out of the box in Ableton Live and Bitwig.

It is a plug-and-play device, and it has MIDI IN/OUT/THRU DYN5, hackable and open source firmware, USB MIDI (Plug and Play/Class Compliant), and is reprogrammable with Kilowhat, the powerful configuration app. Like all Yaeltex controllers, it's built with top-quality materials and components, including a stylish real wood case.

These are some of TURN's highlights:

Integration for Ableton Live and Bitwig
8-channel mixer with direct controls for MUTE, SELECT, ARM, SOLO/CUE
32 RGB push encoders, 24 small RGB buttons, 16 long RGB buttons, 8 faders, and 32 potentiometers
4 banks, clip navigation, and more.
Versatile 32 RGB push encoders that can be used as a clip launcher, as automatic control of the selected track devices, or to control each track sends
In Bitwig, use the Push Encoder matrix as a drum or polyphonic sequencer!

Features

32 push encoders with RGB LED feedback,, 24 small buttons with RGB LEDs, 16 long buttons with RGB LED feedback, 8 faders, and 32 potentiometers
Modular-Inside for affordable and easy repairment
1-year warranty
Upgradeable and open-source firmware
High-quality components
Fully mappable to any MIDI capable software or hardware
Fully reprogrammable with Kilowhat, our powerful configuration app.
NRPN, RPN, CC, note, Program change, keystrokes

Tech Specs:

Size: 27,5 * 17 * 6 cm
Weight: 4,1 kg
USB MIDI (Plug and Play/Class Compliant)
DYN5 MIDI (IN/OUT/THRU), route and merge functionality.
Optional power jack for higher brightness mode on the LEDs - 5v 3A
Soft case included
1,2 mt USB cable included
Hand-made wood case made in Patagonia
Aluminium front panel

coming soon HK$9,302.25

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VoicAs LedPressor Stereo Diode Compressor Module (dual/stereo/dynamics/effect/utility synth module)

Voicas Audio

Cat: 948230

Full stereo LED based compressor module in 12HP.

Notes: TThe LedPressor is a full stereo Diode-based compressor module.

Its unique core adds character and color to any signal passed through it.

The LedPressor can be used as a normal compressor with low input levels, but as the input volume increases and the "nuke" LED lights up, it enters a new territory that combines compressor and overdrive, creating a dynamic overdrive effect.

Get it pumping with the side chain

The module features an external sidechain input that accepts audio and CV signals. Only the sidechain signal passes through a high pass filter, which gives the user greater control over the sound shape. The audio signal itself is not affected by the filter.

Parallel compression

The module also includes a mix knob that can be controlled with a dedicated mix CV input, allowing for greater flexibility when blending dry and wet signals. Additionally, it features a momentary bypass button to easily adjust the levels of dry and wet signals.

Feed-back or feed-forward - it's your choice!

The module can be configured with a feed-back or feed-forward topologies with a jumper in the back.

Reverse polarity protection

The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.

Dimensions

Width: 12HP
Depth: 34mm

Current draw

+12V: 20mA
-12V: 15mA

Tags: Compressor module | Effects module | Utility module

coming soon HK$2,278.59

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Konstant Lab M2S Mono To Stereo Module (dual/stereo/utility/external/multiple/switch synth module)

Konstant Lab

Cat: 957249

Mono to stereo or stereo to mono module - 2HP.

Notes: M2S is a passive eurorack module that sports 2 HP. You can convert any audio signal from two mono channels to stereo jack (or backwards). M2S can also be used as a passive stereo output module. You can connect either your headphones or cable to active loudspeakers via its stereo output.

Dimensions: 10 × 10 × 4 cm/150 g
Width: 2HP
Depth: 13mm
Power: 0mA (passive)
Accessories: 2 screws, 2 plastic washers

Tags: Multiple module | Utility module | Switch module

coming soon HK$318.51

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This Is Not Rocket Science Wobbler2 Advanced LFO & Drum Synthesiser Module (drum/LFO synth module)

This Is Not Rocket Science

Cat: 959083

Advanced LFO & drum synthesiser module - 12HP.

Tags: Drum module | LFO module

coming soon HK$2,490.97

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SetonixSynth/Tidbit Audio Psychedelic Voltage Processor Quad LED Chaos & Random Module (random synth module)

SetonixSynth

Cat: 948368

Quad LED chaos and random module in 8HP.

Notes: The SetonixSynth/Tidbit Audio Psychedelic Voltage Processor, or PVP, is a four-channel chaos module. It uses colour-changing LEDs to produce fluctuating voltages in response to the Channel input, with each channel normalized in series to create increasingly chaotic "taps" that can be used one after another for different variations.

Any positive voltage input such as unipolar LFOs, envelopes, stepped voltages, or simply the onboard normalized voltage patched to a channel input is reproduced approximately on each channel output, with the PVP inducing unpredictable fluctuations due to the variable current consumed by an LED circuit with a mind of its own.

Dimensions
8 HP
25 mm deep

Current Draw
135 mA +12V
10 mA -12V
0 mA 5V

Tags: Random module

coming soon HK$1,380.19

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Flame Ton Duophonic Melody Looper & Quantizer Module (sequencer/looper/random/dual/stereo/quantize synth module)

Flame

Cat: 973767 Rel: 31 Dec 23

Duophonic melody looper and quantizer module - 12HP.

Notes: "TON" is a 12HP wide Eurorack live sequencer module for creating two note sequences. There are two 1V/octave outputs with GATE/NOTE/VELOCITY. Notes can also be sent via MIDI. Both note tracks are independent of each other and can be used in different octave spreads. In addition to the analog connection, the module has full MIDI functionality. It can be synchronized via analogue clock or via MIDI.

The sequencer is designed as a looper. It plays a pattern of up to four bars in a loop. The notes can be played (or deleted) quantized with two buttons. One button is used for note repeats, another for setting individual events. The pitch is determined by either the potentiometer or the built-in distance sensor. The sensor works in a range of about 1 to 40 cm and is independent of extraneous light. Even bright sunlight does not affect it.

A 1-octave mini-keyboard allows transposing on the fly and setting a scale. Since the module has two CV inputs, it can also be used as a two-channel quantizer or arpeggiator. All settings of the current pattern are simply saved together in a patch. There are 5 banks with 7 seats each (per mini-keyboard) available. This allows up to 35 patterns to be managed. The patches can also be selected via CV or MIDI program change and can be saved and reloaded on the fly.

The pattern can be manipulated during and after the import with eg: gate length, velocity, random, last step, hold, mute, glide, scale and transposition. Both tracks can have different settings. With TRACK-Link, however, parameters can also be applied to both tracks at the same time. This is helpful, for example, with transpositions or duophonic playing.

Dimensions
12 HP
45 mm deep

Current Draw
80 mA +12V

est. release 31 Dec 23 HK$2,474.60

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Tesseract Modular UFO 8 Low Frequency Oscillation Module (LFO synth module)

Tesseract Modular

Cat: 974272 Rel: 31 Jan 24

8 triangle low frequency oscillations module - 4HP.

Notes: 8 triangle LFOs with relative frequencies and CV control.

Output voltage is +/- 5.25v (10.5Vpp).

Upper LFO is the fastest and lower is the slowest one. The frequency ratio between LFOs is approx 3/2 (or 1.5), being at max speed the upper 13.5Hz and the lower one 1Hz .

The frequency range with the potentiometer is 80-90%.

Negative voltages present at the CV input will stop the oscillation of all LFOs, but the potentiometer it's an offset, which means that will act as a manual frequency control and will also set the voltage range for the CV input, allowing negative voltages when set to max.

Dimensions: 4 HP
25 mm deep

est. release 31 Jan 24 HK$718.66

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Nava Extra9 Rhythm Composer Drum Machine (drum machine)

Nava

Cat: 973375 Rel: 31 Dec 23

The clone of the Roland TR-909 who reproduces the sound of the original drum machine, the groove of the sequencer, the shuffle parameter is fully implemented.

Notes: Nava 909 with extra 9 expansion

The NAVA 909 is the only real clone of the Roland TR-909 who reproduce perfectly the sound of the original drum machine, even the sequencer has the same groove, the shuffle parameter is fully implemented.

It has a MIDI interface, Roland Dyn Sync, trigger out, just like the original model.

It replicates so well the sound to the point that it is no more a clone, but an exact replica!

The circuits are 100% analogic and identical to the TR-909 from Roland.

Over 1000 electronic components are soldered by hand.

It contains the exact same ROM samples (Ride, Crash Cymbals and hi-hats).

It sounds and feel like a Roland TR-909, but it's even better as all the components are new, where the old real TR-909 has most of its components that are tired and often leading to sound problems.

On the top of that, it has a LCD screen and comes with an upgradeable firmware.

NAVA 909 Specs:

128 Rhythm patterns from 1 to 16 steps
"All the sounds generated from from the original Roland TR909 analogue synth: BD, SD, LT, MT, HT, RS, HC & CH
16 tracks of 999 measures
1 external instrument track by pattern that can store 99 notes like SH101 sequencer style.
A Midi keyboard mode allow you to play external Midi device
Multi out for each instruments
Individual accent for BD, SD, LT, MT, HT, RS, HC and CH
A total accent track
Master out (L/R Mono) 6Vp-p 1Kohm
Tempo 30 - 250 Bpm
7 shuffle levels
4 scales (1/8t, 1/16, 1/16t and 1/32)
4 sequencer directions (forward, backward, ping-pong and random)
Easy copy and paste pattern function
Shift left or right the entire pattern or individual instrument
In/Out/Thru Midi
DinSync 24ppqn Out
Trig Out 2ms +5V
And More...

What's in the box
1 x NAVA 909 (V1.02 board)
1 x NAVA 909 Manual (English)
1 x 15V 1000MA PSU

est. release 31 Dec 23 HK$14,447.46

(No payment required now - pay when released)

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In The Mood For Ska: Caribou Ska Selection

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In The Mood For Ska: Caribou Ska Selection (LP)

Drum & Bass Osaka

Cat: RSLP 006. Rel: 20 Dec 23

est. release 20 Dec 23 HK$249.13

(No payment required now - pay when released)

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Yaeltex Live15 MIDI Controller & 15-Channel Studio Mixer (MIDI controller/studio mixer)

Yaeltex

Cat: 962720

MIDI controller with 15-channel studio mixer.

coming soon HK$12,405.64

(No payment required now - pay when released)

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Flame Takt 8-Track Rhythm Sequencer Module (sequencer/clock generator/LFO/random/MIDI/clock modulator/drum/sample & hold synth module)

Flame

Cat: 973764 Rel: 31 Dec 23

8-track rhythm sequencer module with trigger, adjustable gate, velocity and mod CV and quad LFO - 30HP.

Notes: FLAME "TAKT" rhythm sequencer.

"TAKT" is a compact 30HP Eurorack sequencer module for playing or programming trig- ger/gate/velocity rhythm sequences.

The sequencer has 8 tracks with trigger/gate outputs, 8 velocity/modulation CV outputs and full MIDI functionality. The CV track can also be used independently as a modulation track. Live sequencing in looper mode is possible in two ways: SHOTS for playing "note repeats" or quantized triggering via keys or sensors.

Four tracks can be triggered simultaneously with four external distance sensors. These sensors are just 2HP slim modules that can be rack mounted at desired locations. These are connected directly to the module with narrow and sufficiently long ribbon cables, which also supplies the sensors with the necessary operating voltage. The 4 sensors and the connection cables are included in the scope of delivery. The sensors generate trig- gers/gates and can be switched live as a set between tracks 1-4 and 5-8 (e.g. via foots- witch).

Four syncable LFOs with VCOs for amplitude adjustment are also provided. The LFOs are equipped with many interesting functions. This includes 26 different waveforms, phase, amplitude, speed and output voltage. This can be unipolar or bipolar (0..+5v or +/- 5v) and additionally attenuated by AMP (amplitude) with built-in VCA. This means that the LFO outputs can also be adapted to modules that do not have an input attenuator.

Patterns can be switched live and are each up to 4 bars long. 4 patterns plus a fill pat- tern are saved as a scene. 50 scenes can be permanently stored in the module. This means that 250 patterns are available in total.

Additional inputs and outputs for controls are available. There are 4 CV inputs to be defi- ned by the user, as well as 2 programmable analog clock outputs. On the front there are MIDI input and output as 3.5mm TRS sockets. Firmware updates can be done via MIDI- SYSEX.

HP : 30

est. release 31 Dec 23 HK$3,887.52

(No payment required now - pay when released)

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Maneco Labs Drums4 Percussion Sound Generator Module (drum synth module)

Maneco Labs

Cat: 971081 Rel: 31 Dec 23

4-voice, sample-based percussion sound generator module - 12HP.

Tags: Drum module

~~MRP:HK$1,951.91~~ SAVE 10%
est. release 31 Dec 23 HK$1,763.97

(No payment required now - pay when released)

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Maneco Labs Grone 2 Dark Drone Machine Effects Pedal (synth voice effects pedal)

Maneco Labs

Cat: 971098 Rel: 31 Dec 23

Grone 2 dark drone machine pedal version.

Tags: Synth pedal

~~MRP:HK$3,642.48~~ SAVE 10%
est. release 31 Dec 23 HK$3,266.77

(No payment required now - pay when released)

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VoicAs Reduxer Stereo Sample/Bit Reducer Effect Module (distortion/effect/ring modulator/sample & hold/waveshaper synth module)

Voicas Audio

Cat: 948268

Stereo sample rate reducer module in 8HP.

Notes: Reduxer is a stereo sample reducer effect module.

Depends on it's signal, It can produce dynamic range of sounds from knurly bitcrushing to formant/vowel style effects.

Extra resolution

Custom made Redux potentiometer with 300 degrees rotation for extra crashing resolution.

Double the power

Two proprietary sample reduction circuits with extra offset control on channel 2 via the "Spread", lets you create motion in the streo field for wider effect.

Stereo operation

Inputs are normelized - supporting mono to stereo configuration.

Reduction under control

Redux CV input with attenuator for external control of the bit reduction rate.

Reverse polarity protection

The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.

Dimensions

Width: 8HP
Depth: 20mm

Current draw

+12V: 25mA
-12V: 25mA

coming soon HK$1,184.18

(No payment required now - pay when released)

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SetonixSynth/Tidbit Audio Solar Gravity Vactrol Response VCA Module (VCA synth module)

SetonixSynth

Cat: 948372

Vactrol response voltage controlled amplifier module in 4HP.

Notes: The Solar Gravity from SetonixSynth and Tidbit Audio is an analogue vactrol-based VCA designed to bring the lovely response of optocouplers into the realm of clean, performance-based Eurorack VCAs. Starting with this simple concept, the Solar Gravity utilizes some neat active circuitry to significantly reduce the bleed inherent in vactrol-based VCAs and to provide the user with lots of control over the level, direction, and response of incoming control voltage.

Though it's primarily designed for use with audio signals, the Solar Gravity can also be used to control the level of CV such as envelopes or stepped voltages with a unique vactrol response through its DC-coupled input.

Technical Specifications

Width: 4hp
Depth: 28mm
Peak Current Draw: 16mA @ +12V, 18mA @ -12V
Input Impedance (All Inputs): 100kO
Output Impedance: 1kO
AC Input Cutoff Frequency (-3dB High Pass): 5 Hz approx.

Tags: VCA module

coming soon HK$645.16

(No payment required now - pay when released)

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SetonixSynth Marsupial Dual Voltage-Controlled Filter Module (filter/dual/stereo synth module)

SetonixSynth

Cat: 948348

Dual AS3350 voltage-controlled filter module in 8HP.

Notes: The SetonixSynth Marsupial is a new dual filter design based around the re-issued AS3350 filter IC, originally used in rare synths such as the Synton Syrinx, Crumar Spirit and Rhodes Chroma but never widely utilized. Normalization between the control inputs and a Series/Parallel switch makes it simple to dial in a huge variety of unique and musical filter sounds.

Current draw: 36mA @ +12V; 35mA @ -12V

Eurorack width/depth: 8hp; 25mm

Tags: Filter module | VCF module

coming soon HK$1,184.18

(No payment required now - pay when released)

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Patching Panda Punch MG Quad VCA-Decay & Mute Group Module (black) (dynamics/envelope generator/mixer/quad/utility/VCA synth module)

Patching Panda

Cat: 963504

4x VCA-decay & mute group module - 16HP.

Notes: Punch MG is a unique module with VCA-DECAY & Mute GROUP designed for Eurorack systems.

This module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.

Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.

The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.

Key Features:

Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.

Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.

This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.

Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.

AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.

Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.

16 HP
Power consumption 180mA@+12V, 64mA@-12V

coming soon HK$2,107.09

(No payment required now - pay when released)

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Dannysound MML Filter Multi-Mode Ladder Filter Module (distortion/filter synth module)

Crooked Acres

Cat: 967619

Multimode transistor ladder filter module with red mode feedback distortion - 6HP.

Tags: Filter module | Distortion module

coming soon HK$1,886.58

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Tenderfoot Electronics OMFG Oblique Multi-Purpose Function Generator Module (CV modulation/envelope generator/LFO/slew limiter synth module)

Tenderfoot Electronics

Cat: 957283

4-channel envelope generator and slew limiter module - 1HP.

Tags: LFO module | Envelope generator module | CV modulation module | Slew limiter module

coming soon HK$2,531.74

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Konstant Lab BaxandallEQ 3-Band Equalizer Module (equalizer/preamp synth module)

Konstant Lab

Cat: 957243

3-band EQ equalizer with two individual channels on board - 4HP.

Notes: BaxandallEQ is a 3-Band EQ equalizer with two individual channels on board. Gain of each of its bands (bass/middle/treble) features a i15dB range. Internal routing of the circuit of the module is a modification based on the legendary EQ design from 1952.

It was never easier to treat your mono/stereo system or external instruments, whole mixes with a touch of this precision equalizer that allows you to dial in any sound from 1950's onwards. Konstant Labs' design is based on the fairly popular and now famous work of renowned electronics designer Peter Baxandall who designed one of the world's most popular EQ curves to date. Why are they so popular? They improve on any source signal you process/send through them.

Konstant Labs decided to base their next module on one of Peter Baxandall's renowned circuits that stood the testament of time in various tour applications and studio rigs all around the world and make it available for the eurorack modular format, while also improving upon its premise and foundation.

BaxandallEQ is a 3-Band EQ equalizer with two individual channels on board. Gain of each of its bands (bass/middle/treble) features a i15dB range. Both of the featured channels can be used independently (stereo) with individual gain for each band or as a one big massive single channel with staggering +/-30dB of gain on each band. Internal routing of the circuit of the module is a modification based on the legendary EQ design from 1952.

This highly sought after EQ circuit is being used for well over 70 years for processing audio, mastering in many high-end studios as well as home studios and home radios all around the world. Konstant Labs took the original circuit and its bass/treble section and modified it to feature a defined and sound-rich middle range. The premise was to deliver a convenient way how to treat your whole eurorack modular system with some precision EQ processing without compromising on sound, high-quality components, and materials. All-analogue signal path features only the best hand-selected condensers from WIMA and high-quality/low-noise opamps to deliver the best sound possible without any unwanted artifacts. The whole circuit and its components reside on one PCB which allowed Konstant Labs to keep high-quality/high-performance sound without increasing upon modules depth.

There is a switch on the back of the module that allows you to set the overall gain of the module - either 0dB or +6dB if desired.

BaxandallEQ offers you a broad range of applications for your modular system and external instruments alike. It pairs exceptionally well with Konstant Labs' high-quality stereo mixer module PanoramaMIX and M2S (mono to stereo converter module).

It was never easier and more affordable to add a slight touch of precision, eliminate unwanted frequencies coming out from your eurorack modular patches, add raw analogue power to bass drums, snares, claps, percussions, or glue whole mixes together. Simply feature BaxandallEQ in your signal path and watch the magic of sound reminiscent of the vintage era unfold right before you.

Designed, manufactured, and assembled by hand at Konstant Lab - Slovakia / EU.

Technical Information

Power: +12V / 16mA, -12V / 16mA
Bass: 40Hz / +/-18dB
Middle: 800Hz / +/-16dB
Treble: 11kHz / +/-15dB
Frequency range: 25 Hz - 30 kHz / +/- 1 dB 15 Hz - 50 kHz / +/- 3 dB
THD (Total Harmonic Distortion)): 0,006 % [ 1 kHz, Output Level 0 dBm ( 0,775 Vrms ) ]
SNR (Signal no Noise Ratio): more than 95 dB [ BW 1MHz ]
Basic transfer gain: 0dB / +6dB (switch on back)
Max. output voltage: 6,5Vrms (>18Vpp)

Width: 4HP
Depth: 25mm
Accessories: 2 screws, 2 plastic washers, power flat cable

Tags: Equaliser module | Preamp module

coming soon HK$1,175.95

(No payment required now - pay when released)

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