Back in stock: Studio Equipment

Notes: ***B-STOCK: Box opened, product in perfect working order***


One of the most impressive granular synthesis approaches in Eurorack, combining looping and granular effects with buffer sizes up to five minutes. Hugely creative and powerful dual-module setup.

Supplier's Notes:
There's a long history behind the granular concept and many reinterpretations of it's core principles, this is ADDAC's take on it.

In a loose description digital Granular refer to pieces of sound files being played at the same time with slight or completely different parameters originating what is commonly referred to as granular clouds. Normally there's a buffer size from which the granular engine snips it's pieces from and plays them according to the parameters set. This buffer size is normally small in size where grains are so small that can reach the hearing spectrum and be heard as a sort of ever changing complex wavetable, this is the principle behind granular synthesis.

ADDAC have added the possibility of long buffer sizes up to 5 minutes, allowing "softer" approaches to the granular principle using it as an effect that can generate from "accidental" effects like slight "stutters" to extreme processing and transformation of any incoming audio signal.

This module is conceptually deep but easy to grasp and operate as all controls are in its dedicated panel, all jack inputs and outputs have its own separate panel to allow no compromise when playing it's controls.

There are three main sections in this module:
Looper Engine: The Looper is where all the Real-Time recording happens. The audio input feeds the recording buffer, multiple controls allow to record and play loops into a list so that any sample in the list can be accessed at ay time and more acting as a standard looper
Granular Engine: The Granular acts upon the buffer of whatever LOOP is selected.
Output Mix The output mix allow individual control for the Dry Input, Looper Volume and Grains Volume.
Besides these main sections there's also a simple strip down MENU mainly used to LOAD and SAVE Banks, no Menu diving guaranteed.

For more detailed info, please refer to the User's Guide.

Audio Specs:
Audio input: Stereo, 16bit 44.1Khz
Audio output: Stereo, 16bit 44.1Khz

Tech Specs:
32HP + 13HP
4.5cm deep
240mA +12V
70mA -12V

Notes: Coiled black 1.5m thermo plastic cable with soft touch surface. Extends up to 3.2m. Perfect for DJing or small studio use. Comes with 1/4 to 1/8 screw-on adapter.

Notes: ***B-STOCK: Box opened, slight surface marks, foot missing on unit, product otherwise in perfect condition***


Always wanted to play and record keyboard parts without the tangle of annoying wires? The new LPK25 Wireless takes the portability and feature-rich performance of the original LPK25 to the next level. Introducing Bluetooth MIDI connectivity! Now you can control your plug-in instruments from anywhere in the room, providing the ultimate in studio setup flexibility.

MIDI, Liberated:
Powered by 3 AA batteries for a truly untethered experience, the LPK25 Wireless is optimized for long battery life. No batteries? No problem. The LPK25 Wireless can also be powered via USB connection to keep your production moving.

Light as a Feather, Heavy on Features:
At the centre of the controller is a solid, 25-note mini-keybed, octave up and down buttons, and a powerful Arpeggiator mode which turns chords into exciting and complex music phrases. You're looking at the little Swiss army knife of production!

Apps Unleashed:
The LPK25 Wireless can also connect to any iOS device, giving you a truly portable workstation. Rip the keys on countless available music apps for on-the-go performance that leaves the lightest of footprints.

Box Content:
- LPK25 Wireless
- USB A to B Cable
- Software Download Card
- Safety and Warranty Manual
- Printed User Guide

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


The next generation of Ableton Live controller from Akai, the APC64 is designed for seamless integration with the software, or as a standalone step sequencer and controller. The 64 velocity sensitive pads handle playing, recording, clip launching, sequencing and much more, while eight assignable touch strips offer extensive hands-on control.

Supplier's notes:

APC64; Next generation Ableton live controller.

Touch the future

Leap into a new world of musical possibility in the studio, on stage, and anywhere creativity leads you with the powerful APC64.

Ableton live controller; with sequencer and touchstrips

The new Akai Professional APC64 is a powerful next-generation Ableton Live controller for studio and live performance.

It features 64 RGB velocity-sensitive pads with poly aftertouch, and 8 fully assignable Touch Strips for instant hands-on control of devices, pitch, modulation, and much more. APC64 also works as a standalone 32-step 8-track Step Sequencer and controller with 3 MIDI ports and 8 CV/Gate outputs to take full control of synths, drum machines, or modular rack devices.

In-depth control of Ableton Live

Enter the matrix

APC64 features a vibrant 8x8 pad matrix of 64 velocity-sensitive RGB pads with poly aftertouch for playing chords, synth leads, Ableton Live's Drum Racks and of course launching Clips in Session View.

Touch the future

Add a whole new level of expression and control to your music production and live performances with 8 fully assignable Touch Strips with RGB LED indicators. Get control of Ableton Live's devices - including Auto Filter, Delay, Reverb, Impulse, Simpler and more - right at your fingertips. Adjust macros, mixer volume, pan, and effects sends as well as writing automation.

Visual feedback and control

APC64 includes a smart colour LED screen with a fast push encoder for real-time visual feedback of your parameters. Move around Ableton Live's devices and mixing environments while keeping track of each parameter on the screen. APC64 also features dedicated transport control with Play, Stop, and Record for capturing your ideas along with 8 Track Mute and Solo buttons for mixing and live performance.

Standalone step sequencing

APC64 features an internal 32-step 8-track Step Sequencer enabling completely DAW-less control of your favourite synths. With 8 CV/Gate outputs and 3 1/8" MIDI ports, you can connect, sequence, and capture your favourite modular racks, keyboards, classic drum machines, and more. Add continuous control and expression using the 8 Touch Strips for a whole new level of performance. Apply additional creative dimensions to MIDI notes using the Probability, Velocity, and Mutate functions for further experimentation.

Powerful production and performance

APC64 facilitates a seamless workflow within Ableton Live; from triggering samples and loops in Ableton Live's Drum Rack, all the way to writing expressive melodies using the Notes, Scale, and Chord modes. Use the onboard Step Sequencer to generate inventive melodic patterns that can be instantly transferred to Ableton Live using the Send To Clip function. Apply swing and quantize to your beats or use APC64 to arm and record vocal tracks directly in Ableton Live sessions.

Ableton drum rack/simpler control

APC64 features a dedicated Drum Mode allowing you to play and record beats, loops, and slices using an Ableton Live Drum Rack or Simpler device. Capture additional inspiration using the 8 Touch Strips to control Ableton Live's FX racks during beat making and performance.

Included software bundle

Ableton Live Lite 11

APC64 Includes Ableton 11 Lite for all your software music production needs in one package to produce, perform, arrange, record, edit, mix and master your music. Live Lite includes sounds, instruments, and sequencing, recording, and arranging capabilities.

Air music instruments/plugins

APC64 Includes a collection of professional plug-in instruments and effects so you can start producing out of the box. Included are the following plugins: TubeSynth, Electric, Ether, Halfspeed, Vocal Tuner, Flavor, and the Sonivox Essential Keyboard Collection.

Custom editor software

Create your own custom layouts with the included desktop software editor for Mac/PC to personalize and store pre-sets for quick recall in standalone.

Key specs

Display
Graphical full colour LCD
Connections: USB-C, 8x 1/8" (3.5 mm) CV/Gate, 2x 1/8" (3.5 mm) MIDI Output, 1x 1/8" (3.5 mm) MIDI Input
Dimensions (width x depth x height): 10.7" x 14.6" x 1.4" 272 x 371 x 34.5 mm
Weight: 3.5 lb/1.6 kg

Notes: ZED-6 has been created for musicians, singer / songwriters and venues seeking Allen & Heath's renowned build and audio quality in a compact, portable format. Whether it's bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZED-6 is a versatile companion for every step of the creative journey. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. Guitarists will be pleased to know that ZED-6 comes with a pair of Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.

ZED-6 features an exceptional new preamp design, created by analogue guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen & Heath's analogue range is famous for. For tonal shaping, the precise MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source.

All ZED mixers are designed and built to Allen & Heath's legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage.

ZED-6 comes with two Guitar DI high impedance jack inputs, allowing guitars to be plugged straight into the mixer without the need for DI boxes. That's one less piece of gear to buy, carry and set up.

Allen & Heath has been a trusted name in professional audio since 1969. The ZED technology advances, but the commitment to audio excellence and build quality endures.

Notes: ZED-6FX delivers Allen & Heath's renowned build and audio excellence in a compact, portable format, making it the ideal choice for quality conscious musicians, singer / songwriters and venues. Whether it's bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZED-6FX is a versatile companion for every step of the creative journey. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analog warmth and depth. ZED-6FX is the first mixer to include a specially created suite of studio quality reverbs, delays and special multi-model FX, crafted by Allen & Heath's acclaimed in-house effects aficionados. Guitarists will be pleased to know that ZED-6FX comes with a pair of Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.

ZED-6FX features an exceptional new preamp design, created by analog guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen & Heath's analog range is famous for. For tonal shaping, the precise MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source.

ZED-6FX boasts a brand new suite of studio quality reverbs and delays, painstakingly crafted to enhance your recordings and performances. Special multi-model effects provide uniquely dynamic combinations of reverbs and delays.

All ZED mixers are designed and built to Allen & Heath's legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage.

ZED-6FX comes with two Guitar DI high impedance jack inputs, allowing guitars to be plugged straight into the mixer without the need for DI boxes. That's one less piece of gear to buy, carry and set up.

Allen & Heath has been a trusted name in professional audio since 1969. The ZED technology advances, but the commitment to audio excellence and build quality endures.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Explore unique sonic possibilities with this semi-modular digital synth, combining physical modelling with spectral sound sources, versatile effects and complex modulators.

Supplier's Notes:
An affordable hybrid monophonic synthesizer that allows you to create new sound universes inspired from the real world, where objects collide, vibrate, and resonate.

Anyma Phi blends the classic ingredients of electronic music with physical modelling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal.

Anyma Phi is compact enough to stand on your keyboard, or anywhere on your desk, and is compatible with any MIDI controller, such as keyboards, sequencers, or even wind controllers, including Aodyo's own Sylphyo.

Whether you play live or record in the studio, design sounds or play presets, Anyma Phi will become an indispensable tool. It can even be used as a stand-alone effects processor, or as part of a guitar effects pedal setup.

The heart of the Anyma Phi is the matrix, which provides a quick and easy way to explore your sounds by following a physical metaphor, with four macros for each of the five stages of sound generation:

With its matrix, Anyma Phi offers a straightforward way to tweak, explore, and create sound universes. It also provides easy ways to make your sound react to your MIDI controllers with mapping shortcuts. But don't be fooled by the simplicity!

If you want to dive deeper, you can take control of the powerful semi-modular synth engine beyond the matrix, with oscillators covering a wide range of synthesis techniques, effects, and modulators.

By connecting those together, you can create any kind of sound, and control it any way you want.

Anyma Phi offers you:
Up to 3 oscillators (sound sources)- physical models, classic spectral, noise souces, external input
Up to 5 effects: resonators, filers - EQ, pitch shifter, ring mod, delay - reverb, chorus - phaser, drive - folder
Up to 8 modulators: envelopes, LFOs, curves, slew limiter, math & logic

This amounts to 69 different module types available, including 30 sources, 22 effects, and 17 modulators.

Technical specifications:
Hybrid monophonic synthesizer
Stereo audio output:
Two 1/4" mono line jack outputs
One 1/4" stereo headphone jack output
1/4" stereo jack audio input (internal piezoelectric mic when external input unplugged)
MIDI inputs and outputs via USB and DIN ports
Powerful digital semi-modular synthesizer engine :
Memory: 200 patches
3 oscillator slot
5 effect slots along 2 serial buses (Main, Aux) + 1 mono reverb
16 modulator slots, including envelope generators, LFO, curves, interpolators, slew limiters, etc.
32 mapping slots (virtual patch cords), each allowing to control any synth parameter (including another mapping) using a modulator or a controller input, with a sidechain input
Responsive to pitch, pitch-bend, velocity, breath control / expression, as well as 4 other controller inputs

Additional features:
Percussive playing surface
Patch librarian / editor
Extended memory

The percussive playing surface will allow you to tap and scratch your sounds directly on the case, making your performance even more expressive and fun! This would be made possible by integrating a piezoelectric contact microphone into the case. The resulting sound would be available to use on the Anyma as an audio input, ready to be fed into resonators and effects!

You can edit patches directly on your Anyma, as well as send and receive patches via MIDI SysEx. But what about something more comfortable and powerful?

This software will allow you to easily manage and share patches, as well as edit them in depth in a streamlined environment on your PC or Mac, by making all the synth components directly visible and showing their interactions.

With more memory, you can have a huge library of sounds at your fingertips, or you can make many variations of your patches without having to worry about space or having the computer editor around to make backups!

Let's free the Anyma Phi from the shackles of the Western 12-tone equal temperament! A440 be gone!

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Arturia's best-selling small-format analogue monosynth has been re-designed with a new black and metallic colour scheme.

The striking stylized snippet of "The Creation of Adam" by Michelangelo, one of humanity's finest works of art, is emblazoned across the front panel, and the whole instrument has been decked out with metallic trim.

MicroBrute is pure analogue sonic powerhouse of a synth. Small in size but loaded with features, it follows in the footsteps laid by its big brother the MiniBrute.

Packed with mixable waveforms, a new sub oscillator design, the famous Steiner-Parker multimode filter, super-fast envelope, syncable LFO and the new step sequencer, not to mention the patchable mod matrix the MicroBrute is a landmark new synth at an incredible price.

The MicroBrute is new but carries the award-winning heritage of its big brother, the MiniBrute.

The MicroBrute was designed to be small but still retain an amazing sound quality. With a 100% pure analogue voice path and advanced interconnectivity via MIDI, USB, CV/GATE, this machine is a true powerhouse synthesiser that takes your sound to a new level.

A synthesiser is a musical instrument that is meant to be played. However, playing a synthesiser is more than just playing some notes on a keyboard and recalling someone else's presets. If that was the goal you could be looking at accordions or going to a department store to buy your keyboard (along with socks, milk and toilet paper) - but you aren't because you are more creative than that.

No presets, no menus, nothing to get between you and the ability to sculpt your sound live. Not only does MicroBrute give you the means to create, perform and be completely original every time you power up, it does so with astounding sound quality.

Notes: The custom designed AT8175 microphone pop filter clips onto the front of the mic to provide added protection against plosives. Designed to fit 20 Series vocal microphones.
The AT8175 is compatible with the following microphone models: AT2020, AT2020USB-X, AT2035, AT2050, AT2020USB+

Features

Microphone pop filter clips onto the front of the mic.
Perforated steel mesh design allows for passage of clear speech and adds protection against plosives.
Compatible with the following 20 Series vocal microphones: AT2020, AT2020USB-X, AT2035, AT2050, AT2020USB+.

Specifications

Dimensions 74 mm (2.9") × 63 mm (2.5") × 88 mm (3.5") (W × D × H)
Weight 31.1 g (1.1 oz)

Notes: Your studio headphones

DT 900 Pro X

Trusted sound meets performance and flexibility

In launching the open-back DT 900 PRO X, Beyerdynamic are unveiling circumaural studio headphones, which are set to usher in a era for the long-established, Heilbronn-based company. While the classics of the PRO series are regarded as reference products in professional studios all over the world, the PRO line is suitable for flexible use both in the studio and while on the move. It is all made possible by the STELLAR.45 driver that loudly reproduces the best sound in studio quality without any distortion - with all playback devices.

Professional audio quality

Trusted studio sound meets high performance

The STELLAR.45 sound transducer, developed and produced in Heilbronn, Germany, delivers that proven Beyerdynamic sound at previously unattained levels of studio-headphones-class performance. This is down to the neodymium ring magnet as well as copper-clad high-tech wire. The trade-off between electrical conductivity and the weight of the wire is unique. In combination with the three-layer speaker diaphragm featuring integrated damping layer, this has created a highly efficient driver system that performs superbly on all playback devices.

The innovative membrane structure controls the axial motion of the voice coil and ensures that it remains securely positioned in the magnet gap even during high oscillations. Another benefit is vast and natural frequency response. The fast response of the transducer and the detailed transient response, produced by the low coil weight, create a sound that is always reliable and distortion free even at high sound pressure levels.

Flexibility

Wide range of applications on all playback devices



Anytime, anywhere - the wide range of applications offered by the PRO X line unleashes your creativity. Be it on an audio interface, laptop, tablet or mobile phone: Thanks to the high-performance STELLAR.45 driver, the PRO X headphones with an impedance of 48 ohms reproduce sound at volume and power to familiar levels of studio quality - on all playback devices. The cable concept is also demonstrably suitable for everyday use: the removable mini-XLR cable can be swapped out as required to be replaced with cables that have different lengths or feature other connectivity options.

Superb wearing comfort

Tailored fit for extra-long sessions

The PRO X line also embodies what these professional headphones have always been synonymous with: maximum wearing comfort. The robust spring steel headband design assures the over-ear headphones provide a secure fit and ensures durability. The supple velour ear pads are soft to the touch, as you would expect, and guarantee superior ventilation. The headband ergonomically adapts to the shape of the wearer's head with the aid of soft memory foam and, like the ear pads, can be replaced if required.

Design & materials

Built to last, featuring a sleek, robust design

Black, minimalist and reduced to the essentials. In a word: PRO.

As far as the design of and materials used in the PRO X line are concerned, attention was paid to the resilience of all components: metal headband, GRP components, a robust mini-XLR connector and hard-wearing cable. This means you are geared up on a daily basis for any professional application.

Sustainability

Sustainable headphones - made in Germany

The PRO X line headphones have been designed for daily use in challenging conditions. This is why they are handmade in Germany using premium quality materials. If required, nearly all the headphones' components can be replaced, turning these headphones into an investment that makes sense for every creator.

Technical data

Transmission type: Wired
Earpad material: Velours
Nominal impedance headphones: 48 ohms
Weight headphones without cable: 345 g
Headphone frequency response: 5 - 40,000 Hz
Nominal sound pressure level: 100 dB SPL (1mW/500Hz)
Sound coupling to the ear: Circumaural (around the ear)
Cable & plug: 3 m or 1.8 m straight cable, detachable, with 3-pin mini XLR & stereo jack (3.5 mm & 6.35 adapter)

Notes: Banana cable for modular systems, as used by companies such as Buchla. The length is 12.7 centimeters.

Patch cable with banana plugs.

Length: 12.7 centimeters

Color: Violet

Notes: Banana cable for modular systems, as used by companies such as Buchla. The length is 25,4 centimeters.

Patch cable with banana plugs.

Length: 25,4 centimeters

Color: Orange

Notes: Messor is a stereo compressor with lots of tricks up its sleeves. From gluing a mix together to squashing drums, sidechaining kicks and sculpting transients.

It's a VCA based feed-forward compressor with a high quality low noise signal path. The magic happens in the internal sidechain that shapes the gain reduction envelope.

There are the familiar controls of a compressor, attack, release, threshold, ratio and makeup gain, as well as a switchable high-pass / low-pass sidechain filter.

The ratio can go past limiting and into over-compression, which can completely reshape transients, a great tool for sound design.

Being modular, of course there are CV inputs for Attack, Release and the Filter cutoff.

The Gain CV controls the makeup gain, but also doubles as a Stereo VCA with the Gain knob off.

The gain reduction envelope is also available, for turning filters or other VCA's into compressors for example.

There's a bypass switch, and another Warm/Pure switch, that can bring in a bit of additional saturation and compression in the form of analog tube simulation circuitry.

Lastly there's the possibility to insert an external sidechain, for that classic kick sidechain compression.

Notes: External footswitch. Accessory for Sidekick JR.

Use the XT footswitch to control the operation of the modulation section of the Sidekick JR independently. Engage or true bypass the modulation effect.

XT footswitch bypasses the onboard modulation operation assign toggle switch of the Sidekick JR.

Connect to the XT jack input of the pedal.

Passive operation - no power needed for the XT footswitch to operate properly - use standard TS instrument jacks / cable only.

XT footswitch function is not affected by the power-up bypass/engage preset function of the onboard footswitches of Sidekick JR.

Dimensions (W x L x H) : 54 x 51 x 49 mm
Weight 0.91 kg
Made in Greece

Notes: Introducing the Decksaver cover for Erica Synths LXR-02 & DB-01: Your ultimate protection solution!

Are you a proud owner of the innovative Erica Synths LXR-02 or Bassline DB-01? These polyphonic and stand-alone hardware synths are the epitome of creative potential in the world of music production. As you delve into the realm of synchronized sequencing and experimentation with various synthesisers and DAWs, safeguarding your investment becomes a top priority.

The LXR-02 & DB-01 boast an array of touch-sensitive pads, knobs, and LCD screens that are integral to their seamless operation. However, a moment of carelessness can lead to the potential damage that no music enthusiast wants to face. To ensure you have peace of mind during your musical journey, Decksaver have crafted the perfect protective cover for your beloved LXR-02 & DB-01.

Constructed with super durable polycarbonate, this Decksaver cover is engineered to provide the highest degree of protection against dust, debris, spills, and accidental impacts. With a custom-moulded design, the cover fits flawlessly, accommodating cables without hindering your setup. You can now keep your LXR-02 & DB-01 ready for operation at all times while being fully shielded from potential harm.

Decksaver's rigorous testing process guarantees that your Decksaver cover offers unparalleled durability and security for your precious musical instruments. Whether you are creating music at home, on the road, or on stage, this Decksaver cover will be your steadfast guardian, ensuring your Erica Synths devices remain in pristine condition.

Invest in the ultimate protection for your musical assets. Safeguard your creative journey and elevate your musical projects to new heights with the Erica Synths LXR-02 & DB-01 Decksaver cover. Because your passion deserves nothing less than the best!

Fits:
LXR-02
DB-01

Dimensions

Weight: 0.38 kg
Length: 23.6 cm
Width: 14.1 cm
Height: 3.7 cm

Material: Smoked clear polycarbonate.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Huge chorus-flanger. Take your music to infinity. The fully analogue Dreadbox Komorebi Chorus-Flanger Pedal gives you a huge array of sound design possibilities. This powerful pedal can add some serious impact to your sound.

It doesn't matter if you're playing bass, guitar, synths, or even if you want to hook it up to your modular Eurorack system. The Komorebi is ready to go. Sprinkling its beautiful effects over anything it touches.

From a slight pinch of flange to add some movement to your bass lines, or a lengthy chorus effect to treat your pads and chords to a final touch of space-age wideness. It's a guitar pedal but not as you know. Komorebi works with everything.

Current draw: 100mA

Notes: Seductive swells and reverse tape effects push the envelope on any pedalboard!

The original Attack Decay Tape Reverse Simulator is known for producing volume and reverse swells, backward tape sounds, artificially short staccato notes, and bowed instrument effects. In 2019 the digital Attack Decay reissue was released, and now the Pico Attack Decay gives us volume envelope effects in a simplified, compact package.

The Pico Attack Decay allows you to dial in volume swells and decays, both in Mono mode-one volume envelope for all notes you play-and the revolutionary Poly mode where each note to has its own volume envelope creating cascading swell effects and leads with agile attack smoothing. With intuitive functionality and simple controls, the Pico Attack Decay opens up creative avenues for any player interested in pushing the (volume) envelope.

The Pico Attack Decay is both powerful and simple with four knobs and a mode button that let you create a wide variety of effects. The ATTACK knob sets the swell or fade-in speed of the volume envelope while the DECAY knob sets the fade-out speed of the volume envelope. Set the ATTACK higher for languid volume swells. Set the DECAY higher for artificially staccato notes for synth-like punches. SENS adjusts the threshold for triggering the envelope. VOL controls the overall output volume. A hidden BLEND control allows you to blend wet and dry signals for even more flexibility in tone.

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023

Notes: Connect USB C enabled devices such as smartphones, tablets, MacBooks, Chromebook Pixels, Galaxy Note 7 etc. with standard USB A enabled devices such as computers, car and wall chargers, external battery power banks etc. Designed for charging and powering USB C enabled devices as well as transferring data from a portable hard drive and syncing data, photos and music from a smartphone. The reversible USB C connection means it will insert first time every time regardless of which side is up. Version 3.1 Gen 2 allows for data transfer speeds of up to 10 Gbps (classed as super speed). Moulded nickel-plated connectors, gold-plated contacts and black PVC jacket. Uses a 56K Ohm pull-up resistor for incredible safety and reliability.

Notes: ***B-STOCK: Without original PSU, box opened. product in full working order***


Small desktop enclosure for Eurorack modules with 42 HP space and a maximum depth of 32mm. A relatively strong power solution with an external power supply and an on/off switch located at the case is included.

The power supply provides:

- 850 mA at +12V
- 850mA at -12V
- 500mA at +5V

The power distribution has 14 connectors and the case can house exactly fourteen modules from Erica's Pico Series.

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


The Eventide H9 Max features 45 algorithms and 99 factory presets from Space, TimeFactor, PitchFactor and Modfactor. More Presets are available via the H9 Control app and offer a huge range of effects; you may never need another stomp box again.

The H9 Max Stomp Box is fully controllable via its simple front panel one-knob user interface, but can also be controlled via a free iOS app, H9 Control, which can be downloaded to your iPhone or iPad for live editing, creating and managing presets and changing system settings wirelessly via Bluetooth. H9 Control is also available for your Mac and PC via USB.

The Eventide H9 features stereo audio I/O, MIDI I/O, Expression Pedal, and Auxiliary Switch inputs.

The H9 comes loaded with a set of Eventide's most popular algorithms taken from their award winning stomp boxes:

From ModFactor:
- Liquid Chorus
- Organic Chorus
- Shimmer Chorus
- Classic Chorus
- Phase XO Chorus
- Bias Tremolo
- Opto Tremolo

From PitchFactor:
- H910
- H949
- Crystals
- Tuner

From TimeFactor:
- Tape Echo
- Vintage Delay

From Space:
- Shimmer
- Hall

Notes: ***B-STOCK: Box opened, product in perfect working order***


Next-gen standalone expressive synthesizer. Add emotion & movement to your music with a simple touch.

Osmose is the new standard for musical expressivity. Use intuitive gestures to control this standalone synthesizer and upgrade your playing & production skills. Press, bend, shake, strum & more to interact with keyboards & electronic sounds in a new organic way. Whether you're a veteran keyboardist, a workflow-oriented producer, a daring sound designer, or anything in between, Osmose will take your musical journey to uncharted places.

Explore new ways to play

Behind the expressivity of Osmose lies a few natural gestures you already know well. Discover how they interact with Osmose and enhance your musicianship from the very first touch.

Design & build quality

Designed in France to stand the test of time and touring with style, Osmose is made of quality components and boasts a high repairability index.

A sound engine by Haken Audio

Made for expressivity by Haken Audio, the EaganMatrix sound engine is at home with FM, virtual analogue, and physical modeling synthesis, as well as everything in-between.

Fun to play

Easy-to-tweak presets, a playful interface, and an innovative keybed make for a fun & refreshing playing experience, for players of all levels.

Osmose's browser has been tailored to make it a hassle-free experience. It offers various filters and sub-filters based on both sound types and colours so you can find the sounds in your head quickly.

Main features:

49 Key MPE keyboard with polyphonic aftertouch
Full-size keys with 3-dimension MPE control
EaganMatrix sound engine by Haken Audio: a digital modular sandbox allowing subtractive, FM and different physical modeling synthesis
24 voices of polyphony
Assignable mod and pitch sliders
500 factory presets
128 user presets
Configuration modes: standalone synthesizer, MPE MIDI Controller, and classic MIDI Controller
Filters and sub-filters for browsing
Customisable sensitivity and velocity curves
Multi-mode MPE arpeggiator and innovative pressure glide feature
Digital stereo effects: select between reverb , mod delay, swept echo,analog echo or LPF and HPF delay
Large colour display
9 push encoders
2 Line outputs: Two 14" TS pseudo balanced line outputs
MIDI input, output, and MIDI-thru
USB MIDI
Separated 14" TRS headphone output on the front panel (with its dedicated volume knob)
2 continuous pedal inputs assignable to macro or sustain: 6.35 mm Jack
Power: External PSU with lockable connector, 12V, 1.5A, center positive
Dimensions (W x H x D): 894 x 316 x 87.5 mm / 35.2" x 12.4" x 3.4"
Weight: 8.3 kg / 18.4 lbs
Includes a software updater for new firmware and library versions
Includes a Mac/PC editor to create and edit sound

Notes: The module can record the joystick movement up to a length of over a minute. The sequence remains stored in the battery-backed RAM after switching off. When playing the sequence, it can be manipulated in speed and playback direction.

There is a FREEZE function to hold the current joystick position plus an external reset input. In addition, a GATE is set during movement and a CV voltage is output as a function of the joystick movement. The ranges of the X / Y output voltages are bipolar +/- 5v or unipolar from 0 to + 10v. Both channels X and Y have a passive attenuator potentiometer, so that the voltage range can also be set lower.

Notes: Wonderland is an 8×8 active patchbay/matrix mixer/switcher for both audio and control voltages. It features:

8 inputs (1 through to 8), each with micro-attenuators (which can be set with a small screwdriver)
8 buffered inverted outputs (A through to H) which are 180o out of phase with the inputs
8 buffered normal outputs (A through to H) which are in phase with the inputs
A switch matrix of 64 push on/push off switches
Any of the 8 inputs can be patched to any of the 8 outputs simply by pressing the corresponding switches. A patched signal will appear at both normal and inverted outputs simultaneously.

A single input can be patched to a single output. A single input can be patched to multiple outputs. Multiple inputs can be patched to a single output. Multiple inputs can be patched to multiple outputs.

Each input features a micro-attenuator which can be set with a small screwdriver. This space saving feature allows you to reduce the volume of an incoming signal without having to resort to external attenuators. If you add many inputs to one output you will of course cause clipping (which may or may not be desirable!), the micro-attenuators are your on-board way around this. I find it useful to leave the micro-attenuators set to 50% (which is how they come pre-set at delivery). Of course, their size is a little bit of a compromise, but they are a useful feature nonetheless. Wonderland’s sister module Looking Glass includes full size input attenuators as well as LED status indicators.

Product Specifications
12V draw
30mA

5V draw
0mA

-12V draw
31mA

Depth
35mm

Width
18HP

Notes: This is a special one. Seven-voice, four-part multitimbral analogue goodness from this boutique Argentinian brand. Stunning sound and depth, combining vintage fatness with contemporary precision.

Supplier's Notes:
The GS e7 is a subtractive synthesis polyphonic analogue synthesizer. The sound generation is carried out in a total analogue way. Each voice has two voltage controlled oscillators (VCO), a noise source, a mixer, a voltage controlled filter (VCF) and a voltage controlled amplifier (VCA). The control signals are digitally generated by a microcontroller, which is capable of processing three low frequency oscillators (LFO) and two envelopes (EG) of the ADSR type. In addition, it incorporates an effects processor with chorus and delay.

The GS e7 interface was designed to be simple and intuitive.

It also has MIDI connections, USB, balanced stereo audio outputs, headphone output and CV inputs.

*** Please note: This synthesiser comes with a US type A mains lead with UK plug adapter. ***

Signal path

The signal path is completely analog, featuring two VCO per voice, a white noise source, a mixer, a 4-pole low pass VCF and a VCA. The control voltages are digitally generated, including 3 LFO, 2 ADSR-type envelope generators. Finally, it has a stereo digital effects processor with Delay and Chorus. LFO 1, LFO2 and the delay can be synced with the MIDI clock using a user selectable subdivision.

Oscillators

It features two VCO plus sub oscillator per voice. Each oscillator has 3 different waveforms: triangle, sawtooth and saw-tri (triangle+sawtooth). There is a fine-tuning adjustment and a transpose option, allowing tune adjustment up to +/- 2 octaves. Tuning can also be modulated with any of the three LFOs and EG1

Furthermore, each oscillator has a pulse wave that can be turned on or off, which is mixed with the other waveforms. Its pulse width can be modulated with LFO1 and/or EG1.

Oscillators can be hard synced, with oscillator 1 being the master and oscillator 2 the slave.

The autotuning algorithm takes about 2 seconds to complete. All the voices are tuned in parallel, making a lot faster than usual.

Mixer

The mixer can control the levels and mix the two oscillators, the suboscillators and the white noise or the external input (when the external input is connected, the white noise is disabled).

Filter

The filter is a 4-pole ladder-type low-pass filter with resonance control. It can be modulated with EG1, this modulation an also be affected by velocity. It can also be modulated with any of the 3 LFOs. On the other hand, it features keyboard tracking and it can be controlled by the modulation wheel or aftertouch.

Chorus

There are two types of chorus available: basic and ensemble. The Basic algorithm is subtle and allows you to add some spatiality tothe resulting sound, while the Ensemble algorithm adds a different dimension to the sound, simulating a string or vocal ensemble. The Basic algorithm uses two delay lines, while the Ensemble uses 4 delay lines. Each delay line has its own internal LFO. There are controls for rate, depth and mix.

Delay

The delay can be a stereo delay or a ping pong delay, with its maximum delay time being as long as 1.35s. It is possible to sync the delay to the MIDI clock too. If the delay is synced, the delay time knob controls the time division instead of the delay time. There are controls for the feedback and mix too.

LFOs

There are three LFOs available. LFO 1 and 2 have 5 waveshapes: triangle, ramp up, ramp down, square and random with sample and hold. LFO 3 has the first 4 waveforms and is activated with the modulation wheel and/or aftertouch.
LFO frequencies go from 0.1Hz to 100Hz. Additionally, LFO 1 and 2 have different modes:

Monophonic: The LFO is in phase for all of the voices.

Polyphonic: The LFO is generated to a slightly different frequency for all of the keys pressed. This allows an interaction of the phases, generating more complex modulations.

Keyboard Tracking (KB Tracking): The LFO frequency varies according to the note played following the chromatic scale.

Keyboard Sync (KB Sync): The LFO is restarted when a key is pressed. Each voice has its independent LFO.

Clock Sync: The frequency of the LFO is synced to the MIDI clock signal. The e7 automatically detects the BPM of the clock signal. It can be configured to generate different rhythmic figures.

Keyboard + Clock Sync: The LFO frequency will be a sub-division of the MIDI clock signal. Also, the LFO will be restarted each time a key is pressed.

Envelope generators

There are two ADSR-type envelope generators. There are controls for attack, decay, sustain and release. Attack and release can be modified by velocity and the envelope times have keyboard tracking.

Stereo

By default, the voices have a stereo panning from left to right. By adjusting the stereo spread, it is possible to set all voices to the center or set them from right to left. There is also a stereo motion option that allows this stereo spread to be adjusted by an LFO.

Presets

The synth can store up to 640 presets, 128 of them being multitimbral presets.

Multitimbral

The synth can have up to 4 multitimbral parts. Each part has its complete sound configuration, assignable MIDI channel, keyboard zone, velocity zone, transpose setting and MIDI filter. Additionally, each part can have different voice assignments and/or share some voices.
MIDI Polyphonic expression

MIDI Polyphonic expression is supported by the GS-e7. It was tested using GeoShred, allowing independent pitch control and cutoff for each voice.


Specs

Polyphony: 7
Multitimbral: 4 parts
Oscillators: 2 voltage controlled analog oscillators (VCO) with sub-oscillators. Hard sync.
Oscillator Waveforms: Triangular, Saw-Tri, Sawtooth, Pulse with PWM. It is possible to mix the pulse with the other waveforms.
Filter (VCF): 24dB / Oct low pass filter (4 poles) with resonance control.
Envelopes: 2 (Attack, Decay, Sustain, Release), Velocity to Attack
LFO: 3
LFO waveforms: Triangular, Ascending ramp, Descending ramp, Square, Sample and Hold
Effects: Chorus, Delay
Presets: 512 programmes, 128 multi
Conennections: MIDI IN, MIDI OUT, MIDI Thru, USB, Pitch CV, Cutoff CV, Gain CV, Ext input, Audio Out (L/Mono, R, 1/4" TRS balanced), Headphones
Power supply: DC 12V 3A
Dimensions: 520mm x 190mm x 108mm
Dimensions (with packaging): 620mm x 290mm x 230mm
Weight: 4.6 kg (estimated)

Notes: Sound your best anywhere

A great interface is the one that's always there for you. iRig HD X is the new flagship of the iRig guitar interface family, bringing breathtaking sound quality and even more advanced features to guitarists everywhere. Compact enough to store in your gig bag, iRig HD X lets you connect anytime with inspiring new ways to play and sound amazing.

Practice with popular learning apps or favorite songs. Browse and discover thousands of new tones on ToneNET. Record ideas wherever inspiration strikes. Stream videos of you jamming to backing tracks. Warm up before gigs with all your favorite tones. No matter where you are on your musical journey, with iRig HD X the possibilities are endless.

Your new mobile dream rig

iRig HD X + TONEX and AmpliTube for iPhone and iPad gives you an incredibly versatile mobile rig with 2 powerful ways to find your sound: TONEX using IK's AI Machine Modeling technology, and AmpliTube offering the ultimate tone processing and recording studio. Play, practice and record on your mobile device with the most authentic and hyper-realistic gear models ever made.

Ultra-compact, high-quality audio

iRig HD X features a whisper quiet and transparent instrument preamp with wide frequency response and dynamic range that ensures every nuance of your playing is accurately translated while preserving the true tone of your instrument. The Headphone Out and Amp Out are equally high end offering exceptional sound quality in a device this portable.

One knob to do it all

iRig HD X sports an all-new enclosure featuring a LED ring input level indicator that also doubles as an ultra-fast and precise tuner for the connected instrument. Its ergonomic, multi-function knob lets users quickly adjust headphone level, loopback functions, direct monitoring and the tuner.

Reach your guitar goals faster

Practicing should be fun. With iRig HD X you'll be inspired by professional guitar tone while you learn. From anywhere, easily connect to the most popular learning apps while playing through the best amp models. Use the included TONEX and AmpliTube apps to load one of your go-to tones then launch your preferred app to study music, tabs or the original song. It's that easy!

Discover the best tones online

iRig HD X comes with AmpliTube 5 SE with 80 models covering all the "must have" gear. You also get TONEX SE for Mac/PC and iOS, which includes 200 Premium Tone Models plus unlimited user Tone Model downloads from ToneNET. You can browse, demo and download new guitar and bass tones within TONEX or build the ultimate guitar rig with AmpliTube 5.

Have fun playing along

Imagine finding perfect guitar tones from ToneNET for songs you love. Got a few minutes to play? Just plug-in and open up AmpliTube or TONEX and start jamming with incredible tone. No need to plug in a pedalboard or out-board gear. Play along with backing tracks on YouTube or from your music library or streaming service. Staying inspired has never been this easy.

Jamming and performing with friends

With iRig HD X it's easy. No more lugging a pedalboard to rehearsal spaces. All you need is right in your gig bag. Just show up and connect the Amp Out jack to an external amplifier or powered monitor. Everyone will be amazed by your tone as you load favorite AmpliTube presets or TONEX Tone Models from your iOS device (or laptop).

Recording audio tracks

iRig HD X is recognized by all desktop and iOS recording apps. TONEX and AmpliTube for Mac/PC work standalone or as plug-ins inside your favourite DAW so it's easy to record a DI or a processed guitar part. You can use the Loopback+ feature of iRig HD X (which acts like a virtual FX loop) to route your guitar signal first to TONEX or AmpliTube and then into your recording app.

Recording and streaming Video

The same feature that lets you record processed audio on your mobile device also lets you record or stream video with your amazing guitar tones sounding crystal clear. Use the Loopback+ feature of iRig HD X to route your guitar signal first to TONEX or AmpliTube and then into the video recording App on your iPhone or your streaming App of choice. You fans will love how great you sound.

With more ways to connect on more devices and with all your favourite apps, iRig HD X is your all-access pass to limitless musical experiences.

Ideal for all players

Whatever your level and style of music, iRig HD X will keep you connected to the newest and best tools for sounding great, learning new songs, advancing as a player and sharing the music you make with others. Sound better, play more and improve faster throughout a lifetime of guitar with iRig HD X.

Specifications

Common
AD and DA resolution: 24-bit
Sampling rate: 44.1 kHz, 48 kHz, 88.2 kHz and 96 kHz
Host connection: USB Type-C socket

Instrument Input
Input impedance:1 MOhms
Maximum input level: +9 dBu
Frequency response: From 20 Hz to 20 kHz within 3 dB (96 kHz sample rate)
Dynamic range: 115 dB(A)

Amp Output
Configuration: Unbalanced
Output impedance: 3.3 kOhms
Output level: 0 dBFS corresponds to -2 dBu
Frequency response: From 15 Hz to 40 kHz within 1 dB (96 kHz sample rate)
Dynamic range: 97 dB(A)

Headphone Output
Output impedance: 22 Ohms
Maximum output level: approx.. 8 mW into 32 Ohms load
Frequency response: From 15 Hz to 40 kHz within 1 dB (96 kHz sample rate)
Dynamic range: 95 dB(A)

Package includes
iRig HD X interface
USB-C to USB-C cable (60 cm/23.62")
USB-C to Lightning cable (60 cm/23.62")

Dimensions
Size: 99 mm/5.35" x 42 mm/2.27" x 25 mm/1.35"
Weight: 54 g/1.9 oz.

Compatibility

iOS Devices
Made for: iPhone 14 Pro Max, iPhone 14 Pro, iPhone 14 Plus, iPhone 14, iPhone SE (2nd and 3rd generation), iPhone 13 Pro Max, iPhone 13 Pro, iPhone 13, iPhone 13 mini, iPhone 12 Pro Max, iPhone 12 Pro, iPhone 12, iPhone 12 mini, iPhone 11 Pro Max, iPhone 11 Pro, iPhone 11, iPhone XS Max, iPhone XS, iPhone XR, iPhone X, iPhone 8 Plus, iPhone 8, iPhone 7 Plus, iPhone 7, iPhone SE, iPhone 6s Plus, iPhone 6s, iPhone 6 Plus, iPhone 6, iPhone 5s, iPad Air (3rd, 4th and 5th generation), iPad (9th generation), iPad mini (5th and 6th generation), iPad Pro 12.9-inch (1st, 2nd, 3rd, 4th and 5th generation), iPad Pro 11-inch (2nd and 3rd generation), iPad (8th generation), iPad Pro 11-inch, iPad Pro 10.5-inch, iPad Pro 9.7-inch, iPad Air 2, iPad Air, iPad mini 4, iPad mini 3, iPad mini 2, iPad (5th, 6th and 7th generation), iPod touch (6th and 7th generation).
Also compatible with all newer iPhone, iPad and iPod touch models.

Computers
Macr: macOS 10.6 or later. One free USB port.
Windowsr: Windows 10 or later. One free USB port. For low latency, the IK Multimedia's iRig audio driver must be installed.

Notes: The bestseller goes digital

iRig USB gives guitar and bass players an affordable and easy way to practice, play and record at home or on the go. This digital version of IK's widely popular iRig 2 features a sleek new enclosure with USB-C connectivity and comes bundled with IK's latest amp and effects modelling technology.
Easily record ideas or jam along to your favourite backing tracks with killer tones and without the need of any other gear. When it's time to play out loud, iRig USB offers a dedicated Amp Out so you can use your device tones with a real rig for playing and performing.

Whether it's through headphones or loudspeakers, iRig USB makes playing fun again and inspiring wherever you go.

Key features

Compact audio interface for guitar or bass
Works with iPad, Mac, PC and iPhone 15*
1/8" headphones out for silent practice
1/4" Amp out connects to your amp or pedalboard
Works with your favourite learning, practice and recording apps
Packed with AmpliTube & TONEX amp modelling apps
Powered by your device, no batteries required
*Lightning devices require Apple's Lightning to USB 3 Camera Adapter

Ultra-compact with big sound

iRig USB is small enough to fit in your pocket, yet features a wide frequency response and dynamic range on the instrument input to work with any guitar or bass, active or passive. Setting your level is quick and easy using the large gain control knob with clipping indicator. And for listening back, both the Headphone Out and Amp Out offer exceptional sound quality for a device this size.

Play more, learn faster

Practicing should be fun and inspiring. Use iRig USB anywhere and connect to the most popular learning apps while playing through the best amp models. Use the included TONEX and AmpliTube apps to load one of your go-to tones then launch your preferred app to study music, tabs or the original song. It's never been easier to make progress on your guitar journey.

Rcording ideas

Next time inspiration hits, launch your favourite app and start recording in seconds. iRig USB is recognized by all desktop and iOS** recording apps. TONEX and AmpliTube for Mac/PC both work standalone or as plug-ins inside your favourite DAW so it's easy to record a DI or a processed guitar part. On mobile devices, you can use iRig USB to record a DI or record a processed guitar part with the included TONEX or AmpliTube CS for iPhone and iPad.

**with iOS lightning device, the iRig USB will require a CCK connector/adapter.

Exclusive software included

iRig USB is ideal for exploring new sounds for guitar and bass. With Mac/PC and iOS versions of both TONEX and AmpliTube included, you'll always have your dream rig with you for practicing and recording.

TONEX SE gives you the power of AI Machine Modelling and comes loaded with 200 Premium Tone Models, which are captures of real amps and pedals, plus you can browse, demo and download unlimited Tone Models from ToneNET. You can even use TONEX software for capturing your own amp and pedals to use at home, on the go and inside AmpliTube 5.

AmpliTube 5 SE for Mac/PC plus AmpliTube for iOS offer the ultimate tone processing and recording studio. Both versions give you essential amps, effects and speaker cabs to create amazing guitar and bass tones. Play, practice and record on your desktop or mobile device with the most authentic and hyper-realistic gear models ever made.

Jamming out with friends

No more lugging a pedalboard to rehearsal spaces or someone's garage. Access to all your favourite tones is right in your pocket. Just show up, connect iRig USB's Amp Out jack to an external amplifier or powered monitor and start playing incredible-sounding AmpliTube presets or TONEX Tone Models from your iOS device (or laptop).

Grow wherever you go

Whatever your level and style of music, iRig USB will keep you connected to the newest and best tools for sounding great, learning new songs, advancing as a player and recording ideas. Sound better, play more and improve faster throughout a lifetime of guitar with iRig USB.

Common

AD and DA resolution: 24-bit
Sampling rate: 44.1 kHz and 48 kHz
Host connection: USB Type-C socket

Instrument Input

Input impedance: 500 kOhms
Maximum input level: +13.5 dBu
Frequency response: From 20 Hz to 20 kHz within 0.5 dB (48 kHz sample rate)
Dynamic range: 90 dB(A)

Amp Output

Configuration: Unbalanced
Output impedance: 3.3 kOhms
Frequency response: From 10 Hz to 20 kHz within 1 dB (48 kHz sample rate)
Dynamic range: 97 dB(A)

Headphone Output

Output impedance: 22 Ohms
Maximum output level: approx 6mW into 50 Ohms load
Frequency response: From 10 Hz to 20kHz within 1 dB (48 kHz sample rate)
Dynamic range: 94 dB(A)

Package includes

iRig USB interface
USB-C to USB-C cable (60 cm/23.62")

Dimensions

Size: 99 mm/3.9" x 42 mm/1.65" x 25 mm/0.98"
Weight: 54 g/1.9 oz.

Compatibility

Computers

Mac: macOS 10.6 or later. One free USB port.

Windows: Windows 10 or later. One free USB port. For low latency, the IK Multimedia's iRig audio driver must be installed.

iOS Devices

Compatible with iPhone and iPad devices with USB-C connector.

Also compatible with iPhone and iPad devices with Lightning connector using Apple's Lightning to USB 3 Camera Adapter.

Android Devices

Compatible with Android devices running Android 5 or later and with USB digital audio capabilities.

Notes: To protect your UNO Synth PRO X or Uno Synth Pro Desktop when you're carrying it around, you can order the UNO Synth PRO X Travel Bag, durable 100% polyester cases featuring a stitched-in UNO Synth logo, adjustable straps and a zippered pouch for cables and other small items.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Flagship model in IK's Uno Synth range, the Pro X adds extra synth power to the three-oscillator analogue design, with plenty of hands-on control and sequencing power.

Supplier's Notes:
Freedom of sound

Paraphonic dual filter analogue synthesiser

Embark on a liberating sonic adventure with UNO Synth PRO X, a powerful analogue synthesizer that'll ignite your creativity and elevate your music to new dimensions. Prepare to be inspired as you explore a world of infinite possibilities, where technology meets the timeless allure of analogue warmth.

Get creative

Featuring three discrete wave-morphing oscillators, the UNO Synth PRO X invites you to explore a vast sonic landscape. Unleash your imagination with PWM, sync, FM, and ring modulation capabilities: Your sonic palette knows no bounds.

Unrivalled sound sculpting

Discover a new realm of sonic possibilities with the UNO Synth PRO X's dual-filter design, combining classic OTA and SSI-chip-based filters. Immerse yourself in the moment as you weave intricate textures and shape your sound to perfection. Dive deeper into sonic exploration with the 16-slot modulation matrix enabling you to create intricate and evolving textures.

Sound connection

Take complete control over your music with over 30 hands-on controls, providing immediate access to your sound-shaping tools. With USB, MIDI, CV and Gate in/out options, integrating the UNO Synth PRO X into your setup is effortless.

4 kinds of effects

With 10 studio-quality FX in three slots and an analogue drive, your music will further come to life with warmth and character.

3 effects slots + analogue drive
Vintage chorus and uni-vibe
5 different delays
Hall, plate and shimmer reverbs

From sequencing to arranging

Unleash your creative potential, easily creating complex ever-evolving sequences. Try the 10-mode arpeggiator, equipped with a pattern designer to bring your melodies to life. New horizons are just around the corner with the Bassline mode, along with legato, mono and paraphonic modes, offering unprecedented expression of your musical ideas.

Advanced paraphonic 64-step sequencer
Per-step parameter recording with up to 48 parameters
Sequence randomizer that follows the scale you select
Parameter automation per step and real-time
10-mode arpeggiator with pattern designer
New Bassline mode plus legato, mono and paraphonic modes

Seamless DAW integration

With 256 user-editable presets the UNO Synth PRO X is a playground for sonic fun and exploration. Effortlessly sculpt save and recall your own custom sounds recapturing every moment of your creativity. And with the included Editor/Librarian software providing seamless control from your Mac or PC anything becomes possible. The Editor works as both a standalone application and as a plug-in inside your favourite DAW. This means you can program and play the UNO Synth PRO X just like a virtual instrument.

Designed for portability
The UNO Synth PRO X is not only a fun sound-design partner but also the perfect musical companion on the go, adapting to any environment. From backpack to mainstage, new sonic destinations will always be within reach.
Ultralight and ultraportable
PSU or USB battery pack power supply
Balanced stereo and headphone outputs

Custom travel bag available

Whether you're a seasoned sound designer or on the way to becoming one, UNO Synth PRO X is here to travel physically and sonically wherever you go.

UNO Synth PRO X Specifications

Sound generation
3 discrete wave-morphing oscillators
3 super-fast envelopes with loop and retrigger options
PWM, sync, FM and ring modulation
Dual-filter design, OTA and SSI-chip based
12 studio-quality FX in 3 slots + analogue drive

Performance tools
Advanced paraphonic 64-step sequencer
10-mode arpeggiator with pattern designer
New Bassline mode plus legato, mono, paraphonic
Audio input to filters and FXs or pass-through

Complete controls
Over 30 hands-on controls
16-slot modulation matrix
256 user editable presets
USB / MIDI / CV / Gate in/out
Backlight control and onboard factory preset restore
Advanced software control for Mac/PC

Ready for travel
Ultralight and ultraportable
PSU or USB battery pack power supply
Balanced stereo and headphone outputs
Editor/Librarian included
Optional gig bag available

Dimensions
Size (W x D x H): 33.3 x 15 x 5 cm, 13.11 x 5.91 x 1.96 in.
Enclosure: Plastic
Weight: 800 g, 1.76 lb
Power: iRig PSU-3A (included) or USB (5V/1.5A, 7.5W or above)

Package includes
UNO Synth PRO X
1x USB-C to USB-C Cable - 60 cm, 23.6 in.
Power Supply Unit
Quick start guide
Registration card

NOTE: USB power has inherent ground noise, so when connecting the UNO Synth directly to your computer via USB, you may hear more noise and interference than when the synth is connected to a USB wall charger or running via batteries. With the direct computer connection, you can reduce the USB ground noise and other interference by either using a USB isolator or a custom TRS cable into a balanced input on your preamp or audio interface where the ground is not connected at the balanced input side.

UNO Synth Pro Editor Compatibility

Computers
64-bit application. Requires a 64 bit CPU and Operating System.

Macr (64-bits)
Minimal: macOS 10.15 or later.

Windowsr (64-bits)
Minimal: Windows 8 or late

Notes: FL Studio reaches a milestone, better than ever. Still a firm favourite DAW after all these years, ideal for dance music. Free update to the latest version 20.5, and every new version after that. Forever.

Supplier notes:
Image Line FL Studio 20 is everything you need in one package to compose, arrange, record, edit, mix and master professional quality music. FL Studio 20 is the fastest way from your brain to your speakers. Image Line FL Studio 20 Producer Edition provides the highest level of program functionality for FL Studio.

What you can do with FL Studio Producer Edition 20:

- Audio editing and manipulation including pitch correction, pitch shifting, harmonization, time-stretching, beat-detection & slicing, audio warping and standard audio manipulation (cut/paste etc).

- Automate most interface and all plugin parameters by recording, drawing, spline-based automation curves, automation generators with formula-based control of links.

- Be hosted in other DAWs as a VST or connected through ReWire.

- Live music performance including video effect visualization.

- Mix and remix audio including apply real-time audio effects including delay, reverb & filtering.

- Multi-track audio recording up to the limit of your audio-interface inputs.

- Record & play MIDI input recording from keyboards, drum pads and controllers.

- Sequencing and arranging with pattern and linear workflow possible.

- Synthesizer & effect plugin hosting VST 32 & 64 bit, DX and FL Native formats.

- Make virtually any sound - FL Studio includes over 30 software synthesizers covering acoustic/synthetic bass, electric guitar, multi-sampler tools including piano & strings, general sample playback and beat-slicing (With Rex 1 & 2 support).
- Synthesis techniques - span subtractive, modelling, FM, RM, granular and additive. With the addition of FL SynthMaker you can further create & share your own FL instruments, effects & MIDI control dashboards without the need to write basic code.

- Open plugin standards - FL Studio supports all PC industry plugin instrument standards including VST, DX, Buzz and Rewire. This means you can sequence with your favourite plugins and applications.

- Multi-channel audio inputs - With the ability to simultaneously capture all the inputs on your audio-interface, FL Studio has the flexibility to record a single vocalist, guitar or a full symphony orchestra.

- Arranging audio - Audio can be arranged, with complete freedom in the Playlist. Features include the ability to host an unlimited number of audio recordings, time-stretching, pitch-shifting, beat-slicing, cropping, editing and the re-arranging of audio with only a few mouse clicks.

- Pattern or track sequencing - You choose, record your musical performances and ideas in the most logical way. FL Studio 20 can simultaneously function as a pattern and track based sequencer. Reuse patterns as Pattern Clips in the Playlist or record song-length sequences, as desired.

- Step sequencer or Piano roll - Scoring tools include FL Studio's legendary Step-sequencer, one of the most advanced Piano rolls in any software studio, event and multipoint automation envelopes. FL Studio supports MIDI input, standard controller compatibility, and the ability to simultaneously control multiple instrument channels from separate controllers.

- Determine your own project design - In FL20, you decide how your project will be laid out, including multiple 'Arrangements'. Unlike the competition, FL20's Playlist is a totally flexible and virtually unbounded workspace where Note Pattern, Audio and Automation data can be arranged and edited to suit your creative ideas and preferred workflow.

- The mixer - is about precision, control and flexibility. The mixer's tracks each hold up to 10 effects (VST or FL's proprietary format). To create sub-mixes or mixing chains of almost unlimited complexity, each mixer track can be routed to any other mixer track or the Master track. Sends provide the ability to sidechain inputs to multi-input effects plugins. Finally, each of the mixer tracks can be routed to any output on your audio interface, now that's flexibility.

- Effects - What about effects? FL Studio includes more than 40 effects spanning maximization, limiting, compression, delay, distortion, equalization (graphic & parametric), filtering, phasing, flanging, chorus, vocoding and reverb. These have you covered for the creative broad-brush effects, through to the minutia of the mastering process.

Notes: Based on Intellijel's extensive Eurorack experience, the Cascadia is a beautiful semi-modular synth which combines East and West coast principles, designed with live performance and real-time tweaking in mind.

Supplier's Notes:
A deep and flexible semi-modular mono synth, it was developed by a team of veteran synth aficionados to be the realization of their collective dream. It is a synthesist's synthesizer - a well-considered, finely-honed, stand-alone instrument capable of both nuance and bombast. You are never more than a slider away from turning sweet into raucous, or a patch cable removed from corrupting the virtuous into the wicked.

To distill Cascadia into a bullet-list of features does not do justice to the sonic possibilities that lurk just behind the panel. Instead, it's best to imagine the potential of two oscillators (one capable of operating at LFO rates; and one with full TZFM and sync capabilities) - each with multiple independent outputs working as both sound and modulation sources. Think about the possibilities of a fully-modulatable, self-oscillating, multimode filter with numerous modes simultaneously available, or the sonic advantages of having both wavefolding and ring modulation built-in. Envision having a pair of fully-configurable envelopes - one, a take on a classic ADSR with an assignable Hold stage; the other, a powerful multimode function generator, which becomes an Envelope, LFO or Burst generator with the flick of a switch. Picture using either MIDI or CV (or both) to drive your sound and modulation; or using the built-in trio of utility LFOs; an additional VCA/LPF/LPG; slew; sample & hold; multipliers, inverter; and mixuverters to refashion it. Ponder the sonic options of bringing in external audio and using it to either modulate or mix into Cascadia's architecture. Speaking of mixing, consider the fully-featured on-board mixer that blends not only all these internal and external sources, but also features multiple types of noise, a sub-oscillator, and soft clipping. And because we wanted Cascadia to be as flexible as possible, we decided not to hamper it with a limited selection of on-board effects but, instead, imbue it with the capability to fully integrate and control external effects devices - allowing you to incorporate your favorite pedals into your own personal playground of signature sounds, anywhere in the signal chain.

Cascadia is a semi-modular synthesizer, meaning that many of its capabilities reveal themselves to the musician without the need to insert a single patch cable. Cascadia's default signal path is well-conceived and deep. But for those willing to dive even deeper, a plethora of new sounds are possible when you start rerouting signals using the many available patch points. And to allow for the ultimate flexibility, these patch points conform to the Eurorack standard, meaning you can expand Cascadia's capabilities through the use of external modules.

Cascadia leverages Intellijel's long commitment to modular synthesis and coalesces it into a single package of sonic possibility. Whether used stand-alone or as part of a larger system, we at Intellijel believe this is the synth to bridge the past to the future; the novice to the pro; the desktop to the eurorack; and you to your musical goals.

Notes: Your Palette case is the ideal solution for your space conscious and portable needs. At about the same size as a small laptop, your Palette fits comfortably on your desktop; in your backpack; at your favourite coffee shop; in your jam space; or pretty much anywhere else you might desire to play. Your imagination is the only limit. With 62hp of rack space, you can piece together powerful but focused mini systems and control surfaces. Intellijel's 1U row and built-in i/o ports add a ton of extra utility to bring the most out of your Eurorack modules. Truly a palette for the sonic artist.

Utilities panel:

- Dual 1:4 buffered multiple
- Two 1/4" balanced audio jacks that can be connected to the Stereo Line Out 1U, Pedal I/O 1U or Mixup
- 1/8" (6.35mm) MIDI Input that can be connected to uMIDI 1U
- USB port that connects to the uMIDI 1U and other future modules
- Rocker switch and barrel plug for power entry

Construction:

- Anodized aluminium
- Aluminium extruded rails with steel threaded inserts
- Rubber feet to protect your desktop
- Rear mounted power supply for maximum module depth

Includes:

- 40W Meanwell AC/DC adapter with right angled connector
- 3FT North American IEC power cable
- 1/8" (6.35mm) TRS to 5-Pin Din MIDI adapter

Notes: This is the version II of the original uVCA.

This module was adapted from a design by David G. Dixon

Notes: ***B-STOCK: Box damaged, product in perfect working order, no coiled cable***


Combining vintage sound with modern features, the S2400 draws heavily on the iconic Emu SP1200 to create a new instrument with a distinctive character. One of the best samplers money can buy.

Supplier's Notes:
A legend, reborn.

The S2400 is nothing short of a passion project. Along with a small team of talented Software Engineers, CAD Engineers and revered artists, Isla Instruments have developed a future classic.

The S2400 is a passion project - to recreate the sound of one of the world's most iconic sampling drum machines, and bring it up-to-date with modern features. The result is the very best of old school and new school technology coming together.

Brad has been obsessed with drum machines for many years - owning, repairing, restoring, modifying countless makes and models (see his HR-16 mods on YouTube).

Staying true to form in both sonic characteristics and design aesthetic were the main drivers in the realisation of this project, while bringing the hardware into the 21st Century and keeping the same 'instant gratification' and intuitiveness of its spiritual pre-predecessor at heart.

A machine built for the now and the future.

S2400 Specifications

Sampler / Audio:
16-Bit 48Khz 'Hi-Fi' Sampling/Playback Engine
12-Bit 26Khz 'Classic' Sampling/Playback Engine
Engine type assignable to each of the 32 sample slots
Sample up to 21.5 minutes per slot (Classic / Mono),
5.5 minutes (Hi-Fi / Stereo)
Simultaneous (Full Duplex) playback and record with 8 channel LiveLooping functionality.
On-screen waveform display (slice audio, set loop-points with ease)
128 MB of built-in factory drum kits (from some of our featured beta team)
Independent Headphone output for monitoring (effectively 2 extra channels)
DSP based LP/HP Filtering per track (more FX planned for future)

Sequencer:
Multiple sequence entry methods: Live recording, Step Sequence, Piano Roll GUI, TR x0x Style
32 Stereo Audio Tracks w/ 16 Voice polyphony
32 MIDI Tracks (for sequencing external equipment)
96 PPQN Clock
Per track quantization and swing (including classic mode)
Patterns are up to 100 measures, any time signature
All parameters (level, pitch, envelope, filters) configurable per pattern step
Song mode

Hardware

Bright 128 × 64 pixel OLED display (viewable from any angle)
Ultra High quality Grayhill Optical Data Entry Encoder
8 x 60mm Professional Dual Rail Faders
8 x Dual 'concentric' Pro-Audio rotary pots
Broadcast Equipment grade A/V backlit pushbutton switches
Tactile silicone pads backlit with RGB LEDs
SD Card storage (up to 1TB currently tested)
Classic (OG) input and output analogue filtering circuitry.

I/O

MIDI In/Out/Thru (Standard 5-pin DIN)
2 × 1/4" Stereo Mix Out jacks (psuedo balanced)
8 × 1/4" Individual audio out jacks (psuedo balanced)
4 × 1/4" External input jacks (with adjustable pre-amp modes)
2 × Stereo RCA Line/Phono Inputs (with dual phono pre-amps)
Hi-speed USB 2.0 device port. (USB Audio/MIDI)
USB Host port (connect external USB peripherals, MIDI controllers etc).
3.5mm Clock/trigger in and out jacks (to sync/trigger vintage equipment or modular synths)
Universal Voltage100-250V AC Mains powered.

Physical

Rock Solid 16Ga Cold Rolled Steel enclosure with 6mm Anodised aluminium sidewalls.
Aluminium knobs
Dimensions: (Including knobs, jacks, feet)
Imperial: W18" x D12" x H5" (back) 3" (front)
Metric: W460mm x D310mm x H130mm (back) 80mm (front)
Weight: approximately 13lbs / 6Kgs (metric)

Notes: What started as a simple plan to develop a new line of patch cables, quickly became an engineering feat in typical Joranalogue fashion. After countless hours of stripping cables, benchmarking crosstalk and high frequency performance, and designing in-house cable testing tools, Patch is the result of these efforts.

Patch is a series of top-quality patch cables for the discerning modularist, available in black and white, and a variety of lengths. Constructed using a custom-made coaxial base cable and over moulded mini-jack plugs, protected by unique laser-cut aluminium shells, these Eurorack cables are designed to outlast and outperform.

Lengths 15, 30, 60 and 90 cm are available in 8-packs, while the extra-long 150 cm cables are supplied in 4-packs.

Premium patch cables with 3.5 mm mono mini-jack connectors for Eurorack modular synthesiser use.
Engineered for audio, CV as well as analogue video signals.
Unique anodised aluminium shells and heavy duty bend reliefs for long life span.
7 inner signal and 40 outer shield conductors of 100 % ultra-pure oxygen free copper.
Extra-flexible PVC outer sleeve: satisfying 'droop' without crinkles.
Safely packaged in a reusable cotton bag with branded hook-and-loop cable tie included.
Incredibly fun to patch with. (Seriously!)
Designed in Belgium; made in China.

Notes: While modular synthesisers are most often used as stand-alone instruments, they also present exciting opportunities for processing external signals. Anything from an electric guitar to an effects send on a studio mixing desk can benefit from the unique sonic capabilities of even a modest Eurorack system.

However, patching in an external source usually requires an adapter cable and plenty of clean gain to bring the signal to Eurorack level. If the signal source is balanced, a balanced input is required as well to provide the best possible interference rejection.

Receive 2 (or RX2 for short) provides a convenient all-in-one solution. It offers two universal external inputs, which accept both balanced or single-ended signals via XLR or 6.35 mm jack connectors.

The circuit incorporates low-impedance design practices, radio-frequency (RF) filtering and premium balanced receivers to provide transformer-like interconnect performance in a compact and affordable module. And thanks to the electrostatic discharge (ESD) protection, it’s rugged enough to survive the rigours of performing on the road.

The very clean integrated pre-amps feature variable gain, ranging from unity to +40 dB on each channel. As a result, Receive 2 can handle just about any signal source you may encounter, including electric instruments, piezoelectric pickups and many dynamic microphones.

Adjusting the gains is a breeze thanks to the dual peak-responding LED meters. A mix output is included as well, so external signals can be easily mixed directly in the module.

Notes: From the outset, KMA Machine's goal was to create the most flexible analogue upper octave pedal ever yet produced. Based on a highly refined and improved version of the Shriek circuit from KMA's venerated MOAI MAEA pedal, the MANDRAKE brings an even more robust and present upper octave to the sonic table. By combining that upper-octave might with a versatile, yet highly intuitive user interface, the pedal provides a ton of killer tonal options in a very modern and pedalboard-friendly package.

"The humanesque abomination, begat of the evils that once fertilised his empire of dirt, now senses the bleak emptiness of the air that surrounds him. In recognition of his harvest and the perpetual change to his existence, his mesmerising scream is both devastating and euphoric, so all those that encircle him are subdued from the aural toxicity that emanates from the disfigured effigy."

Octave up pedals (as used by so many legendary performers including Hendrix, Tony Iommi, Josh Homme, Billy Corgan, Jack White and so many more), can really give added bite to your sound. But often, many of these fun tools can be untamed and lead to nasty clashing overtones.

With MANDRAKE however, KMA didn't want to just make a one trick pony octave up device. The powerful and ultra-fast tracking Shriek circuit was expanded on with its edgy and fuzzy character that's reminiscent of many of the best vintage octave-up devices. To do this, a 2nd order Low-Pass Filter was introduced, a TIMBRE and individual Mix controls to KMA's well-regarded circuit to make it way more versatile in a single pedal. Let's look at those cool new things in more detail.

The FILTER control helps to tame your upper harmonics, as well as to improve tracking, letting you achieve unhinged, cutting and shrieking mayhem when the control is fully turned all the way to the left. While turning the knob in the other direction gives a more mellow and blooming synth-like texture. The FILTER section is also very useful for tailoring the upper octave effect to different instruments and pickups, where getting the right tone is not a "one size fits all" equation.

In addition, to enable the octave voicing in MANDRAKE to be sculpted exactly to your own personal taste, the TIMBRE control defines the amount of fuzzy gain present in the upper octave. This allows you to perfectly blend in the pedal's tonality with the rest of your signal chain. Turning the control fully counterclockwise, gives a slightly crunchy and percussive tone that's ideal for melodic arpeggio enhancements. While cranking the TIMBRE knob fully clockwise will transform MANDRAKE into a crushingly saturated doom-hammer, instantly ready to wreak havoc with each power chord you throw at it!

Topping off the features, the DRY and OCT+ controls allow the dry signal and effected upper octave to be mixed independently, for precise tonal balancing. This is especially handy when using MANDRAKE together with other dirt pedals or when you just want to retain the natural body and attack of your instrument.

Subtle descant or decimating octaval Armageddon? With MANDRAKE the choice is totally yours!

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


The Kaoss Pad series of effects units is famed for its intuitive touch-pad interface. The flagship model KP3 that appeared in 2006 continues to be highly acclaimed by musicians and DJs around the world for its powerful, instantaneous effect programs and its wealth of sampling functionality.

The sounds that drive the dance and EDM music movements, and the effects used to create them, have evolved significantly over these past seven years. Enter the KP3+, the effects combinations that have become a staple in numerous genres and applications have been taken to a new and cutting-edge level. The KP3+ is a complete update for an effects unit that will generate the sounds of 2013 and beyond.The sounds that drive the dance and EDM music movements, and the effects used to create them, have evolved significantly over these past seven years. Enter the KP3+, the effects combinations that have become a staple in numerous genres and applications have been taken to a new and cutting-edge level. The KP3+ is a complete update for an effects unit that will generate the sounds of 2013 and beyond.

The intuitive design and amazing flexibility of the touchpad allows the Kaoss Pad 3+ users to easily control multiple effects and parameters by simply stroking, tapping, or rubbing the Kaoss touch pad with their finger. Using this remarkable design, you can easily control effects in complex ways that would be impossible on a conventional effect unit.

The KP3+ provides new effect programs that are worthy of its status as the flagship model of the Kaoss Pad series. The KP3+ contains a total of 150 programs. In addition to the 108 x effects carried over from the KP3, which include filters, spatial-type effects such as delay and reverb, a grain shifter that freezes tiny pieces of sound and repeats them, and a vocoder, there are 42 new or improved effects that represent today's dance music scene, including effects that were newly developed for the Kaoss Pad Quad, such as the Looper, Vinyl Break, and Ducking Compressor.

It's easy to obtain the scratch sound that's heard when you scratch a turntable, or use a record-stop effect. In addition to the basic Mod.1 Vinyl Break, the KP3+ also provides the new Mod.2 Break Reverb which adds reverb to the effect, and the LoP.2 Break Looper and LoP.8 Loop Breaker effects which combine the effect with a Looper.

You can use a side-chain effect to emphasize the backbeats of the kick. In addition to Mod.8 Ducking Compressor, there's a new rEV.1 Pump Reverb that adds a reverb effect. You can add a sense of breathing to your music by dynamically varying the reverberation in synchronization with the BPM.

For greater usability, the Looper effect has been modified to let you loop the sound starting from the instant you touch the touchpad. The existing programs have been significantly updated; for example, if you move your finger to change the number of beats in the loop, the timing of that change will automatically be quantized. There are also many new programs such as LoP.4 Freeze Looper, LoP.6 Shuttle Looper, and the LoP.7 Slice Looper that finely slices a phrase and loops the location that you choose.

New effects include dLY.2 Echo Break and rEV.3 Reverb Break, which mute the input sound and generate delay or reverb. These are ideal ways to create breaks in your DJ play. We've also enhanced the synth sound effects that are effective when used during a break, bringing them up to date for the evolving dance music scene. Newly added sounds include Syn.3 Pump Noise (noise without resonance, processed by a side-chain effect) as well as Syn.4 Lofi Synth and Syn.9 Resonator.

Other added effects include FL.16 Center Canceler for partial vocal cancellation, LFO.1 Jag Filter which uses a non-resonant filter to chop the sound, dLY.5 One Delay which shines on styles such as hip-hop, and Grn.6 Stutter Grain which alternately applies a grain shifter and a Looper. We completely rethought the X-axis and Y-axis parameter assignments and their polarity, and included flashy and glittering synth sounds as well as many more effects that will enhance the latest sounds of today's scene.

The KP3+ features enhanced sampling functionality that lets you perform using multiple effects and samples. Each of the 4 x sample banks can record a sample up to 13 seconds long, and play it either as a one-shot or loop. The KP3+ also has functions such as a start point adjustment that lets you create a half-beat shift to create doubled effects, a new slice function that edits the structure of a loop sample to instantly create completely new phrases, and a resampling function that lets you apply an effect to a sample and then re-sample the result.

Notes: ***B-STOCK: Without original cables, box opened, product in full working order***


When the classic MS-20 analog synthesizer appeared in 1978, it had a trusted partner in the SQ-10 step sequencer. Now, after thirty years, the MS-20 has been reborn as the MS-20 mini, and the SQ-10 has evolved into the more modern SQ-1.

The SQ-1 is a compact step sequencer with 2 x 8 steps. It's wealth of connection jacks allows it to be connected to the MS-20 and a variety of other synthesizers. Vintage analog synths or the latest compact synths can be controlled from this single unit. You can also switch between a variety of synthesizer modes and use the step buttons to create performances overflowing with spontaneity, just as when using a volca unit.

Liberate yourself from the numerically-bound parameter editing that's typical on a DAW; you'll enjoy truly musical inspiration as you train your ears and concentrate on what your fingertips are doing. Don't miss the experience of music that's driven by your instinct.

Rather than the commonly used V/Oct standard, the CV design of the MS-20 always used the Hz/V standard that provides excellent pitch stability limiting the step sequencers that are able to correctly control the MS-20. As a descendant of the SQ-10, the SQ-1 supports the Hz/V standard, enabling it to perfectly control the MS-20 or MS-20 mini. It goes without saying the V/Oct standard is also supported, and the voltage level of the CV output and polarity of the GATE output can be specified as appropriate for the device you've connected. This versatility will enable you to control a wide variety of other synthesizers as well.

As a connector, the SQ-1 provides two CV/GATE OUT channels, the standard MIDI OUT and USB MIDI, littleBits out (to connect to the littleBits synth kit by littleBits Electronics Inc.), plus the SYNC IN/OUT channel that allows you to connect to the volca series and monotribe. Compact and complete with all the functions you need, the SQ-1 is the ideal hardware sequencer.

The SQ-1 provides two channels (A and B) of 8-step sequencer that can operate consecutively, or be used in a variety of other modes. For example, you can run A and B following each other to function as a 16-step sequencer, ignore the order and make the steps play randomly, or use A and B to control different parameters as they run in parallel. From simple sequences to complex changes, you can choose from a variety of modes to suit your needs.

The 2 x 8 step buttons can be used in the usual way to turn notes on/off, but you can also use the MODE button to switch their function, opening up powerful possibilities such as letting you "perform" the sequence itself, as on a volca unit.

"Active Step" lets you skip steps mid-way through a sequence, and "Step Jump" lets you instantly play just the step that you press, producing irregular rhythms or effects that are reminiscent of short loops. "Slide" produces an effect in which steps are connected smoothly; using this to control a synth bass is an easy way for anyone to generate an acid sound.

Packed with carefully selected functionality, the SQ-1 features a compact and very sturdy sheet-metal body. Placed beside the MS-20 series, you'll notice a sense of solidity that gives the impression they were manufactured in the same era. The unit can operate on two AA batteries or on USB bus power.

Sequence step resolution is selectable as quarter notes, eighth notes, or 16th notes.

You can specify the way in which the step knobs control the pitch. The knob values can specify the pitch directly, or they can specify the closest note in a major, minor, or chromatic scale.

Notes: The Korg Volca Keys is an ideal introductory synthesizer, with a simple, yet powerful polyphonic analog sound engine and loop sequencer.

The Volca Keys is a long awaited synthesizer that adds a new chapter to the long and storied history of Korg's analog synthesizers. This 27 key analog lead synth delivers unbelievably powerful sound in a compact body. Starting with a filter section that uses the circuitry of the legendary miniKORG700S (1974), it delivers astonishing sound that takes full advantage of Korg's half-century of know-how in circuit design.

With a simple structure that includes delay effect and a sequencer, it's also an ideal choice for a first analog synth. It offers the richly expressive sounds that are distinctive of analog, providing the enjoyment of simple yet deep sound-creation. The possibilities are endless; you can use the three oscillators to play chords, use them in unison with detune to produce solid lead lines, or apply ring modulation to create far-out metallic sounds.

The Voicing function makes it easy to specify how the three oscillators will be combined. Choose between poly, unison, octave, fifth, unison ring or poly ring simply by turning a dial. Easy for those taking thier first steps into synthesisers, the Volca's simple design makes it easy to obtain a wide variety of sounds.

Record phrases as you play them with the Volca Keys using the loop sequencer. With up to 16 steps, it's easy to create phrases as they come to mind. Use the overdub recording function to produce complex loops, with up to 8 sequence patterns able to be stored in internal memory. Craft your loops with the motion seqence function, apply time varying changes to your sound to enhance loops and add originality to your life performances.

Skip a step during sequence playback with active step, a function that creates effects similar to a short loop or unexpectedly irregular rhythms. This allows you to create a dynamic performance just as though you were performing the sequence itself. Flux function lets you play back the phrase without quantizing the steps, producing a loop with a distinctive sense of groove.

A useful self-tuning function constantly tunes the oscillators, so you never need to tune during a performance or wait for the pitch to stabilise after turning the power on.

Connect the Volca Keys with the rest of the Volca Series or a Monotribe using the sync jack. A MIDI in connector lets you synchronise with other devices, play the Volca from any MIDI keyboard and send note messages from your DAW.

The Volca Keys analogue loop synth has a compact size and a built-in speaker, easily playable anytime, anywhere. The ideal starter-synth.

http://www.youtube.com/watch?feature=player_embedded&v=7rbcYJ326EI

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Updated version of Korg's excellent Wavestate, drawing on the iconic Wavestation synth to create a modern take on wavetable synthesis, now with added polyphony.

Supplier's Notes:
Wavestate mkII

Extended polyphony. Extended possibilities.

Korg's legendary Wavestation introduced the world to wave sequencing, and the 37-key Wavestate mkII builds on that legacy with a reimagined, compact synth designed to satisfy today's demanding musicians and producers. MkII expands polyphony to 96 stereo voices and adds a fresh look. It's completely compatible with sounds and samples for the original Wavestate.

Overview

Korg's legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS, Kronos and Nautilus keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, Korg is proud to present the new Wavestate mkII, with improved polyphony (96 stereo voices) and a fresh look. It's completely compatible with sounds and samples for both the original Wavestate, Wavestate SE and Wavestate Native software, including many excellent third-party libraries. Updated sounds and software keep it fresh and the compact form-factor, with 37 full-size keys, still transports easily and fits neatly into any stage, studio, or desktop setup.

Keyboard: 37-keys, velocity sensative
Sound generation: Wave Sequencing 2.0
Polyphony: 96 stereo voices
Configuration: Performance: 4 layers, reverb, EQ
Layers: Program, Arpeggiator, Key, and Velocity Zones
Programs: Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay
Presets: 261 Performances,799 Programs, and 1042 Wave Sequences
Controllers: MOD wheel, PITCH wheel, Vector Joystick, 8 x program/Performance Mod knobs.
Effects: Pre FX x4, Mod FX x4, Delay x4, Reverb, Performance EQ

Inputs/outputs:

Audio Outputs L/MONO, R (6.3mm TRS phone jack, impedance balanced)
Headphones (6.3mm stereo phone jack)
Damper (6.3mm phone jack)
MIDI in,out
USB Type B

Power: AC adapter (DC12V, 2500mA)
Power consumption 5w
Dimensions: 565 W x 338 (D x 92 (H mm
Weight: 2.9kg

Notes: ***B-STOCK: Box opened, product in perfect working order***


Evolved version of Maneco's drone synth uses an oscillator based on equations, a Korg MS20-inspired filter and built-in reverb. Check out the Grone Expander for added touch-sensitive controls.

Supplier's Notes:
Dark Drone Machine

Generates sound based on equations converted to analog signals, there are sixteen equations selected by Up and Down switches. Four LEDs indicate equation number in binary mode. Three Pots modify numbers used by the equation, A0, A1 and A2, fourth pot Sample Rate controls pitch and speed of the oscillation. There's an Output Level pot for the oscillator and a dedicated jack for patching the Oscillator sound to external modules.

NOISEGENERATOR:

White noise with noise level pot and noise output jack.

VCF:

MS20 resonant low pass filter, with CUT frequency pot control, RESONANCE, MODULATION1 amount pot, input and output jacks and second cv input for cutoff, labeled MOD2

LFO1:

Low frequency oscillator routed to MOD1 from VCF, RATE and WAVEFORM shape Pots.

Also routed to delay block1

Waveforms are: ramp up, ramp down, square, triangle, sine, sweep, random levels, random slopes

EffectsSection:

Delay with tap tempo and reverse component: controls for delay time, delay feedback, delay level and reverse component, tap tempo input jack for external control

Reverb with freeze button, controls for reverb level and reverb decay, input jack for freeze function

Notes: A unique take on delay and looping, the Meris LVX is designed for ultimate flexibility when processing guitar, synth or line level sources. Stereo in/out, fully customisable signal path and supreme sound quality.

Supplier's Notes:
Meris LVX Modular Delay System

LVX is a Modular Delay System which breaks the paradigm of pre-set delay types in favor of freedom and flexibility.

A completely new UI and user experience has been designed from the ground up to make LVX immediately intuitive to navigate. The architecture of LVX allows ultimate creative freedom to design a custom delay.

The pedal features discrete processing elements and control signal modifiers that can be connected as desired for nearly infinite flexibility in crafting custom sounds. Make room for new memories.

Specs

Conversion: 24 bit A/D and D/A
DSP: 32 bit floating point
Sample Rate: 48000 Hz
Input Impedance: 1 Meg Ohm
SNR: 115 dB Typical
Frequency Response: 20Hz-20kHz
Max Input Level: +9 dBu (instrument level setting), +12.5 dBu: (line/synth level setting)
Power: 9V DC center-negative, 300mA, 2.1mm jack
Bypass: Selectable True Bypass (Relay) or Analog Buffered Bypass
Dimensions 7.25" wide, 4.5"" long, 2" tall. (Same depth and height as all other pedals.)
Weight: 24 ounces

Notes: The MIDI Solutions Quadra Thru is a 1 in 4 out MIDI Thru Box. All MIDI messages appearing at the input are sent to all four Thru outputs. Active circuitry cleans up any skewing of MIDI data bits that has occurred at the input, ensuring reliable operation in setups that require daisy chaining or long cable runs.

The Quadra Thru is MIDI powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

Notes: The MIDI Solutions Thru is a 1 in 2 out MIDI Thru Box. All MIDI messages appearing at the input are sent to both Thru outputs. Active circuitry cleans up any skewing of MIDI data bits that has occurred at the input, ensuring reliable operation in setups that require daisy chaining or long cable runs.

The MIDI Solutions Thru is MIDI powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

Notes: Gorgeous analogue synth, the successor to the excellent Sub 37. Two-note paraphonic design capable of classic Moog tones and more aggressive modern sounds. A real bass monster.

Supplier's notes:
The Subsequent 37 is a (2-note) paraphonic analog synthesizer that builds upon the award-winning design of the ultra-powerful Sub 37 Tribute Edition. Its control panel is home to 40 knobs and 74 switches, placing a vast array of analog sound-design tools and onboard sequencing options immediately at your command. The Subsequent 37 improves upon its source through the implementation of a number of user-requested sonic and functional enhancements. Each enhancement maintains the magic and character of its predecessor while also providing access to new dimensions of sound and improved playability.

The SUBSEQUENT 37 mixer section has double the headroom of that in the Sub 37 Tribute Edition. This provides access to a new range of classic clean tones in both mono and duo performance modes. Leveraging the mixer's newfound flexibility, gain-staging in the Ladder filter has been reshaped to boost harmonic saturation and analog compression, resulting in an overall richer low end. Completing the sonic evolution of the SUBSEQUENT 37 is a re-tuned Multidrive circuit that extends well beyond the grit and growl of the original Sub 37.

In addition to the sound engine augmentation, each SUBSEQUENT 37 comes with an upgraded keybed for improved playability, a high-powered headphone amplifier strong enough to drive the most demanding headphones, and a software plugin/editor for both Windows and Mac platforms.

Notes: ***B-STOCK: Without original box, product in perfect working order***


You can always rely on Mutable Instruments. The Marbles module is another hit - not a sampler in the MPC sense, but a random gate and voltage generator. Sample-and-hold on acid.

Supplier's notes:
Marbles is a source of random gates and voltages, which offers an extensive amount of (voltage) control on all the different flavours of randomness it produces.

The module gives the musician many different ways of imposing structure on the random events generated by the module: synchronization to external clocks, control of the repetition or novelty of the generated material, quantization of the voltages, or randomization of gates or voltages generated by traditional sequencers.

T: The random gate generator

Marbles either follows its own internal clock, or locks onto an adjustable multiplication/division of an external clock (or regular rhythmic pattern). This regular clock is perturbed by a process simulating an musician playing along a click and trying to catch up on their errors - from perfect accuracy to complete chaos.

From this imperfect master clock, a 2-channel random rhythm is generated, using one of the following processes: random coin toss (similar to Branches), random ratcheting, or random drum pattern generation (similar to a randomly modulated Grids).

X: The random voltage generator

This generator produces 3 channels of random voltages, each of them clocked by the individual outputs of the t section, or by a common external clock signal.

Complete control on the distribution of the output voltages is provided: concentrated or spread-out, quantized or unquantized, smoothed or steppy, centred or biased towards a specific voltage. The same transformations can be performed on an external CV, for sample-and-hold or shift-register operation.

An auxiliary slowly fluctuating random voltage output (Y) is also available for self-patching fun!

A feeling of deja-vu:

Marbles remembers the history of every recent clock deviation, rhythm or voltage it has generated. The DEJA VU knob on the panel controls the probability of reusing past material instead of sampling fresh random data.

You are thus given control on the feeling of repetition and structure in the generated random voltages and rhythms. At the extreme, the module no longer generates any novel values and loops over the same pattern (or a random permutation of it). And of course, this (variably) random looping can be performed on external CVs!

Notes: Blank Panels help to keep your Rack clean and well organised.

These panels not only fill in empty spaces in your rack, but also protect the power distribution boards by keeping things from falling into your rack. You can also use them to gain more space between modules or to separate module groups visually.

Inspired by Lissajous Curves & Oscilloscope aesthetics.

Lissajous Curves are the shapes created when the x-coordinate of a curve is described by one sine wave, and the y-coordinate is described by another sine wave.

By adjusting the frequency (a,b) of each wave and other parameters, interesting patterns emerge. Using oscilloscopes and two signal generators it is possible to create them.

Notes: The Beam Splitter is a single pedal meant to create a massive sound. It is three different takes on overdrive, voiced to work together perfectly. Two of them can be delayed in time, and all three can be run in parallel or split out to three separate sources.

Beam Splitter takes a mono input and makes it wildly bigger than before. Things stretch in time and compress in dynamics, and a rich harmonic wash is achieved without sacrificing clarity.

To be washed in sound, does it have to be one big sound, or will a number of small sounds do the trick? To create a wall of sound, same question, but also how does it stay solid? How can sound waves make a wall, and is it just a moment in time; will it always crash down?

Why record your guitar thrice when Beam Splitter exists?

Beam Splitter is best seen in three sections - Purple, Green and Blue.

Purple is a hard-clipping distortion that can be seen as the core gain sound of Beam Splitter.

Of Beam Splitter's three gain sections, it is arguably the heaviest and most compressed. It has three controls, identified by their purple knobs and labels - Gain, Volume and Tone.

Green is an overdrive with both soft and hard clipping. It is the lightest and brightest of the three gain sections in Beam Splitter. Also featuring Gain, Volume controls the green gain circuit features a Time knob, which sets the delay time, up to 125 sections. When blended in parallel with the other drives, this delay time can create anything from tight comb filters to loose doubling delays to short slapback.

Additionally, there is a Decay knob, which sets the feedback of the delay, from one repeat up to many repeats trailing off. In comb filter settings this can increase resonance.

Blue is a transistor Overdrive and the most neutral and reactive of the three gain circuits, with a gain range somewhere in the middle. Its Gain switch sets the amount of breakup. In the down setting, it is less overdriven, with less compression in the mids and highs. In the up setting, it is more overdriven and aggressive. It also boasts Time and Decay controls, on top of the Tone and Volume knobs and gain switch.

The pedal's Deviate control is a shared knob that sets the amount of random variation in the delay time of the Blue and Green drive sections. The more it is turned up, the farther their delay times can deviate, and the faster those deviations happen. When at zero, the delay times are fixed, above zero, each Time knob sets that sections delay time.

Deviate intends to create a more realistic sense of doubled players, with random variations in timing as if you were playing to the track twice. It can also give the impression of flanging, chorusing or broken vibrato, depending on the settings.

The Expression jack is used to externally control the Deviate knob using a TRS expression devices with standard polarity and tip connected to the wiper.

Beam Splitter has a mono input. From there the signal goes out to Purple, Green and Blue drive sections in parallel. If only plugged into the Purple Out Jack, all three sections will join in parallel mono at that Output. Green and Blue can each be broken off into their own output by plugging into the corresponding Out jacks.

In this way you can have a full 'stereo' setup.

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


Ultra-characterful 80s grit from this unique stereo delay. The BIM's 12-bit circuitry gives all that vintage colour with modern features like perfect stereo balance, MIDI control and tap tempo.

Supplier notes:
BIM is a 12-bit stereo delay unit inspired by some studio delay processors built in the early 80s. These monophonic processors have been renowned for the quality and musicality of their sound. The processing was mainly analog (companders, limiters, low-pass filters, feedback path,...), and the signal was converted to digital just for the delay section, using 12-bit AD/DA converters and some RAM memory chips.

The advantage of this technology is particularly obvious when the sound is feedbacked many times through the whole analog and 12-bit circuitry. You'll hear a sweet degradation and dark damping that the 100% digital delay boxes can't offer. BIM was designed with the purpose of creating a unique, modern and versatile effects processor based on this 80's technology.

The sound of an old 12-bit digital delay has been mixed with modern features such as stereo processing, extra FXs, many user presets, MIDI control, tap tempo, compact size- therefore BIM is the best of both worlds!

BIM is the perfect companion for the musician, producer, sound engineer or live performer who is looking for a unique, warm and musical delay processor.

Notes: The DS2 is a compact desktop studio arm that's ideal for microphones, cameras, smartphones, lights and other accessories up to 900g. With its heavy base stand, there's no need for clamps or mounting points - simply sit it on your desk or other flat surface. It features two pivot points so you can quickly reposition your equipment, and its integrated cable guide slots will ensure your desktop remains tidy.

Weight (grams): 1471g
Dimensions (millimetres):
Length: 170mm
Width: 120mm
Height (folded): 190mm
Height (extended): 380mm
Maximum Capacity: 900g

Compatible Products (including, but not limited to): Can be used with any microphone, accessory or other product that is under 900g and either features or is compatible with an accessory that has a 3/8" or 1/4" thread mount.

Thread Mount: 3/8"-16 UNC Thread (1/4"- 20 UNC adapter included in the box)

In The Box:
DS2 Arm
DS2 Base
M4 Screws (x2)
3/8" to 1/4" thread adapter
M3 Hex key
Quick Start Guide