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Future Retro Vectra 29-Keys Hybrid Synthesiser (hybrid keyboard synthesiser)

Cat: 854774 Rel: 29 Feb 24

29-keys hybrid keyboard synthesiser

Notes: The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It's the best of both worlds... The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO's, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analogue circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analogue filter, VCA, and final output, as these provide the best sonic qualities.

The Vectra includes a powerful and fun sequencer and arpeggiator, with many new capabilities. Although the Vectra is a self contained instrument, MIDI can be used to interface with other devices.

The Vectra provides four oscillators, white and pink noise sources, four ring modulators, a four-channel mixer, five LFO's, six morphing envelopes, six primary multimode analogue filter types, a main analogue VCA, and numerous internal modulation routings and VCA's controlling modulation amounts.

It really is like having a powerful self-contained semi-modular synthesizer with approximately 500 internal signal routings, and around 256 storable sound parameters.

The synthesizer architecture is designed to allow the greatest flexibility in recreating multiple synthesis techniques of the past while introducing several new innovations. The sound section has been inspired by features of the greatest synthesizers ever made, while not focusing specifically on recreating any instrument in particular. The Vectra is in fact it's own unique self-contained instrument.

The oscillators are digital as this provides the highest degree of tuning stability, while allowing both virtual analogue and digital waveform generations. With features like oscillator Sync, PWM, the new waveform Phase Slice, and Fade features, independent glide times per oscillator, constant beat detuning, and paraphonic voice modes, not to mention FM, AM, ring-modulation, and dedicated LFO's, envelopes, and VCA's per oscillator really make these oscillators a power house.
The four-channel mixer is unique in that it provides an even balance when mixing multiple sources, either manually with the joystick, or applying automated vector mixing, or mixer modulation.

The five LFO's provide 500+ waveforms to choose from, with their frequency spanning from sub-audio into the audio range. Their frequency can be stationary or track keyboard notes with glide. Waveforms can sync to any waveform phase at a note-on, and they can be frequency modulated as well. In short they can be used as LFO's, complex envelopes, or audio rate oscillators.

The six morphing envelopes are really something else. With each envelope providing initial Delay, Attack, Hold, Decay, Sustain, Release, as well as a loop time when they are set to Repeat. Ultra precise and snappy they provide envelope times from 0ms to 14.7 seconds per each stage. Each envelope provides multiple envelope curve selections, and can be one-shot, normal envelope types, or looping.

And did you notice they can morph? Yes, that's right! Envelopes can morph and modulate between two individual values per each envelope stage.

The analogue multimode filter provides six primary filter types being: 4-pole low-pass, 2-pole low-pass, 1-pole low-pass, 2-pole band-pass, 2-pole high-pass, 2-pole notch, with some additional selections to define a filter's self resonance response, and also to recreate a very unique characteristic of the EMS VCS type filter modulation. The filter can track notes played on the keyboard, has a dedicated LFO, Envelope, and one additional modulation source.

And finally the analogue VCA before all those sweet sounds hit our ears. The Amplifier VCA has a dedicated morphing envelope as well.

This synthesizer covers so much sonic territory from analogue to digital sounds, traditional to experimental, bass, leads, solos, percussion, effects, drones, ambient sounds, and those yet to be discovered.

OSCILLATORS (1-4)
Frequency Range: <0.01 Hz to 20.00 kHz
Analogue Modelled Waveforms: Sine, Triangle, Sawtooth, Square, Pulse Width Modulated
Pulse Width Range: 1% to 99%
Pulse Width Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Digital Waveforms: 500
Number of Digital Waveforms per Oscillator: 2
Waveform Modulation Types: PWM, Slice, Fade
Waveform Start: 0 to 255 samples
Waveform Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Waveform Modulation Amount: 0 to 100
Octave Range: -7 to +5
Pitch Tuning: Semitones
Fine Tuning: 128 steps per semitone
Constant Beat Detuning: -/+5.00Hz
Paraphonic Modes: 8 total
Sync: Off/On, 0-360 degrees
Glide Time per Oscillator: 0ms to 14.7 seconds
Key Tracking: On/Off

OSCILLATOR FREQUENCY MODULATION (1-4)
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope

Modulation 3: Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, Filter LFO, Filter Envelope, Amplifier Envelope

Total Modulation Range: 0.5 to 10 octaves
Individual Modulation Amounts: -99 to 100

LFO (1-4, Filter)
Analog Modelled Waveforms: Sine, Triangle, Ramp, Sawtooth, Square, Random
Digital Waveforms: 500
Waveform Start: 0 to 255 samples
Initial Frequency Range: 0.001 to 1001Hz (greater with key tracking and modulations)
Fine Tuning: 128 steps per semitone
Key Tracking: On/Off
Sync: Off/On, 0-360 degrees
Frequency Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope, Filter LFO
Total Modulation Range: 1 to 10 octaves
Modulation Amount: -99 to 100

41

ENVELOPES (1-4, Filter, Amplifier)
Initial Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Modulated Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Normal Envelope Contours: 5
One-Shot Envelope Contours: 4
Looping: On/Off with repeat time
Envelope Times per Stage: 0ms to 14.7 seconds
Sustain Level: 0 to 100%
Key Sync: on/off (retriggering)
Attack Reset: Off/On
Time Modulation Sources: Off, Random1, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y

MIXER
Channels: 4
Audio Sources:
Oscillator (1-4)
Oscillator (1-4) controlled by Envelope (1-4)
Oscillator (1-4) controlled by LFO (1-4)
Ring-Modulation of Osc 1&2, Osc 2&3, Osc 3&4, Osc 4&1
White-Noise
White-Noise controlled by Envelope (1-4)
Pink-Noise
Pink-Noise controlled by Envelope (1-4)
Mixer Types: Manual, Envelope, One-Shot, Key-Synced, Free-Running, Modulated
Automix X:Y Location Stages: 4
Automix Stage Times: 0ms to 14.7 seconds
Mod Mix X:Y Location Stages: 2
Mod Mix Control Sources: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Mod Mix Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope,
Filter Envelope
Mod Mix Amount: 0 to 100
Output Gain: 1.00x to 5.00x

ANALOG FILTER
Primary Filter Types: 4p low-pass, 2p low-pass, 1p low-pass, 2p band-pass, 2p high-pass, 2p notch
Filter Frequency Range: approximately 20 Hz to 20 kHz
Resonance: 0 to 100
Key Tracking: Off/On
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Filter Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Envelope-4
Modulation 3: Randon1/2, Key1, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, DC+, Mix-1, Mix-2,
Mix-3, Mix-4, LFO-1, Env-1, Amplifier Envelope
Individual Modulation Amounts: -99 to 100
42

ANALOGUE AMPLIFIER (see also Envelope parameters)
Additional Envelope Type: Drone

Envelope Amplitude Modulation Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-
Wheel, Stick X/Y, LFO-4, Envelope-4

KEYBOARD / SEQUENCER
Keys: 29
Scales: 29
Linear Transpose: -12 to +16
Scale Transpose: -12 to +16 notes
Octave Reiterations: -3 to +3
Tempo: 10 to 250 BPM
Swing: 50% to 75%
Sequencer Modes: Play, Arpeggiate, Fill, Edit, Real-time, Auto
Max Steps per Sequence: 16
Sequencer Parts: Pitch, Velocity, Rhythm (Note-On/Off, Glide, Sustain)
Time Signatures: 1-4, 2-4, 3-4, 4-4, 6-4, 8-4
Directions: Down, Up/Down, Up, Random, (plus 25 complex directions)
Loop Point: 1 to 16 steps

MEMORY
Max Number of Sounds and Sequences: 999
Global Parameters Saved: Output level, MIDI Channel, Fine Tuning, Screen Saver Time, Last File

MIDI
Channels: 1-16
MIDI Messages Supported: Note-Pitch, Note-On/Off, Velocity, Aftertouch, Pitch-Bend, Mod-Wheel,
MIDI Sync: Clock, Start, Stop

OTHER
Input/output: 15V DC input, MIDI (IN/THRU/OUT), 1/4" unbalanced Audio Out
Unit Dimensions: (width) 18.25" x (depth) 11.0" x (height) 3.5"
Unit Weight: 5.0 lbs
Power: 15V DC (centre-pin positive) rated at 1 Amp current.

Tags: Analogue/digital synthesisers

coming soon HK$12,863.03

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Elta Music Solar 42 Microtonal Polyphonic Ambient Machine Semi-Modular Analogue Synthesiser (semi-modular analogue synthesiser)

ELTA Music

Cat: 960809

Semi-modular analogue synthesiser.

Notes: SOLAR 42 is an analogue microtonal ambient drone machine.

It is an improved model of the SOLAR 50.

On board:

Four drone voices as in SOLAR 50
Two new drone voices, totally different from SOLAR 50. To create space sound
effects
Two white noise generators.
Two Samples and Holds
Two volt octave VCO voices with different waveform variations, including
morphing.
Two LFOs as in SOLAR 50.
5 step analogue sequencer
Preamp for contact mic.
Envelope follower
Stereo mixer with panoramic left and right channels
Dual polyvox stereo filter
Dual cartridge effector combiner with CV control. Now you can load a different
effect on each channel.
Stereo audio output
Dry audio outputs volt octave voices
External audio input.
Joystick
Separate push-button keypad for six drone voices
Touch sensitive keypad controller for volt octave voices.
Power supply unit no longer needs to be reset.
Reduced output noise compared to SOLAR 50.

Size: 49,5 x 32 x 2,9 cm
Weight: 5,5 kg
Designed and engineered by Arseniy Tokarev
Elta Music

TOUCH SENSITIVE CONTROLLER settings

Behaviour:
- single: 12 key mode
- twin*: 2x6 key mode, the parameters are the same for both sides
- split*: 2x6 key mode, but with separate parameters for both sides (e. g.: you can have an arpeggiator on one side, but a basic keyboard controller on the other side)
* in twin and split modes the pressure output acts as the note CV output, therefore pressure parameters (output, rise and fall) have no effect

Arpeggiator state:
- off: the module acts as a keyboard controller
- on: enables arpeggiator

Arpeggiator hold:
- off: the arpeggiator will play only while the keys are held
- on: the arpeggiator will continue to play the last progression after the keys are released

Arpeggiator clock:
- sets the clock multiplication/division ratio for the arpeggiator

Arpeggiator direction:
- forward
- backward
- ping-pong
- random

Arpeggiator variation: when enabled the arpeggiated progression will be played again transposed by the selected interval.
- OFF
- x1
- x2
- x3
Arpeggiator variation interval: 1 - 12 semitones

Arpeggiator rhythm: an eight step trigger sequencer placed between the arpeggiators virtual clock input and clock source, applies a rhythmic pattern to the arpeggio. - turn steps on/off

Arpeggiator rhythm length: sets the length of the rhythm sequencer. 1 - 8 steps

Portamento: creates slew limiting effect on the CV output, sets the speed of gliding (ie: how much time it takes to transition from one pitch to the next). 0 - 255

Legato:
- off: portamento is always on
- on: gliding happens only when two or more note plates are touched simultaneously (this parameter has no effect when arpeggiator is enabled)

Vibrato speed: sets the speed of the LFO that's modulating the note CV output. 0 - 127

Vibrato depth: sets the modulation amount. 0 - 127

Vibrato delay: specifies a time delay before vibrato begins to apply until it reaches the full strength specified by the depth parameter. 0 - 127

Vibrato pressure control: when enabled, the modulation amount is altered by the pressure applied to keys.
- off
- on

Pressure output:
- pressure: voltage on the pressure output will continuously follow the pressure applied to key plates
- ASR: attack/sustain/release envelope generator
- AD: attack/decay envelope generator
- LOOP: looped AD envelope generator
- random: outputs a random voltage

Rise: creates slew limiting effect on rising edge in pressure and random modes, sets attack time in envelope modes. 0 - 255

Fall: creates slew limiting effect on falling edge in pressure and random modes, sets decay/release time in envelope modes. 0 - 255

Scale editor: turn notes on/off of the scale applied by the note quantiser, when all notes are disabled the module works as a microtonal keyboard.

Load scale: select and load a preset scale/mode.
- Semitones
- Ionian
- Dorian
- Phrygian
- Lydian
- Mixolydian
- Aeolian
- Locrian
- Blues major
- Blues minor
- Pentatonic major
- Pentatonic minor
-Folk
-Japanese
-Gamelan
-Gypsy
-Arabian
-Flamenco
-Whole Tone

Root note: sets the root note of the scale applied by the note quantiser. C - H

coming soon HK$12,495.51

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Buchla & TipTop Audio Mixer & Preamplifier Model 207t Module (mixer/preamp synth module)

Buchla & TipTop Audio

Cat: 950885

Mixer and preamplifier module - 28HP.

Notes: TBC

Tags: Mixer module | Preamp module

coming soon HK$1,592.57

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Klavis Grainity Granular Digitally-Controlled Full-Analogue Path Granular & Multi-Mode VCF Module (silver) (filter/phase shifter/pitch shifter synth module)

Klavis

Cat: 934965

Digitally-controlled full-analogue path granular & multi-mode VCF module in 10HP.

Notes: The Grainity brings a unique and never-heard-before concept to the world of analogue VCF.

While being based on analogue filtering only, the Grainity expands and enriches the sound in creating subharmonics, harmonies, unison, flanging effects and formant filtering all at once.

The module presents two sections, the granular filter itself and a typical multimode filter, each with its own output.

A third output offers a mix of both filter paths. Numerous controls and CV allow a very wide palette of results.

What is the Grainity

Granular?

The word granular was chosen for this filter module in relation to the concept invented by the composer Yannis Xenakis, and which is described as assembling small chops of sounds - he called grains - according to a pattern.

This is exactly what the Grainity does, no more no less ... but, digital control allows doing it in ways that are decades away from what tape and scissors allowed at the time.

Technology wise ...

In the granular section, the incoming sound cycle is determined in order to step through various filtering and phase variations of itself according to predefined patterns called structures.

The controls allow alterations to the cycling phase, cycling frequency offset (tuning), structure selection and frequency division of the filters cycling. This comes in addition to the usual filter frequency and resonance controls.

What the Grainity is not

Technology wise ...

Despite relying on a microprocessor, the Grainity is not a digital audio processor. At any time, the sound remains in the analog domain and goes through analog circuits from in to out.
The digital processor does not convert or generate audio signals; it is there to control the analog circuitry and manage the interface and display.

Sound wise ...

Several digital modules offering granular processing rely on the layering of sound grains, which leads to blurry and cloudy textures.
Layering of the grains is a late addition to the concept of granular synthesis and is not a mandatory feature of the concept.
The Grainity does not use delay lines or sampling memory but is nevertheless true to the foundations of the granular synthesis concept.

The granular VCF in the Grainity is unconventional in that, most of times, it is not filtering the sound in the common expectation of removing something. Typically, the granular process adds more than it removes by expanding both the lower range, creating subharmonics, and the upper harmonic contents in multiples ways.

Dimensions
10 HP
21 mm deep

Current Draw
101 mA +12V
59 mA -12V

Tags: Filter module

coming soon HK$2,221.46

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SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (dark oak) (synthesiser)

Soma Laboratory

Cat: 955441

A complex polyphonic, microtonal synthesiser with a broad and flexible sound palette.

Notes: TERRA is a new SOMA Labs synth that is currently in development.

TERRA is a highly conceptual device. The core idea is unity of nature and technology, and a perfect balance between simplicity and versatility. Behind the extremely simple interface hides a complex polyphonic, microtonal synthesizer with a broad and flexible sound palette that ranges from classical beautiful tones to complex atonal noise, and offers smooth and fast transitions between these extremes.

The innovative keyboard design invites new playing techniques and covers the full range of a grand piano with the possibility to tune each note with an accuracy of 125 steps per semitone. To achieve this range with such a simple keyboard we designed a unique system of pitch shifting using four additional sensors. Pressing different combinations of them will result in 16 variations of keyboard transposing, including up to 3 octaves up and down, fifth, fourth, third, tone etc.

Not only do you get the full range of a grand piano in a very compact design, TERRA also offers an entirely new and different approach to playing melodies and chords.

The keyboard consists of 12-note sensors with velocity and pressure sensitivity allowing for the manual creation of slow attack and vibrato, 4 dynamic sensors for timbre modification and control, 4 pitch-shifting sensors and 2 hold sensors for holding the state of the timbre and note sensors.

Inside TERRA there is a three-axis motion sensor for creating a variety of different modulations by simple intuitive movements of your hands and body.

TERRA is digital and contains 32 complex synthesis algorithms. Each algorithm has been carefully designed to be a complete and flexible musical instrument on its own, ready for learning and playing in its own unique way. The goal is to free the musician from long exhausting programming, setting hundreds of parameters for creating one timbre, and instead putting the focus directly on music and performance and following your imagination and inspiration.

TERRA offers the best of both worlds: the direct intuitive tactile connection from acoustic instruments and the flexibility and versatility of synthesizers. TERRA inherits design principles from LYRA-8 and also contains application of the new principles that were announced for ReFLEX, exploring the future of synthesis.

TERRA has an extremely simple interface that gives you instant access to all its functions in several touches, including saving and loading the 96 presets that are stored directly on the playing sensors. TERRA has no display. Instead it shows and lets you dial all necessary data on the 6 LED-sensor triangle in the centre.

TERRA has a built-in FX processor so the stereo output is ready to use, making it a perfect stand-alone performance instrument. While the sound generation is digital, TERRA has a unique custom-built and top quality analogue part that makes it sound rich, natural, clear and powerful at the same time.

The housing of TERRA comes from a solid piece of wood, making each instrument unique and slightly different. In the photo above and in the announcement demo video you can see the prototype of the synth. The final design is in development and we intend to make several different versions.

TERRA is a sanctuary for a natural soul right in the middle of the rumbling plastic world, a ground where you can breathe in and out slowly, and hold on to your roots.

TERRA is our dream about a bright future where we will be both technologically advanced and more connected to nature, where machines and technology are not a prison for our feelings and spirit but their extension.

Synthesis algorithms: 32
Polyphony: 1-12 voices (depending on the algorithm)
Presets: 96
Pitch Shifter presets: 24
Line out: L, R TS/TRS 1/4-inch jacks / 6.35 mm jacks
Maximum line output signal: 13 V peak-to-peak
Nominal line output signal: ~1.5 V (volume 100%)
Headphone output: TRS 1/4 inch jack / 6.35 mm jacks
Headphones impedance: 6-64 ohm
CV-clock input voltage: 3-15 V
Power supply voltage: DC 12 V *
Consumption current: 0.2 A
DC jack: 5.5 x 2.1 mm, "+" in center
Dimensions: 405 x 365 x 57 mm
Weight: 2.2 kg
* TERRA comes with a high quality power supply . If it gets lost, use a high-quality modern switched-mode power supply with 12 V output voltage, at least 0.4 A maximum current, 5.5 x 2.1 mm DC jack, center "+".

What's included:

TERRA - 1 pc.
Power supply - 1 pc.
CV clock adapter (DIN5 - 3.5 mm mini-jack) - 1pc.
Short interface reference manual - 1 pc.
On-table mounting pads - 4 pcs.

Tags: Polyphonic synthesisers

coming soon HK$10,984.58

(No payment required now - pay when released)

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SoMa Laboratory Terra Polyphonic Microtonal Synthesiser (light oak) (synthesiser)

Soma Laboratory

Cat: 951312 Rel: 30 Dec 23

A complex polyphonic, microtonal synthesiser with a broad and flexible sound palette.

Notes: TERRA is a new SOMA Labs synth that is currently in development.

TERRA is a highly conceptual device. The core idea is unity of nature and technology, and a perfect balance between simplicity and versatility. Behind the extremely simple interface hides a complex polyphonic, microtonal synthesizer with a broad and flexible sound palette that ranges from classical beautiful tones to complex atonal noise, and offers smooth and fast transitions between these extremes.

The innovative keyboard design invites new playing techniques and covers the full range of a grand piano with the possibility to tune each note with an accuracy of 125 steps per semitone. To achieve this range with such a simple keyboard we designed a unique system of pitch shifting using four additional sensors. Pressing different combinations of them will result in 16 variations of keyboard transposing, including up to 3 octaves up and down, fifth, fourth, third, tone etc.

Not only do you get the full range of a grand piano in a very compact design, TERRA also offers an entirely new and different approach to playing melodies and chords.

The keyboard consists of 12-note sensors with velocity and pressure sensitivity allowing for the manual creation of slow attack and vibrato, 4 dynamic sensors for timbre modification and control, 4 pitch-shifting sensors and 2 hold sensors for holding the state of the timbre and note sensors.

Inside TERRA there is a three-axis motion sensor for creating a variety of different modulations by simple intuitive movements of your hands and body.

TERRA is digital and contains 32 complex synthesis algorithms. Each algorithm has been carefully designed to be a complete and flexible musical instrument on its own, ready for learning and playing in its own unique way. The goal is to free the musician from long exhausting programming, setting hundreds of parameters for creating one timbre, and instead putting the focus directly on music and performance and following your imagination and inspiration.

TERRA offers the best of both worlds: the direct intuitive tactile connection from acoustic instruments and the flexibility and versatility of synthesizers. TERRA inherits design principles from LYRA-8 and also contains application of the new principles that were announced for ReFLEX, exploring the future of synthesis.

TERRA has an extremely simple interface that gives you instant access to all its functions in several touches, including saving and loading the 96 presets that are stored directly on the playing sensors. TERRA has no display. Instead it shows and lets you dial all necessary data on the 6 LED-sensor triangle in the centre.

TERRA has a built-in FX processor so the stereo output is ready to use, making it a perfect stand-alone performance instrument. While the sound generation is digital, TERRA has a unique custom-built and top quality analogue part that makes it sound rich, natural, clear and powerful at the same time.

The housing of TERRA comes from a solid piece of wood, making each instrument unique and slightly different. In the photo above and in the announcement demo video you can see the prototype of the synth. The final design is in development and we intend to make several different versions.

TERRA is a sanctuary for a natural soul right in the middle of the rumbling plastic world, a ground where you can breathe in and out slowly, and hold on to your roots.

TERRA is our dream about a bright future where we will be both technologically advanced and more connected to nature, where machines and technology are not a prison for our feelings and spirit but their extension.

Synthesis algorithms: 32
Polyphony: 1-12 voices (depending on the algorithm)
Presets: 96
Pitch Shifter presets: 24
Line out: L, R TS/TRS 1/4-inch jacks / 6.35 mm jacks
Maximum line output signal: 13 V peak-to-peak
Nominal line output signal: ~1.5 V (volume 100%)
Headphone output: TRS 1/4 inch jack / 6.35 mm jacks
Headphones impedance: 6-64 ohm
CV-clock input voltage: 3-15 V
Power supply voltage: DC 12 V *
Consumption current: 0.2 A
DC jack: 5.5 x 2.1 mm, "+" in center
Dimensions: 405 x 365 x 57 mm
Weight: 2.2 kg
* TERRA comes with a high quality power supply . If it gets lost, use a high-quality modern switched-mode power supply with 12 V output voltage, at least 0.4 A maximum current, 5.5 x 2.1 mm DC jack, center "+".

What's included:

TERRA - 1 pc.
Power supply - 1 pc.
CV clock adapter (DIN5 - 3.5 mm mini-jack) - 1pc.
Short interface reference manual - 1 pc.
On-table mounting pads - 4 pcs.

Tags: Polyphonic synthesisers

est. release 30 Dec 23 HK$10,984.58

(No payment required now - pay when released)

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Xaoc Devices Batumi II 1974 Quadruple Low Frequency Oscillator II Module (digital/LFO/oscillator/quad/random/clock generator/CV modulation module)

Xaoc Devices

Cat: 979276 Rel: 31 Jan 24

Quadruple low frequency oscillator module - 10HP

Notes: Xaoc Devices presents Batumi II - a greatly improved and enhanced new iteration of the modern day classic that is/was the original Batumi, preserving its layout and form factor. The premise remains the same: four LFO's with individual outputs for sine, assign and rectangle waves. The channels can operate independently or they can be linked - phase shifted, divided or multiplied (new mode alert) with regard to the first channel. Multiple major and minor improvements have been implemented, e.g. when synced to an external clock source, each channel's frequency slider selects a clock division for that channel's outputs.

Xaoc Devices have managed to incorporate the features of the original expander into Batumi II (sync mode switching and assign waveform selection) without changing the size of the module which opened up new possibilities for the new optional expander. The Poti II expander for Batumi II adds multi destination inputs for sine wavefolding, assign output waveform selection or rectangle pulse modulation with the destination set for each channel independently. Poti II also features frequency input attenuation as well as sine and assign output attenuation. All adjustments may be performed separately for each individual channel or for all channels simultaneously.

The Batumi II software has been rewritten from scratch to ensure best performance. The hardware has also been updated to allow for V/oct tracking and stable operation up to audio rates (more powerful CPU, precise, wideband converters, antialiased waveforms).

-4 LFO's
- redesigned from scratch - both the hardware and software
- new waveforms for the assign output (including random)
- new frequency multiplication mode
- all features of the Poti expander incorporated into the main module
- very wide frequency range well into audio rate
- 1V/oct tracking = so can be used as 4 VCO's
- in the Phase/Divide/Mult modes the random waves at the ASGN output follow the values available in the master/A channel
- 10HP
- +90/-50mA

est. release 31 Jan 24 HK$2,319.46

(No payment required now - pay when released)

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Xaoc Devices Poti II 1974 Batumi II Expander Module (expander module)

Xaoc Devices

Cat: 979277 Rel: 31 Jan 24

Expander module for Batumi II - 4HP

Notes: Poti II expander notable features:

- per-channel input and output attenuation for the SINE and ASSGN outputs
- per-channel shape modulation with switchable destination (wave folding, shape switching, PWM)
- stores settings during a power cycle
- LED indication of the discrepancy between the stored setting and current pot position
- 4HP
- +10/-0mA from Batumi II

est. release 31 Jan 24 HK$628.89

(No payment required now - pay when released)

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Klavis Grainity Digitally-Controlled Full-Analogue Path Granular & Multi-Mode VCF Module (black) (filter/phase shifter/pitch shifter synth module)

Klavis

Cat: 951606

Digitally-controlled full-analogue path granular and multi-mode VCF module - 10HP.

Notes: Digitally-controlled full-analogue path Granular + Multimode VCF

The Grainity brings a unique and never-heard-before concept to the world of analogue VCF.

While being based on analogue filtering only, the Grainity expands and enriches the sound in creating subharmonics, harmonies, unison, flanging effects and formant filtering all at once.

The module presents two sections, the granular filter itself and a typical multimode filter, each with its own output.

A third output offers a mix of both filter paths. Numerous controls and CV allow a very wide palette of results.

What is the Grainity

Granular?

The word granular was chosen for this filter module in relation to the concept invented by the composer Yannis Xenakis, and which is described as assembling small chops of sounds - he called grains - according to a pattern.

This is exactly what the Grainity does, no more no less ... but, digital control allows doing it in ways that are decades away from what tape and scissors allowed at the time.

Technology wise ...

In the granular section, the incoming sound cycle is determined in order to step through various filtering and phase variations of itself according to predefined patterns called structures.

The controls allow alterations to the cycling phase, cycling frequency offset (tuning), structure selection and frequency division of the filters cycling. This comes in addition to the usual filter frequency and resonance controls.

What the Grainity is not

Technology wise ...

Despite relying on a microprocessor, the Grainity is not a digital audio processor. At any time, the sound remains in the analogue domain and goes through analogue circuits from in to out.

The digital processor does not convert or generate audio signals; it is there to control the analogue circuitry and manage the interface and display.

Sound wise ...

Several digital modules offering granular processing rely on the layering of sound grains, which leads to blurry and cloudy textures.

Layering of the grains is a late addition to the concept of granular synthesis and is not a mandatory feature of the concept.

The Grainity does not use delay lines or sampling memory but is nevertheless true to the foundations of the granular synthesis concept.

The granular VCF in the Grainity is unconventional in that, most of times, it is not filtering the sound in the common expectation of removing something. Typically, the granular process adds more than it removes by expanding both the lower range, creating subharmonics, and the upper harmonic contents in multiples ways.

Dimensions
10 HP
21 mm deep

Current Draw
101 mA +12V
59 mA -12V
0 mA 5V

Tags: Filter module | Phaser module

coming soon HK$2,686.98

(No payment required now - pay when released)

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1010 Music Nanobox Tangerine Compact Streaming Sampler (audio sampler)

1010 Music

Cat: 976070 Rel: 31 Jan 24

Compact streaming sampler

Notes: Sweet and Tangy Sampling

The nanobox | tangerine delivers powerful sampling in an ultra portable form factor. With this nanobox, you can add recording, sample playback, clip launching, slicing, and musically intelligent looping capabilities to your desktop or travel rig. With an intuitive touch screen interface, nanobox | tangerine makes easy work of selecting, editing, and tweaking your samples. You can stream large samples of up to 4 GB file size straight from the microSD card. Interact with other musical components via MIDI. Load multi-sample banks with over 500 samples for amazing instrument reproduction. Tweak your configurations to get them just right, then save them to multiple presets for future reuse.

Top features

Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card

Play multi-sample banks with up to 16 velocity layers and 576 WAV files loaded in one preset

Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, or new recordings

Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio

Trigger samples with the touch screen or MIDI input as one shots or melodic notes

Control how samples start and stop by choosing from one-shot, toggle, gate and piano (New!) launch modes

Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, and MIDI note and channel mapping

Quickly and easily use MIDI mapped controls for more tactile access to common parameters

Record up to 16 sequence layers per preset.

Get into the groove with a fast, fluid, and intuitive workflow

Make music anywhere thanks to a compact and nearly indestructible design

Recording Capabilities

Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

What is Included:
nanobox | tangerine - Compact Streaming Sampler
MicroSD card with 85 presets and over 1500 wav files
Colour matched USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Technical Specs:

Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type B
Clock Input: 1,2, 4, 8, 12 or 24 PPQ selectable
MIDI support: Note On/Off, Velocity, Pressure, Mod Wheel, Aftertouch, CC mappings to common parameters, program changes and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.
2" touch screen, 2 knobs and 4 buttons in a 3.75" x 3" x 1.5" package

Additional information

Weight: 0.65 lbs
Dimensions: 7.75 × 4.85 × 2.25 in

est. release 31 Jan 24 HK$3,364.77

(No payment required now - pay when released)

FORTHCOMING

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Plum Audio ADVA Smart Multimode Filter Module (black) (distortion/filter/noise/VCA synth module)

Plum Audio

Cat: 970492 Rel: 31 Dec 23

24dB analogue multimode filter module with VCA, white noise generator, pre and post-distortions and a smart interface - 6HP.

Notes: ADVA is a fat-sounding 24dB ANALOGUE MULTIMODE FILTER packed with features including a VCA, white noise generator, pre and post-distortions and a smart interface that makes it a versatile beast in a surprisingly small package.

With 7 filter modes, ADVA provides high richness and a wide variety of tones; it can filter gently like an LPG or it can be pushed up to the edges of hot acid tones.

Unlike many other multimode filters, a phase keeper ensures that ADVA never inverts the input's phase in any of its filter modes.

Self-Oscillation is available for all modes, producing a range of waves from clean sine waves up to soft square waves when activating the post-distortion circuit. Together with V/OCT tracking, ADVA works brilliantly as an oscillator or as a percussive sound generator.

A resonance loudness compensation circuit ensures that ADVA does not compromise on volume when the resonance is increased.

An Internal analogue white noise generator is the little bit of spice that can make the world of difference. Blend it together with the input signal by rotating the dedicated knob to add more richness to your sound and further emphasize cutoff movements, or use it as an FM source to achieve the different flavors of dirty tones.

ADVA is packed with two separate distortion circuits. First, the soft-clipping overdrive is located in the sound path after the white noise blend knob and the input gain knob, a circuit which can push the incoming signal to thicken any waveform. If you blend the input with the noise generator it can compress the noise and exaggerate it to achieve more aggressive levels.

The second (post) distortion is located after the VCA, just before the output. This is a more aggressive distortion and can be used for acid and other dirty hot tones.

Although the sound path is completely analogue, ADVA has a digital support circuit that enables a smart routing system with the option to modulate filter modes via CV, and a very intuitive interface that includes 3 CLICKKNOBS and an RGB LED ring that provides visual feedback for whatever state the filter is in.

Dimensions
6 HP
35 mm deep

Current Draw
110 mA +12V
5 mA -12V

Tags: Filter module | Noise module | VCA module | Distortion module

est. release 31 Dec 23 HK$2,311.23

(No payment required now - pay when released)

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AIAIAI Unit-4 Wireless+ Portable 2-Way Active Studio Monitors (pair) (4" wireless studio monitors)

AIAIAI

Cat: 973245 Rel: 31 Dec 23

2-way active monitors featuring a 4-inch high-excursion woofer and 1-inch silk-dome tweeter.

Notes: Wireless and portable studio monitors with powerful performance and accurate sound representation. Connect wirelessly for a clutter-free setup and bring your creative process anywhere.

Experience unparalleled flexibility and truly liberating mobility in your creative process as a music producer. These studio monitors allow you to create and mix music with accurate sound representation and powerful performance wherever you are. Connect wirelessly to your devices and enjoy crystal clear audio without the hassle of cables. Take control of your creativity and elevate your music to the next level with these wireless portable studio monitors.

Complete wireless freedom

Battery powered with 20H+ of playback time
W+ Link ultra low latency wireless audio for music creation - only 16ms of latency, uncompressed audio and robust connection
Complete wireless freedom - both audio and power cables

Reference monitor sound

2 way active monitor featuring a 4 inch high-excursion woofer and 1 inch silk-dome tweeter
Precision tonal accuracy over a flat +/-2dB frequency response from 50Hz to 20kHz
Bass vent and boosting EQ tuned to provide a clean bass extension down to 40Hz
Precise soundstage and point-source accuracy provided by the minimal front panel design,
incorporating a directivity controlling tweeter waveguide
Stage monitor design enables you to place the speaker upright or angled horizontally, to
optimise your sound field in changing workspaces
Shape UNIT-4's sound to your environment or preference using the AIAIAI app customisable
5-band EQ

Portable, compact and rugged

Size and weight of only 3 litres / 2.5kg
Rear bass vent designed to be a comfortable carrying handle when on the move
Removable steel grille provides sturdy protection for the woofer and tweeter

Connect to everything

W+ Link - use the X02 transmitter for low latency wireless music creation
Bluetooth 5.2 - listen to music from your Bluetooth enabled devices
Cable - connect directly via 3.5mm mini-jack and 6.3mm balanced TRS inputs

Responsible design

Main components produced from 100% recycled plastics, from post-consumer sources
Designed for disassembly and engineered from the inside out
Mechanically assembled in a glue-free design
Take the whole speaker apart using two screwdrivers
Replaceable components including battery and drive units
Future-proofed for new technologies with upgradable wireless electronics

In the box:

UNIT-4 Wireless+ 2pcs

Portable and ultra-low latency wireless studio monitors. Includes protective steel grills and power supplies with regional cord.

X02 Transmitter - 1pcs

USB-C W+ Link transmitter. Transmits to 2 x W+ Link devices simultaneously. Includes a 0,2m USB-C to USB-C cable in neon.

Protective pouch 2pcs

UNIT-4 protective pouch in black. Made from compostable fabric material.

Tech Specs

Freq. range: 40Hz to 40kHz (-10dB)
Freq. response: 50Hz to 20kHz (+/-2dB)
Peak SPL: 105 dBSPL
Woofer: 4-inch high excursion paper cone woofer
Tweeter: 1-inch silk dome tweeter
Amplifier power: 2 x 30W continuous, 2 x 80W peak
W+ Link latency: 16 ms
Bluetooth version: 5.2
Analogue inputs: 3.5mm mini-jack + 6.3mm TRS balanced
Playback time on battery: 20 hours
Charging time: 2 hours
Battery capacity: 77 Wh

est. release 31 Dec 23 HK$5,708.73

(No payment required now - pay when released)

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System80 810 MK2 Subtractive Analogue Voice Module (filter/mixer/oscillator/synth voice/VCA synth module)

System80

Cat: 964068

3-in-1 subtractive analogue voice module - 30HP.

Notes: 3-in-1 Subtractive Analogue Voice Module

Overview

The System80 810 MK2 is a 30 HP Eurorack module consisting of a high quality subtractive analogue synthesizer voice: Voltage Controlled Oscillator (VCO), Voltage Controlled Filter (VCF), and Voltage Controlled Amplifier (VCA). More than just a clone, the design of each sub-module is inspired by the golden age of Japanese analogue, featuring elements of the System 700, System 100m, and the Jupiter-8. Add some modulation and an envelope generator to create a complete patchable analogue voice with a distinctly vintage character.

VCO
* Discrete Voltage Controlled Oscillator with temperature compensated exponential converter
* 1 V/octave tracking over 7-8 octaves
* Sync input with weak and strong oscillator sync modes
* 1 V/octave CV input + two attenuated exponential CV inputs for pitch/frequency modulation
* Six position octave range switch
* Selectable waveform output: Pulse, Ramp, Triangle, or Sine
* Pulse Width Modulation CV input
* Sub-oscillator

VCF
* Cascaded OTA design inspired by classic Roland topologies with selectable 12 or 24 dB response
* self-oscillating with 1 V/octave tracking (3-4 octaves, normalized to VCO KYBD CV input)
* VCO output and sub-oscillator normalized to two log attenuated inputs
* Two frequency CV inputs, one unipolar and one bipolar
* Voltage controlled resonance

VCA
* Traditional single OTA design
* Three log attenuated audio inputs with IN 1 normalized to VCF output
* Two CV inputs with selectable exponential or linear response

Updates to the MK2 version
* Solid-state octave switching
* Memory recall of waveform selection
* Steel back cover

Dimensions
30 HP
30 mm deep

Current Draw
60 mA +12V
50 mA -12V

Tags: Filter module | Synth voice module | Mixer module | VCA module | Oscillator module

coming soon HK$3,503.64

(No payment required now - pay when released)

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Zoom R4 MultiTrak Handheld 4-Track Recorder With 32-Bit Float Audio (mixer/audio recorder)

Zoom Corporation

Cat: 976400 Rel: 31 Jan 24

Handheld 4-track recorder with 32-bit float audio

Notes: The Little Recorder For Big Ideas

Introducing the Zoom R4 MultiTrak

Designed By Musicians

All of our engineers are musicians and they designed the R4 to empower musicians to explore big ideas. With a unique dedicated 'bounce track' and 32-bit float recording, the R4 is perfect for capturing your most ambitious compositions.

Record. Bounce. Repeat.

With the R4, you can record up to four tracks, mix and then bounce them to the dedicated 'bounce track.' This lets you free up additional tracks to keep adding layers.

You can choose to do a 'quick' bounce or mix and bounce in real time.

The R4 also allows you to 'undo' your last bounce, if you're not satisfied with the results.

32-Bit Float Recording

The R4 captures perfect audio with every take, without the need to set gain.

Combo Inputs

The R4 has 2 XLR/TS combo inputs with legendary Zoom preamps. You can plug in microphones, instruments, keyboards, and more.

Track Effects

Each track features a 3-band EQ, pan, echo, and reverb to refine your mix.

Input Effects

Apply effects to input A such as amp simulations, delays, distortions and more.

Built-In Microphone

The R4 features a high-quality built-in microphone, perfect for acoustic guitars, vocals, or capturing a quick reference recording.

Much More Than A Metronome

The R4 has a rhythm section preloaded with over 80 different drum patterns to play along with featuring genres such as rock, hip hop, funk, heavy metal, and more.

Every Take Is Saved

Tracks that you record are automatically saved individually, even after they have been bounced.

32-Bit Float Audio Interface

The R4 is also a powerful 2-in/ 2-out USB audio interface with 32-bit float technology. Connect it to either your computer or smartphone.

Control and Create

With a fader for each track and dedicated hardware buttons for the most used functions, you won't need to menu dive to record your music.

Powered For Your Ideas

The R4 can be powered by 4 AA Batteries, or through its USB-C port.

Specs

Inputs/outputs
Inputs: Built-in mic (mono): 1
XLR/TS inputs (mono): 2
Output: Headphones: 1

Inputs
XLR/TRS inputs:
Connectors: 2 XLR/TRS combo jacks (Balanced, XLR: 2 HOT)
Input gain: No adjustment required (dual A/D converter circuit used)
Input impedance XLR: 2.3 kO; TS: 1 MO
Maximum input level: XLR: +4 dBu, TS: +10 dBu
Phantom power: +48 V (switchable separately for INPUTS A and B)
Equivalent input noise: XLR: -120 dBu or less (IHF-A); TS: -107 dBu or less (IHF-A)
Frequency response: XLR: -0.5 /+0.0 dB : 20 Hz - 20 kHz; TS: -0.2 /+0.0 dB : 20 Hz - 20 kHz

Built-in mic input
Directionality: Omnidirectional
Input gain: No adjustment required (dual A/D converter circuit used)
Maximum sound pressure input:
115 dB SPL
Output

Headphone

Connector: 1 stereo 3.5mm mini jack
Output impedance: 10 O
Maximum output level: 20 mW + 20 mW (into 32O load)

Recorder

Maximum simultaneous recording tracks: 2
Recording format: WAV: 48kHz, 32-bit float, mono
Recording media: Cards compatible with microSDHC specifications 4 GB - 32 GB; Cards compatible with microSDXC specifications 64 GB - 1 TB

Display: 2" full-colour LCD (240 × 320)

USB

Connector: USB Type-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Audio interface function
Class: USB 2.0 High Speed
Sampling frequency: 48 kHz
Bit rate: 24-bit/32-bit float
Input / output channels: 2 in/2 out
Mass storage function: USB2.0 High Speed

Power supply

Batteries: 4 AA (alkaline, lithium, or rechargeable NiMH)
AC adapter: ZOOM AD-17 (5V/1.0A)
* USB bus power is supported.
Estimated continuous operation time using batteries

Alkaline batteries: about 7 hours
NiMH batteries (1900 mAh): about 6 hours
Lithium batteries: about 14 hours
* Use conditions: Recording 1 track, playing 1 track, phantom power off, headphones into 32O load, power saving on
* The above values are approximate. * Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

Power consumption: 5 W
External dimensions: 74 mm (W) × 138 mm (D) × 36 mm (H)
Weight (including batteries): 287 g
Note: 0 dBu = 0.775 Vrms

est. release 31 Jan 24 HK$1,845.71

(No payment required now - pay when released)

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Buchla Music Easel (Retro) Modular Analogue Synthesiser (modular analogue synthesiser)

Buchla

Cat: 956180

The development of the legendary modular analogue synthesiser by Don Buchla.

Notes: The Buchla Music Easel was one of the first truly portable electronic music instruments. Fifty years ago, in 1973, only a few dozen were made. Unlike many iconic technologies, the influence was not grown through force of scale, but rather the force of the ideas. The Music Easel made available virtually every musical dimension: timbre, melody, rhythm, and time; how these dimensions intersected was no longer the court of acoustics and material, but signals and voltage. The 208 Stored Program Sound Source engendered "a new functional organization [with a] particularly rapid system of patching and program storage via plug-in cards."

Taking cues from the then-recent discipline of cybernetics, the 218 touch plate was for "real-time communication" to help realize the "potential vocabulary" of the Easel, rather than exploiting existing modes of musical virtuosity. The Stored Program Cards ensured rapid repeatability and repertoire on its own terms. The battery terminals made sure the music was as portable as any acoustic instrument. And the name let you know it was designed for art rather than science.

Buchla is ecstatic to revive the Music Easel for its third run in 50 years. Buchla first released the updated 208 Stored Program Sound Source, dubbed the Easel Command, with expanded MIDI and USB capability. Next came the update of the Easel Program Manager - a complete kit for storing and recalling sounds sources, even more rapidly than imagined in 1973. The new 218 Touch Activated Voltage Source provides the optimal input facility, as originally envisioned. It is now all together in a rugged case and the advanced EMBIO module that unifies all the audio and control inputs and outputs for integration with the rest of your musical world.

More than a retro novelty, the Music Easel still speaks to a future we strive for. A technology that invites conversation, not chats, and controls that engage expression, not work. There are many new worlds to explore in this instrument created at the crossroads of the jazz and computer ages. Designed as "an integrated assemblage of functions", rather than a collection of modules, the Music Easel's colour coding, comfortable access to controls, and solid patch connections allow for satisfying sessions of sonic discovery.

The Music Easel (retro) is available for pre-order starting in June 16 at Buchla.com and your favorite Buchla Dealer with delivery expected in winter 2023.

Stored Program Sound Source Model 208C

The sound source of the Music Easel is the 208C, which includes a complex oscillator and a modulation oscillator (which can also serve as another voice), each with independent switchable waveforms, as well as a noise generator, allowing for rich and intricate sound design. The 208C also features a five-stage sequencer, envelope generator, pulser and modulation source - with switchable triggers - allowing for complex patterns and evolving textures. The dual low pass gate provides dynamic control over the tone and amplitude of the sound, as well as natural-sounding decay and sustain. The 208C has a number of modulation sources, including a random voltage generator, the envelope generator, modulation oscillator, and an envelope detector. These sources can be used to modulate various parameters via the extensive patchfield - creating movement, texture, and complexity. The 208C also includes a mixer section with spring reverb.

Touch Activated Voltage Source Model 218e (v3)

The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been elevated with a new foundation of stable, modern electronics with incredible sensitivity and accuracy - the lightest touch will produce triggers and control voltages. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience. As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the 218e a uniquely expressive controller. The 218e includes portamento and an arpeggiator, which can be driven by external inputs and are allowed to interact with the automated notes to make patterns more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising. The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control. The 218e also gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel.

Electric Music Box Input/Output (EMBIO)

Maintaining the spirit, sound, and process from the original, the new Music Easel adds a variety of new features. Buchla's latest renditions of the Stored Program Sound Source and Touch Activated Voltage Source are tied together with the Electric Music Box Input/Output (EMBIO) module. This of course provides MIDI out (mini jack and USB) and CV out from the 218, MIDI in to the 208, and the audio out from the 208C. Additional creative control comes from the Audio Mixer, for integration with other Buchla modules and systems, and the CV conditioners and controls. The slew control can turn your sequencer into a wavy modulator, or soften up a square LFO. The attenuator and crossfader gives you the opportunity to find new levels and combinations of voltages from existing ones. The pulse converter offers new rhythms to trigger. And a simple LFO provides another valuable modulator when you just can't quite let yourself flip that Mod Osc switch from "high" to "low."

coming soon HK$40,826.80

(No payment required now - pay when released)

FORTHCOMING

Related products...

Buchla Music Easel (Modern) Modular Analogue Synthesiser (modular analogue synthesiser)

Buchla

Cat: 956175

The development of Don Buchla's legendary modular analogue synthesiser.

Notes: The Buchla Music Easel was one of the first truly portable electronic music instruments. Fifty years ago, in 1973, only a few dozen were made. Unlike many iconic technologies, the influence was not grown through force of scale, but rather the force of the ideas. The Music Easel made available virtually every musical dimension: timbre, melody, rhythm, and time; how these dimensions intersected was no longer the court of acoustics and material, but signals and voltage. The 208 Stored Program Sound Source engendered "a new functional organization [with a] particularly rapid system of patching and program storage via plug-in cards."

Taking cues from the then-recent discipline of cybernetics, the 218 touch plate was for "real-time communication" to help realize the "potential vocabulary" of the Easel, rather than exploiting existing modes of musical virtuosity. The Stored Program Cards ensured rapid repeatability and repertoire on its own terms. The battery terminals made sure the music was as portable as any acoustic instrument. And the name let you know it was designed for art rather than science.

Buchla is ecstatic to revive the Music Easel for its third run in 50 years. Buchla first released the updated 208 Stored Program Sound Source, dubbed the Easel Command, with expanded MIDI and USB capability. Next came the update of the Easel Program Manager - a complete kit for storing and recalling sounds sources, even more rapidly than imagined in 1973. The new 218 Touch Activated Voltage Source provides the optimal input facility, as originally envisioned. It is now all together in a rugged case and the advanced EMBIO module that unifies all the audio and control inputs and outputs for integration with the rest of your musical world.

More than a retro novelty, the Music Easel still speaks to a future we strive for. A technology that invites conversation, not chats, and controls that engage expression, not work. There are many new worlds to explore in this instrument created at the crossroads of the jazz and computer ages. Designed as "an integrated assemblage of functions", rather than a collection of modules, the Music Easel's colour coding, comfortable access to controls, and solid patch connections allow for satisfying sessions of sonic discovery.

The Music Easel is available for pre-order starting June 16 at Buchla.com and your favourite Buchla Dealer. Delivery of the Music Easel (modern) is expected fall 2023.

Stored Program Sound Source Model 208C

The sound source of the Music Easel is the 208C, which includes a complex oscillator and a modulation oscillator (which can also serve as another voice), each with independent switchable waveforms, as well as a noise generator, allowing for rich and intricate sound design. The 208C also features a five-stage sequencer, envelope generator, pulser and modulation source - with switchable triggers - allowing for complex patterns and evolving textures. The dual low pass gate provides dynamic control over the tone and amplitude of the sound, as well as natural-sounding decay and sustain. The 208C has a number of modulation sources, including a random voltage generator, the envelope generator, modulation oscillator, and an envelope detector. These sources can be used to modulate various parameters via the extensive patchfield - creating movement, texture, and complexity. The 208C also includes a mixer section with spring reverb.

Touch Activated Voltage Source Model 218e (v3)

The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been elevated with a new foundation of stable, modern electronics with incredible sensitivity and accuracy - the lightest touch will produce triggers and control voltages. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience. As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the 218e a uniquely expressive controller. The 218e includes portamento and an arpeggiator, which can be driven by external inputs and are allowed to interact with the automated notes to make patterns more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising. The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control. The 218e also gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel.

Electric Music Box Input/Output (EMBIO)

Maintaining the spirit, sound, and process from the original, the new Music Easel adds a variety of new features. Buchla's latest renditions of the Stored Program Sound Source and Touch Activated Voltage Source are tied together with the Electric Music Box Input/Output (EMBIO) module. This of course provides MIDI out (mini jack and USB) and CV out from the 218, MIDI in to the 208, and the audio out from the 208C. Additional creative control comes from the Audio Mixer, for integration with other Buchla modules and systems, and the CV conditioners and controls. The slew control can turn your sequencer into a wavy modulator, or soften up a square LFO. The attenuator and crossfader gives you the opportunity to find new levels and combinations of voltages from existing ones. The pulse converter offers new rhythms to trigger. And a simple LFO provides another valuable modulator when you just can't quite let yourself flip that Mod Osc switch from "high" to "low."

coming soon HK$40,826.80

(No payment required now - pay when released)

FORTHCOMING

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SoMa Laboratory Terra Soft Case (synthesiser soft case)

Soma Laboratory

Cat: 951479

Soft case

Notes: Soft case for Soma Laboratory Terra.

Tags: Studio equipment cases

coming soon HK$612.53

(No payment required now - pay when released)

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Jomox MoonWind MKII Analogue Stereo Filter Tracker (effects unit)

Jomox

Cat: 967079

Analogue stereo filter processor with multi-mode filters, integrated step sequencer, a digital effects chip, 2 LFOs and envelope modulation.

Tags: Filter pedal

~~MRP:HK$7,154.29~~ SAVE 10%
coming soon HK$6,443.66

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Flame Ton Duophonic Melody Looper & Quantizer Module (sequencer/looper/random/dual/stereo/quantize synth module)

Flame

Cat: 973767 Rel: 31 Dec 23

Duophonic melody looper and quantizer module - 12HP.

Notes: "TON" is a 12HP wide Eurorack live sequencer module for creating two note sequences. There are two 1V/octave outputs with GATE/NOTE/VELOCITY. Notes can also be sent via MIDI. Both note tracks are independent of each other and can be used in different octave spreads. In addition to the analog connection, the module has full MIDI functionality. It can be synchronized via analogue clock or via MIDI.

The sequencer is designed as a looper. It plays a pattern of up to four bars in a loop. The notes can be played (or deleted) quantized with two buttons. One button is used for note repeats, another for setting individual events. The pitch is determined by either the potentiometer or the built-in distance sensor. The sensor works in a range of about 1 to 40 cm and is independent of extraneous light. Even bright sunlight does not affect it.

A 1-octave mini-keyboard allows transposing on the fly and setting a scale. Since the module has two CV inputs, it can also be used as a two-channel quantizer or arpeggiator. All settings of the current pattern are simply saved together in a patch. There are 5 banks with 7 seats each (per mini-keyboard) available. This allows up to 35 patterns to be managed. The patches can also be selected via CV or MIDI program change and can be saved and reloaded on the fly.

The pattern can be manipulated during and after the import with eg: gate length, velocity, random, last step, hold, mute, glide, scale and transposition. Both tracks can have different settings. With TRACK-Link, however, parameters can also be applied to both tracks at the same time. This is helpful, for example, with transpositions or duophonic playing.

Dimensions
12 HP
45 mm deep

Current Draw
80 mA +12V

est. release 31 Dec 23 HK$2,474.60

(No payment required now - pay when released)

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Tesseract Modular UFO 8 Low Frequency Oscillation Module (LFO synth module)

Tesseract Modular

Cat: 974272 Rel: 31 Jan 24

8 triangle low frequency oscillations module - 4HP.

Notes: 8 triangle LFOs with relative frequencies and CV control.

Output voltage is +/- 5.25v (10.5Vpp).

Upper LFO is the fastest and lower is the slowest one. The frequency ratio between LFOs is approx 3/2 (or 1.5), being at max speed the upper 13.5Hz and the lower one 1Hz .

The frequency range with the potentiometer is 80-90%.

Negative voltages present at the CV input will stop the oscillation of all LFOs, but the potentiometer it's an offset, which means that will act as a manual frequency control and will also set the voltage range for the CV input, allowing negative voltages when set to max.

Dimensions: 4 HP
25 mm deep

est. release 31 Jan 24 HK$718.66

(No payment required now - pay when released)

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Nava Extra9 Rhythm Composer Drum Machine (drum machine)

Nava

Cat: 973375 Rel: 31 Dec 23

The clone of the Roland TR-909 who reproduces the sound of the original drum machine, the groove of the sequencer, the shuffle parameter is fully implemented.

Notes: Nava 909 with extra 9 expansion

The NAVA 909 is the only real clone of the Roland TR-909 who reproduce perfectly the sound of the original drum machine, even the sequencer has the same groove, the shuffle parameter is fully implemented.

It has a MIDI interface, Roland Dyn Sync, trigger out, just like the original model.

It replicates so well the sound to the point that it is no more a clone, but an exact replica!

The circuits are 100% analogic and identical to the TR-909 from Roland.

Over 1000 electronic components are soldered by hand.

It contains the exact same ROM samples (Ride, Crash Cymbals and hi-hats).

It sounds and feel like a Roland TR-909, but it's even better as all the components are new, where the old real TR-909 has most of its components that are tired and often leading to sound problems.

On the top of that, it has a LCD screen and comes with an upgradeable firmware.

NAVA 909 Specs:

128 Rhythm patterns from 1 to 16 steps
"All the sounds generated from from the original Roland TR909 analogue synth: BD, SD, LT, MT, HT, RS, HC & CH
16 tracks of 999 measures
1 external instrument track by pattern that can store 99 notes like SH101 sequencer style.
A Midi keyboard mode allow you to play external Midi device
Multi out for each instruments
Individual accent for BD, SD, LT, MT, HT, RS, HC and CH
A total accent track
Master out (L/R Mono) 6Vp-p 1Kohm
Tempo 30 - 250 Bpm
7 shuffle levels
4 scales (1/8t, 1/16, 1/16t and 1/32)
4 sequencer directions (forward, backward, ping-pong and random)
Easy copy and paste pattern function
Shift left or right the entire pattern or individual instrument
In/Out/Thru Midi
DinSync 24ppqn Out
Trig Out 2ms +5V
And More...

What's in the box
1 x NAVA 909 (V1.02 board)
1 x NAVA 909 Manual (English)
1 x 15V 1000MA PSU

est. release 31 Dec 23 HK$14,447.46

(No payment required now - pay when released)

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In The Mood For Ska: Caribou Ska Selection

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VARIOUS

In The Mood For Ska: Caribou Ska Selection (LP)

Drum & Bass Osaka

Cat: RSLP 006. Rel: 20 Dec 23

est. release 20 Dec 23 HK$249.13

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Flame Takt 8-Track Rhythm Sequencer Module (sequencer/clock generator/LFO/random/MIDI/clock modulator/drum/sample & hold synth module)

Flame

Cat: 973764 Rel: 31 Dec 23

8-track rhythm sequencer module with trigger, adjustable gate, velocity and mod CV and quad LFO - 30HP.

Notes: FLAME "TAKT" rhythm sequencer.

"TAKT" is a compact 30HP Eurorack sequencer module for playing or programming trig- ger/gate/velocity rhythm sequences.

The sequencer has 8 tracks with trigger/gate outputs, 8 velocity/modulation CV outputs and full MIDI functionality. The CV track can also be used independently as a modulation track. Live sequencing in looper mode is possible in two ways: SHOTS for playing "note repeats" or quantized triggering via keys or sensors.

Four tracks can be triggered simultaneously with four external distance sensors. These sensors are just 2HP slim modules that can be rack mounted at desired locations. These are connected directly to the module with narrow and sufficiently long ribbon cables, which also supplies the sensors with the necessary operating voltage. The 4 sensors and the connection cables are included in the scope of delivery. The sensors generate trig- gers/gates and can be switched live as a set between tracks 1-4 and 5-8 (e.g. via foots- witch).

Four syncable LFOs with VCOs for amplitude adjustment are also provided. The LFOs are equipped with many interesting functions. This includes 26 different waveforms, phase, amplitude, speed and output voltage. This can be unipolar or bipolar (0..+5v or +/- 5v) and additionally attenuated by AMP (amplitude) with built-in VCA. This means that the LFO outputs can also be adapted to modules that do not have an input attenuator.

Patterns can be switched live and are each up to 4 bars long. 4 patterns plus a fill pat- tern are saved as a scene. 50 scenes can be permanently stored in the module. This means that 250 patterns are available in total.

Additional inputs and outputs for controls are available. There are 4 CV inputs to be defi- ned by the user, as well as 2 programmable analog clock outputs. On the front there are MIDI input and output as 3.5mm TRS sockets. Firmware updates can be done via MIDI- SYSEX.

HP : 30

est. release 31 Dec 23 HK$3,887.52

(No payment required now - pay when released)

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Maneco Labs Drums4 Percussion Sound Generator Module (drum synth module)

Maneco Labs

Cat: 971081 Rel: 31 Dec 23

4-voice, sample-based percussion sound generator module - 12HP.

Tags: Drum module

~~MRP:HK$1,951.91~~ SAVE 10%
est. release 31 Dec 23 HK$1,763.97

(No payment required now - pay when released)

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Maneco Labs Grone 2 Dark Drone Machine Effects Pedal (synth voice effects pedal)

Maneco Labs

Cat: 971098 Rel: 31 Dec 23

Grone 2 dark drone machine pedal version.

Tags: Synth pedal

~~MRP:HK$3,642.48~~ SAVE 10%
est. release 31 Dec 23 HK$3,266.77

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Patching Panda Punch MG Quad VCA-Decay & Mute Group Module (black) (dynamics/envelope generator/mixer/quad/utility/VCA synth module)

Patching Panda

Cat: 963504

4x VCA-decay & mute group module - 16HP.

Notes: Punch MG is a unique module with VCA-DECAY & Mute GROUP designed for Eurorack systems.

This module has been specially crafted to generate dynamic percussive sounds while also offering the capability to manage multiple signals simultaneously through its innovative mute group feature.

Punch MG provides a versatile platform for crafting dynamic percussive sounds. With its mute group feature, it allows you to handle numerous signals concurrently.

The manual will guide you through the various features and functions of Punch MG, enabling you to explore its full potential.

Key Features:

Dynamic Sound Generation: Punch MG is engineered to generate dynamic percussive sounds with finesse, offering a range of creative possibilities.

Mute Group Interaction and Signal Patterning: Utilize the mute group feature to enable interactions between signals that share the same group.

This feature enables signal muting and amplitude limitation when multiple signals are triggered simultaneously. The amplitude and decay time of each signal are influenced by others in the same group. This characteristic can lead to captivating pattern variations when focusing on specific channels.

Expandable Capability: By linking two modules, you can expand the effect of the mute group to accommodate up to eight signals, fostering intricate interactions and captivating sonic landscapes.

AM Sound Creation: Connect audio rate signals to the level input to explore the creation of AM (Amplitude Modulation) sounds, further extending the sound design possibilities.

Envelope outs: Each envelope's polarity can be inverted using dedicated switches on the front panel, enabling you to achieve effects like side-chain compression and ducking. Moreover, the mute group circuit's influence extends to the envelope signal output, providing intriguing modulation capabilities that add a unique layer of creative expression to your sonic endeavours.

16 HP
Power consumption 180mA@+12V, 64mA@-12V

coming soon HK$2,107.09

(No payment required now - pay when released)

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Dannysound MML Filter Multi-Mode Ladder Filter Module (distortion/filter synth module)

Crooked Acres

Cat: 967619

Multimode transistor ladder filter module with red mode feedback distortion - 6HP.

Tags: Filter module | Distortion module

coming soon HK$1,886.58

(No payment required now - pay when released)

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X Audio Systems VCRadio Voltage Controlled FM/AM/SW Stereo Radio Receiver Module (synth module)

X Audio Systems

Cat: 971187 Rel: 31 Dec 23

Voltage controlled FM/AM/SW stereo radio receiver module with modulation capabilities - 8HP.

Notes: The VCRadio by X Audio Systems is a voltage controlled FM/AM/SW stereo radio receiver with modulation capabilities. The unit generates a continuous stream of audio content, noises, squelches and broadcasts, depending on where you are located in the world. It will easily pick-up any station or noises lurking at any frequency within the selected range.

Connect a LFO to the CV input to modulate the TUNER knob and create beats/patterns of mixed radio signals and noises! Lots of fun guaranteed!

Radio bands

FM (88 - 108 MHz)
AM (520 - 1710 kHz)
SW band 1 (2,3 - 2,5 MHz)
SW band 2 (3,9 - 4,0 MHz)
SW band 3 (5,6 - 6,4 MHz)
SW band 4 (6,8 - 7,6 MHz)
SW band 5 (9,2 - 10,0 MHz)
SW band 6 (11,6 - 12,2 MHz)

Features of the VCRadio
- 1 radio receiver (FM - AM - 6 bands of Short Wave)
- 2 LEDs for indicating if the radio signal is strong (STATION) or stereo (STEREO)
- 1 CV Input (with gain) to modulate the TUNER with an external signal (-5V - +5V)
- 3 audio line outputs (LEFT, RIGHT, SUM)
- 2 antennas (long telescopic antenna on the front for FM/SW and ferrite loop in the back for AM)
- Eurorack module 8HP

est. release 31 Dec 23 HK$1,257.69

(No payment required now - pay when released)

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LA Circuits EM-406 Tomahawk Phase Shifter Module (phase shifter/waveshaper synth module)

LA Circuits

Cat: 958679

Dynamic four-stage OTA-based phaser module - 12HP.

Notes: EM-406 Tomahawk is a dynamic four-stage OTA based phaser.

The module has controls for sweep rate, phasing amplitude, notch shift, frequency modulation, and peak emphasis.

The internal oscillator generates a unique type of sine/ hyper triangular waveform, which may be morphed using the waveshaper control knob.

The oscillator's wave shape may also be externally modulated via CV input.

The sweep rate control sets the LFO's frequency, ranging from 0.2Hz to 24Hz.

Tomahawk's phasing character ranges from gradual and thick phasing swells to rapid pulsating shifts.

The LFO's rate and polarity are displayed via led indicators.

The phasing amplitude modifies the LFO's impact on the phase shift, thereby functioning as a phase depth attenuator.

Exponential notch shift modifies the frequency position of the phase notches. The phaser's frequency may also be externally modulated using the CV IN: freq. input, and attenuated with the corresponding frequency modulation control knob.

Peak emphasis modifies the phaser's resonance level. Setting this knob to its maximum level will cause the phaser to self-oscillate.

An external sweep oscillator may also be applied via the ext. LFO IN.

Specifications:

Model: EM-406
Dimensions: 12 HP (3u)
Material: 2 mm anodized aluminium
Power: +/- 12 v | 60 ma
1-year limited warranty with proof of purchase.

Notice to customer: please use the enclosed IDC connector. Problems arising from use of another connector will not be covered and may void your warranty. Modifications or alterations to your module will void your warranty.

Tags: Phaser module | Waveshaper module

coming soon HK$3,340.27

(No payment required now - pay when released)

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Folktek Resonant Garden Electronic-Acoustic Hybrid Instrument (hybrid synthesiser)

Folktek

Cat: 983105 Rel: 29 Feb 24

Electronic-acoustic hybrid instrument

Notes: The Resonant Garden is an electronic-acoustic hybrid instrument designed to create anything from beats and oddities to dense soundscapes.

The garden utilizes three Alter circuits each equipped with a mic pre-amp, and 4 sprout (stringed) panels for generating acoustics. By plucking, rubbing, tapping or even bowing, those micro-acoustic sounds become amplified and affected by the Alter in any number of ways. In essence, the garden is a large microphone designed to pick up vibrations.

Monolithic vs Discrete

A Monolithic version of the Resonant garden consists of a single faceplate for the entire instrument.

A Discrete version of the Resonant garden consists of 7 faceplates, three for each Alter module and four for the sprouts. The discrete version allows for individual sprout and Alter modules to be moved around or substituted with other modules. Keep in mind the power and audio distribution system is designed for the configuration shown here, but can easily be hand wired with standard cables (sold separately). The maximum depth for modules in the garden box is 33mm.

Effects

There are two Alter 1 units and one Alter 2 unit. Each Alter 1 has seven DSP effects which are selected by touching the copper hexagon:

1 - long delay (capable of near infinite feedback looping)
2 - notated granular delay
3 - plate reverb
4 - shimmering reverb
5 - distortion and multi-filter
6 - pitch delay
7 - stutter glitch

Alter 2 has the following effects:

1 - analogue delay
2 - reverb with infinite capture and lp + hp filters
3 - choral reverb
4 - palindrome reverse delay - backward/forward repeat
5 - time stretch
6 - pitch shift (notated semi-tones
7 - time stretch glitch

Control

On each of the Alter sections, the following is present:
- Control for the gain of the mic pre-amp or any incoming audio.
- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates.
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or CV input is visualized on the control panel.

Acoustics

Each garden panel is equipped with a contact mic. A contact mic is designed to pick up vibration. The mic pre-amp is specifically designed to deal with the frequencies of the contact mic by boosting certain frequencies and dulling others in order to optimize the sound quality. The mic pre-amp has a gain control so the level can be adjusted according to how you intend to play.

Routing

1/8" stereo inputs with separate level/gain control for right and left channels. These level controls can also act as mute as they can take the signal to 0. They can also add gain to a quiet signal.
In its natural state, each Alter utilizes the garden panel acoustics and each Alter outputs its own signal. By plugging in to the left input of any Alter, the mic amp is bypassed. This means that the signal can be chained from one alter to another, utilizing the single final output. This chain of effects can result in an incredibly broad range of sound.
- use all effects in parallel (3 sets of stereo output)
- use two in series and one in parallel (2 sets of stereo output)
- use all in series (single stereo output)
- peak level indicator for clipping levels at the input

Design

The box is constructed with Sapele African hardwood and a white birch bottom panel. It features anodized black aluminium rails for mounting the faceplates. Each sprout of strings is bolted in from the back and held in place with a backing panel under the main board.
Each box has unique wood grain patterns. The wood grain shown in the images will appear different for each instrument we ship.

Included
- Power Supply: 12v positive tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Printed manual
- Four (4) black 6" (15cm) 3.5mm TS mono patch cables
- Four (4) black 24" (60cm) 3.5mm TS mono patch cables

Dimensions
- 76 HP Total Width, Sprouts: 7 HP, Alters: 16HP
- Mounting Rails are 406.16mm long

est. release 29 Feb 24 HK$9,514.52

(No payment required now - pay when released)

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Klavis CalTrans Programmable Voltage/Octave CV Calibrator & Transposer Module (black) (quantizer/tuner/utility/quad/slew limiter synth module)

Klavis

Cat: 951637

Programmable voltage and octave CV calibrator and transposer module - 6HP.

Notes: Programmable Volt/Octave CV calibrator and transposer

Clever four-channel utility module designed to make it easier to achieve perfect oscillator tracking and transpose CV signals. Also includes some neat quantising and portamento features.

The CalTrans solves issues encountered when playing tonal music with a modular system: tracking problems, curves unrelated to Volt per octave ratio, limited octave range, cumbersome transpose, ...

The CalTrans corrects and expands the range of troublesome VCOs and brings V/Oct tracking to anything that oscillates.

Besides calibration, the CalTrans offers live play features. Each channel can be quantized and any combination of them transposed jointly.

A pair of rotary encoders with detent allow an precise selection of octaves and semitones.

VCOs whose tracking doesn't go high enough to follow the leader will see their pitch repositioned in their highest possible octave so that the global harmony is unaffected.

You can add a pinch of portamento and glissando to each channel and save the whole in user presets.

Firmware 1.17 offers:
* User editable input scaling to match sources that don't generate perfect 1V per octave signals.
* Complete rewrite of the main processing with higher precision.
* ... and the unavoidable fixes and tweaks ;-)

The updated user manual 1.4 is much expanded with operations described in exquisite details :-)
.. and a version 1.5 corrects a mistake in the input calibration description and eases the reading elsewhere.

Dimensions
6 HP
36 mm deep

Current Draw
44 mA +12V
8 mA -12V
0 mA 5V

coming soon HK$1,592.57

(No payment required now - pay when released)

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Plum Audio ADVA Smart Multimode Filter Module (silver) (distortion/filter/noise/VCA synth module)

Plum Audio

Cat: 970499 Rel: 31 Dec 23

24dB analogue multimode filter module with VCA, white noise generator, pre and post-distortions and a smart interface - 6HP.

Notes: ADVA is a fat-sounding 24dB ANALOGUE MULTIMODE FILTER packed with features including a VCA, white noise generator, pre and post-distortions and a smart interface that makes it a versatile beast in a surprisingly small package.

With 7 filter modes, ADVA provides high richness and a wide variety of tones; it can filter gently like an LPG or it can be pushed up to the edges of hot acid tones.

Unlike many other multimode filters, a phase keeper ensures that ADVA never inverts the input's phase in any of its filter modes.

Self-Oscillation is available for all modes, producing a range of waves from clean sine waves up to soft square waves when activating the post-distortion circuit. Together with V/OCT tracking, ADVA works brilliantly as an oscillator or as a percussive sound generator.

A resonance loudness compensation circuit ensures that ADVA does not compromise on volume when the resonance is increased.

An Internal analogue white noise generator is the little bit of spice that can make the world of difference. Blend it together with the input signal by rotating the dedicated knob to add more richness to your sound and further emphasize cutoff movements, or use it as an FM source to achieve the different flavors of dirty tones.

ADVA is packed with two separate distortion circuits. First, the soft-clipping overdrive is located in the sound path after the white noise blend knob and the input gain knob, a circuit which can push the incoming signal to thicken any waveform. If you blend the input with the noise generator it can compress the noise and exaggerate it to achieve more aggressive levels.

The second (post) distortion is located after the VCA, just before the output. This is a more aggressive distortion and can be used for acid and other dirty hot tones.

Although the sound path is completely analogue, ADVA has a digital support circuit that enables a smart routing system with the option to modulate filter modes via CV, and a very intuitive interface that includes 3 CLICKKNOBS and an RGB LED ring that provides visual feedback for whatever state the filter is in.

Dimensions
6 HP
35 mm deep

Current Draw
110 mA +12V
5 mA -12V

Tags: Filter module | Noise module | VCA module | Distortion module

est. release 31 Dec 23 HK$2,311.23

(No payment required now - pay when released)

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Plum Audio ADVA 1U Smart Multimode Filter Module (silver) (distortion/filter/noise/VCA synth module)

Plum Audio

Cat: 970520 Rel: 31 Dec 23

24dB analogue multimode filter module with VCA, white noise generator, pre and post-distortions and a smart interface - 22HP.

Notes: ADVA is a fat-sounding 24dB ANALOGUE MULTIMODE FILTER packed with features including a VCA, white noise generator, pre and post-distortions and a smart interface that makes it a versatile beast in a surprisingly small package.

With 7 filter modes, ADVA provides high richness and a wide variety of tones; it can filter gently like an LPG or it can be pushed up to the edges of hot acid tones.

Unlike many other multimode filters, a phase keeper ensures that ADVA never inverts the input's phase in any of its filter modes.

Self-Oscillation is available for all modes, producing a range of waves from clean sine waves up to soft square waves when activating the post-distortion circuit. Together with V/OCT tracking, ADVA works brilliantly as an oscillator or as a percussive sound generator.

A resonance loudness compensation circuit ensures that ADVA does not compromise on volume when the resonance is increased.

An Internal analogue white noise generator is the little bit of spice that can make the world of difference. Blend it together with the input signal by rotating the dedicated knob to add more richness to your sound and further emphasize cutoff movements, or use it as an FM source to achieve the different flavors of dirty tones.

ADVA is packed with two separate distortion circuits. First, the soft-clipping overdrive is located in the sound path after the white noise blend knob and the input gain knob, a circuit which can push the incoming signal to thicken any waveform. If you blend the input with the noise generator it can compress the noise and exaggerate it to achieve more aggressive levels.

The second (post) distortion is located after the VCA, just before the output. This is a more aggressive distortion and can be used for acid and other dirty hot tones.

Although the sound path is completely analogue, ADVA has a digital support circuit that enables a smart routing system with the option to modulate filter modes via CV, and a very intuitive interface that includes 3 CLICKKNOBS and an RGB LED ring that provides visual feedback for whatever state the filter is in.

Dimensions
22 HP
35 mm deep
Module is a 1U tile in Intellijel format

Current Draw
110 mA +12V
50 mA -12V

Tags: Filter module | Noise module | VCA module | Distortion module

est. release 31 Dec 23 HK$2,311.23

(No payment required now - pay when released)

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Analog Cases Large XTS Desktop Stand System (studio equipment desktop stand)

Analog Cases

Cat: 981286 Rel: 29 Feb 24

Large XTS stand: adjusts to any length 10.5" - 18.25"

Notes: Ready to elevate your creative workflow? Give your gear a boost with XTS Desktop Stands: the most durable and versatile stands on the planet!

Featuring a unique extendable design, XTS Stands can be easily resized to adapt to any gear setup. XTS Stands hold up to 25 pounds, offering the ultimate in stability.

Perfect for audio interfaces, MIDI controllers, pedals, synths, and samplers.

Two XTS Stand sizes are available, so you can find the right solution for your studio. The XTS Flex Tray can be added to the Large XTS Stand to use multiple pieces of gear.

The Large XTS Stand will support the MPC Live, Ableton Push, Arturia KeyStep Pro, or even a Eurorack case. 2 sizes of Flex Trays (sold separately) are available for this stand.

XTS Desktop Stand System
Xtendable Stands resize to fit your gear
Sleek and ergonomic design elevates studio organization and workflow
Crafted from 100% solid sheet metal
Infinite versatility with 2 stand sizes available, and optional Flex Tray accessories

Sizes

Large XTS Stand: adjusts to any length 10.5" - 18.25"

Large XTS Stand compatibility includes:

Ableton Push
Akai MPC Live 2 & MPC One
Native Instruments Maschine Plus & MK3
Elektron Analog Rytm
Roland TR-8S
Arturia KeyStep Pro & MiniFreak
Novation Launchpad Pro
Korg Minilogue & MicroKorg
ASM Hydrasynth Desktop & Explorer
Isla Instruments S2400
Sequential Prophet-5 & Prophet-10 Module
Prophet Rev2 Module
Buchla Easel Command
Intellijel 7U Performance Case
MakeNoise 7U 104HP Case, and similar size devices.

Add a XTS Flex Tray to the Large XTS Stand to hold multiple pieces of gear side-by-side:

13.3" Flex Tray fits 2-3 small pedals or synths
17.7" Flex Tray fits an Elektron Digitakt and Digitone, two Strymon pedals, two SP-404s, etc

Dimensions (Large XTS stand)

Width: 8.7"
Height: 5.4"
Length: 10.5"-18.25"

Tags: Stands

est. release 29 Feb 24 HK$351.15

(No payment required now - pay when released)

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DF Audio Nanopatch X Mini Audio Patch Bay (audio patch bay)

DF Audio

Cat: 973290 Rel: 31 Dec 23

A tiny patch bay with the primary function of connecting to guitar pedals and other effects processors.

Notes: NANOPATCH X is a tiny patch bay with the primary function of connecting to guitar pedals and other effects processors. It can be used in conjunction with NANOPATCH M or standalone, for a variety of purposes.

It also works with CV, so can be used as a breakout box for semi-modular synths with outputs in hard-to-reach places (e.g. Moog Grandmother) and devices that output CV over TRS sockets (e.g. MPC ONE).

Dimensions: 76 mm x 70 mm x 22 mm (not including sockets and feet)

How It Works

Each 1/4" TRS socket on the back corresponds to two mono TS mini jacks on the top panel.

By using insert cables (TRS to dual TS), connect up to four pedals to a single NANOPATCH X.

The inputs and outputs of the pedals are then easily accessible via the top panel, using standard eurorack or TRS cables.

Patching can be done directly from instrument to mixer or via a NANOPATCH M.

est. release 31 Dec 23 HK$408.28

(No payment required now - pay when released)

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Tangible Waves AE Module Modulators Multi-Functional Envelope Generator/LFO/Random Module (envelope generator/LFO/random synth module)

Tangible Waves

Cat: 967232

Multi-functional module inclusing envelope generator, LFO and random functions.

Tags: LFO module | Random module | Envelope generator module

coming soon HK$432.79

(No payment required now - pay when released)

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Klavis Twin Waves MK2 Voltage-Controlled Dual VCO/LFO/Random Module (black) (digital/LFO/oscillator/dual/stereo/noise/quantizer/ring modulator/random synth module)

Klavis

Cat: 951618

Voltage-controlled dual VCO, LFO and random module - 8HP.

Notes: Two oscillators independently set as VCO, LFO, or random generator

This new version replaces the original Twin Waves. All features of the former are retained. You can check all videos, reviews and comments of V1, being sure to benefit of all in the MKII version :-)

Features in VCO mode:

V/Oct tracking over 10 octaves
Tuning lock with octave selection
Through zero and linear FM
Sub-octave output
Hard & soft synchronization
VCA control and CV algorithms selection
Quantizer with various scales
20 algorithm-based synthesis types among:
Wave shaping
Phase modulation
Phase positioning of multiple waves
Up to 5 stacked oscillators in tunable unison
Self-sync with phantom oscillator
Additive synthesis (7 waves)
Variable bit reduction (bit-crushing)
Ring modulator with its own 2nd oscillator
Noise with LPF, BPF, or resonant filter

Features in LFO mode:

Simultaneous signal and trigger outputs
External wave synchronization
Clock controlled rate with voltage controlled multiplier and divider
CV and knob control of output level
Algorithm based wave engine with a selection of:
Wave shaping
Phase modulation
Random levels and vectors (also Brownian)
Randomly spaced triggers and waves
Display with contextual icons and instant reminder help text
LEDs indicating potentiometer vs. value matching, switch settings and output signals
Automatically saved settings for instant recall at power on
Firmware update by playing an audio file via the front panel
Compact and skiff-friendly module

Dimensions
8 HP
21 mm deep

Current Draw
52 mA +12V
17 mA -12V
0 mA 5V

coming soon HK$2,196.96

(No payment required now - pay when released)

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Arturia Keystep Pro Chroma 37-Key USB MIDI Keyboard Controller & Step Sequencer (dark grey) (MIDI keyboard controller/sequencer)

Arturia

Cat: 986578

A special-edition version of the unparalleled 4-track sequencer & keyboard, embellished with a sleek dark grey finish, great-feeling knob caps and customizable track colours

Notes: KeyStep Pro Chroma

Sequencing mastermind recoloured

KeyStep Pro Chroma is a special-edition version of the unparalleled 4-track sequencer & keyboard, embellished with a sleek dark grey finish, great-feeling knob caps and customizable track colours. The same all-in-one power, with more edge.

The future is sequenced

Rediscover the controller keyboard that changed the sequencing game, upgraded with a futuristic exterior and supercharged with unique creative functionality.

Chroma aesthetic

Retrofit your musical setup with sleek cyberpunk attitude. KeyStep Pro Chroma features a dark grey casing, vivid blue LEDs, and striking knob caps.

Customize your flow

Exclusive to KeyStep Pro Chroma, you can customize the LED colours for each of your tracks - so every project and composition looks as unique as it sounds.

The must-have sequencer

KeyStep Pro remains the benchmark for hardware & software sequencing and creative performance alike. Chroma is no exception: your sequencing mastermind

Abundant connectivity

From Eurorack modules, to analogue synths and VST's, synchronize all your gear and unleash your creativity in style.

Enterdark mode

Fusing utility with aesthetics, creativity with beauty, and sleek design with vivid colour, KeyStep Pro Chroma delivers next-level performance with pure style.

Exterior

A dark grey shell simultaneously gives this controller space station futurism and classic car attitude.

Lights

Icy blue LEDs illuminate Chroma's metal exterior, while customizable track colours inject perfectly-contrasting vibrancy.

Controls

Complementing the cool grey shell and vivid LEDs, Chroma's controls feature premium, great-feeling stylish caps.

Control hardware, software & DAW at the same time

Looking for the best modular sequencer?

How about a MIDI controller for Ableton? Or a live performance keyboard that can sync all of your favourite synths to a DAW click track? KeyStep Pro's extensive list of controls, connections, and creative functions are designed to tick every box - let's take a closer look:

The ultimate multi-function controller

Command complex hardware setups, entire DAW setlists, modular racks, and more - all with a user-friendly workflow that prioritizes creativity.

KeyStep Pro remains unique and unmatched in its balance of performance-oriented playability, massive connectivity, and creative depth.

Main Features

Unique dark grey design with blue LEDs and stylish knob caps

Customizable track colours

37 note slim keys, velocity and aftertouch sensitive
LED above each key for efficient visual feedback

Four track step sequencer
16 step buttons, up to 64 steps per sequence
Up to 16 notes of polyphony per step

Melodic sequencer
Real-Time recording, step recording, step editing
Pitch, velocity, gate length, time shift and probability for each note
Scale quantization with user scales
Polyphonic CV outputs

Drum sequencer

24 part drum sequencer
Polyrhythm

Performance-oriented sequencer
Forward and two random playing modes
Pattern randomization
Quantized or unquantized recording
Looper

Arpeggiator

7 arpeggiator modes, 5 octave range

What's in the box

Box content

KeyStep Pro unit
Registration card
Quick Start
USB cable
Power supply

Dimensions
Size : 23.2 x 8.2 x 1.5 inches (589 x 208 x 38mm)
Weight : 5.9 lbs. (2.7 Kg)

coming soon HK$3,634.28

(No payment required now - pay when released)

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Klavis Mixwitch Black Replacement Panel (synth module panel)

Klavis

Cat: 951669

2mm thick aluminium panel, in bath-anodized finish, with high-quality light-grey printing.

Tags: Blank panels

coming soon HK$171.41

(No payment required now - pay when released)

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Folktek Alter 1 Effects Processor Module (delay/effect/filter/reverb/dual/stereo module)

Folktek

Cat: 983092 Rel: 29 Feb 24

Effects processor module - 16HP

Notes: Alter is an effects processor for Eurorack format. There are two versions of the Alter which are visually identical except the names "Alter 1" and "Alter 2". This is Alter 1. Internally, 1 & 2 have an entirely different set of effects from the other. Each version features 7 unique and meticulously designed DSP effects.

Control

- Controls for mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates, feedback and time over the different effects (note that some of the images shows a prototype which says "rate" under two of the pots. The faceplate has been changed to X and Y).
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or CV input is visualized on the control panel.

Ins and outs

- Stereo inputs with separate level/gain control for right and left channels. These levels can also act as mute as it can take the signal to 0. They can also add gain to a quiet signal.
- Peak level indicator for clipping levels at the input
- Mono input is made stereo within the DSP and outputs to both left and right channels
- Stereo outputs for right and left channels

Effects

The effect is selected by the hexagonal touch pad. The effects for Alter 1 are as follows:
1 - long delay
2 - tight, notated granular delay
3 - plate reverb
4 - shimmering reverb
5 - distortion multi-filter
6 - pitch delay
7 - stutter glitch

Specs

Includes printed manual
+12V: 160mA
-12V: 0mA
+5V: 0mA
16HP width
25 mm Depth

est. release 29 Feb 24 HK$2,376.60

(No payment required now - pay when released)

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SoMa Laboratory Terra Plastic Dust Cover (synthesiser dust cover)

Soma Laboratory

Cat: 951442

Plastic dust cover

Notes: Plastic dust cover for Soma Laboratory Terra.

*** The Terra is not included, it is shown in the pictures for demonstration purposes only. ***

Tags: Synthesiser covers

coming soon HK$514.42

(No payment required now - pay when released)

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Buchla LEM218 v3 USB & MIDI Keyboard Controller With Polyphonic Aftertouch (USB/MIDI keyboard controller)

Buchla

Cat: 980388 Rel: 29 Feb 24

29-key USB & MIDI keyboard controller with polyphonic aftertouch

Notes: Though our lives are dominated by touchscreens, when it comes to music, there's still a lot of magic in capacitive touch control. Don Buchla was one of the first to apply this technology to electronic music in the Buchla 112 module. The non-traditional sounds were controlled with a futuristic interface. This fantastic idea met many iterations in Buchla history: the Music Easel, 400, 700, Thunder, and 223 all employed touch technology.

Buchla USA is proud to present the third iteration of one of the most used touch interfaces, the 218, as the LEM218v3: The 218e version3 Lunar Excursion Module. The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been updated with a new foundation of stable, modern electronics and plenty of inputs and outputs to integrate with your Buchla, MIDI, and Eurorack gear.

Capacitive Magic

The incredible sensitivity and accuracy of the redesigned touch bed means the lightest touch will produce triggers and control voltage for your setup. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience.

As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the LEM218 a uniquely expressive controller for all your synthesizers. The configurable touchstrip adds a fantastic addition for pitch bend or as an additional modulator to patch into your system.

MIDI Polyphony, Velocity & More!

More than just MIDI compatible, the LEM 218 v3 gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel. Send the LEM some MIDI, and it gets converted to voltages and gates for eurorack and Buchla control.

Get More For Your Euro

Even if you don't have any Buchla products, the LEM 218 v3 is designed to work with your Eurorack-compatible gear. Four 3.5mm jacks output 1v/octave pitch, 0-8 volts pressure, touchstrip voltage, and gate outputs for use with Eurorack equipment. Or, combine your Euro with your Buchla instruments. If NATO can do it, so can you. The sound design possibilities will blow your mind.

Arpeggiate

A pulse input allows the arpeggiator to be driven by external inputs and are allowed to interact with the automated notes to make the pattern more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising.

Control

The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control

Set It Up Your Way

Such a unique device will spark many ideas. With easy front panel configuration, you can quickly customize the velocity and pressure sensitivity, MIDI channel, knob behavior, and more. No cumbersome software setups, just simple settings with the keys and knobs, and you're ready to play.

est. release 29 Feb 24 HK$10,608.93

(No payment required now - pay when released)

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Korg Keystage USB MIDI 2.0 61-Key Polytouch Keyboard Controller (USB MIDI keyboard controller)

Korg

Cat: 978242 Rel: 31 Jan 24

A powerful MIDI 2.0 controller keyboard, Keystage offers unparalleled control, Polyphonic Aftertouch, MPE compatibility, and exceptional touch response.

Notes: A powerful MIDI 2.0 controller keyboard, Keystage offers unparalleled control, Polyphonic Aftertouch, MPE compatibility, and exceptional touch response. Enjoy instant OLED visual feedback, a powerful arpeggiator, chord modes, integrated audio outputs, and seamless Ableton Live & Korg Gadget integration. Lightweight & portable, Keystage integrates effortlessly with most modern DAWs and includes a powerful software bundle to amplify your musical journey.

Connect. Create. Perform.

Keystage is a groundbreaking MIDI 2.0 keyboard designed for both producers and stage performers. Pioneering the adoption of MIDI 2.0 Property Exchange, it combines aftertouch with powerful integration and control capabilities.

When inspiration strikes

Eliminate the hassles of lengthy MIDI mapping and missed moments of inspiration. With Keystage, when inspiration hits, your musical visions are captured swiftly and accurately.

As a pioneer in keyboard advancement, Keystage is the first to fully harness the capabilities of MIDI 2.0. Just connect it to compatible software, and watch as Keystage automatically maps parameters, displaying them on its sharp OLED displays. Every display is paired with its unique knob, ensuring you're always informed of the mapped parameters and their precise values.

Expressive creativity

A newly developed semi-weighted keybed provides an immersive playing experience. With polyphonic and channel aftertouch, alongside MPE (MIDI Polyphonic Expression), you can add depth and feel to your performances without your fingers leaving the keys.

An extraordinarily powerful arpeggiator offers features that go well beyond what any other MIDI Keyboard offers. A vast selection of patterns is complemented with unparalleled customisation options, including aftertouch-triggered ratchets, randomization, gating, and more.

In addition, chord mode benefits from a suite of 32 chord sets that can be used out-of-the-box, or customized and saved into any of the extra 32 user set slots. Each set can have one chord assigned to each note of an octave, and chords can even be replayed in different ways, including a strumming mode for realistic guitar-like playing.

Deep integration

Keystage offers immediate, seamless plug-and-play compatibility with most popular DAWs, giving hands-on control on your most important playback/transport controls.

From launch, Keystage supports: Ableton Live (Official Integration), Korg Gadget (Official Integration), Cakewalk, Cubase, Digital Performer, FL Studio, GarageBand, Logic, Pro Tools and Studio One.

On the road and in the studio

Keystage is not just an incredibly powerful MIDI controller. Equipped with direct stereo output, simply connect Keystage to your computer and directly link to the sound system without the need for additional gear that takes up valuable space.

Keystage also offers flexible customization options. You can modify settings directly through the menu or conveniently adjust them using the Korg Kontrol software on your computer.

Keystage includes an expansion plate that can be attached at two different angles, making it ideal for tablets and other devices. On the 61-key model, you have the flexibility to adjust the placement of the plates in two different positions, providing a stable and solid surface to place your laptop.

Keystage x Ableton Live

Ableton Live is the industry-standard tool for live performance, thanks to its innovative dual Session/Arrangement view, smooth clip triggering, looping, and powerful production tools.

Keystage offers official integration with Live, putting both transport and device control at your fingertips.

Keystage detects the device currently active in Ableton Live, and automatically maps to the first 8 parameters. When switching devices, Keystage dynamically reconfigures itself for an uninterrupted experience, keeping you in the zone.

Both Ableton Live and Keystage are MPE-compatible, enabling enhanced flexibility and creative possibilities in your music. Live's powerful Drift synthesizer (available with version 11.3) leverages MPE to offer even more expressive capabilities.
Keystage comes bundled with Ableton Live 11 Lite as part of its software suite. Ableton Live 11 Lite is a beginner-friendly version of Live, providing many of the core features to help you kickstart your journey in music creation and performance.

MIDI 2.0

The future of music

MIDI 2.0 is one of the most exciting developments in electronic music production in decades and allows two-way MIDI conversations. Previously, MIDI 1.0 messages went in one direction: from a transmitter to a receiver. MIDI 2.0 is bi-directional and changes MIDI from a monologue to a dialogue.

Thanks to new MIDI-CI (Capability Inquiry) messages, MIDI 2.0 devices can talk to each other, and auto-configure themselves to work together.

Keystage retrieves information such as which Control Change (CC) parameters should be linked and the appropriate names to display for each parameter. This means that Keystage can talk with a wide range of MIDI 2.0 compatible devices and exchange information in both directions. This exciting feature extends not only to software plugins, but also to hardware devices.

MIDI 2.0 Property Exchange is compatible with traditional MIDI DIN cables, allowing Keystage to seamlessly integrate with existing devices. Furthermore, backwards compatibility is not an issue with Keystage: it can still communicate using MIDI 1.0 with devices that do not support MIDI 2.0.

Powerful software suite

Keystage comes bundled with an incredible software set that provides all the tools needed to take your music production to the next level:

Korg Gadget Producer Bundle

Korg Gadget is the best all-in-one music production software and plugin collection; the intuitive user interface provides over 40 small synthesizers and drum machines called "Gadgets," that you can freely combine for music production.
Keystage includes the "Korg Gadget Producer Bundle": this is a version equipped with most of the features and Gadgets that the Korg Gadget 2 software offers.

The deep integration between Korg Gadget and Keystage makes it possible for Gadget's parameters to be synced on Keystage automatically, as well as having extended transport control that will make using Gadget even easier and faster.

Wavestate Native LE

Explore the full potential of Keystage by pushing its capabilities to the limits with Wavestate Native LE, which offers numerous patches utilizing Poly and Channel Aftertouch, all fully compatible with MIDI 2.0. *

Wavestate Native LE is virtually the same as Wavestate Native, except only one plugin instance can be active at a time on a given DAW project.

Ableton Live & more

Keystage comes with a diverse variety of music software from different manufacturers, including Ableton Live Lite.

Specifications

Keyboard
Polytouch* keyboard
Features velocity sensitivity, aftertouch, and polyphonic aftertouch
Velocity curves: 21 (-10 to +10)
Octave range: 7 (-3 to +3)

Controllers
Pitch bend wheel, modulation wheel, parameter control knobs × 8
VOLUME knob, SETTINGS button, WRITE button, EXIT button, SHIFT button, ARP button, CHORD button, VALUE ^/ buttons, VALUE dial, PAGE i/+ buttons, transport buttons, TEMPO button, OCTAVE i/+ buttons

Display
Main display: Organic EL (electro-luminescence) display
Sub display: Organic EL displays x 8

Scenes: 16

Arpeggiator
Arpeggio rhythm patterns: 20

Chord mode
Preset chord sets: 32
User chord sets: 32

I/O
USB port, MIDI (IN, OUT connectors), EXPRESSION jack, DAMPER jack

Audio output
AUDIO OUT (L/MONO, R): 6.3 mm TS phone jack (unbalanced)
Headphones: 6.3 mm stereo phone jack

Control inputs
Damper (half-damper supported)
Expression

USB: Type B

MIDI/audio interface
MIDI: 1 in/1 out
Audio: 2 ch out
Audio format: 44.1 kHz, 16-bit

Power
USB bus power or AC adapter (9 V DC, : Korg KA350, sold separately)
Power consumption: 5 V/500 mA or less (when powered via USB), 4w (when using an AC adapter)

Dimensions
Keystage-61: 979 × 234 × 82 mm

Included items: USB cable (Type A-Type B), expansion plate, Quick Start Guide

est. release 31 Jan 24 HK$4,892.07

(No payment required now - pay when released)

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Klavis Quadigy Quad Programmable Envelope Generator Module (black) (envelope generator/LFO/quad synth module)

Klavis

Cat: 951653

Quad programmable envelope generator module - 14HP.

Notes: The Quadigy is a complex envelope generator focused on live play.

The goal is to allow the user setting up rich, interactive and dynamically evolving envelopes without the risk of breaking up a subtle and intricate patch once on stage.

This is achieved by offering two main modes, one where full control is available and a Live mode where only the settings that are sensible using on stage are accessible.

The user interface offers an intuitive access for otherwise complex settings.

Advanced features such as automatic time-stretching, multiphase clocking and full morphing put the Quadigy in a category on its own.

Dimensions
14 HP
21 mm deep

Current Draw
24 mA +12V
10 mA -12V
40 mA 5V

Tags: LFO module | Envelope generator module

coming soon HK$2,605.24

(No payment required now - pay when released)

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Yamaha HS4 2-Way Powered Studio Monitors (pair, white) (studio monitors)

Yamaha

Cat: 982817 Rel: 29 Feb 24

Pair of 2-Way powered studio monitor speakers

Notes: High-quality compact studio monitors for the uncompromising creator

HS Series speakers have become the standard in studio monitors, trusted for many years by the world's top audio engineers, producers, and artists. Now Yamaha has redefined their essence in a compact housing. The HS3 and HS4 are powerful tools to help create a wide range of audio content-from music production to video editing-that meets the expectations of creators who have limited space and need to keep the volume down but do not want to compromise on monitoring quality.

Sound that is always true to the original

The HS3 and HS4 continue the design philosophy and know-how of previous Yamaha studio monitors. No effort has been spared in the pursuit of the optimal product, and the resulting speakers comprise carefully selecting parts such as a high-performance class-D amp, a highly resilient MDF cabinet, and woofers and soft dome tweeters that deliver a sound that is faithful to the source despite their small size. They also feature proprietary "Twisted Flare Port" technology that reduces air turbulence noise in the bass reflex port, providing clear and accurate bass. That's the secret to why the HS3 and HS4 deliver outstanding resolution, sound image, and depth, with a flat response across all bandwidths without any colouring of the original sound.

Optimal sound tailored to your environment

The sound produced by speakers is sometimes affected by the surrounding environment.

The rear panels of the HS3 and HS4 are equipped with ROOM CONTROL and HIGH TRIM functions that allow you to make adjustments to achieve the ideal sound for any environment, such as reducing the unneeded, exaggerated low-end that can often occur when speakers are placed next to walls.

Inputs and controls to fit any use case

The rear panel of the HS3 and HS4 is equipped with combination XLR/TRS phone, RCA, and stereo mini connectors, allowing you to connect to a wide range of professional and consumer equipment such as computers, audio interfaces, audio mixers, and electric instruments. The most commonly used features-power button, volume knob, and headphone connector-are located in the front for easy access.

Compact and portable

The compact size of the HS3 and HS4 was made possible thanks to the highly efficient class-D amp. Using one amp for two speakers has enabled us to both reduce the weight of the speakers and simplify the cable connections. They take up little space even in a small bedroom studio, and are easy to take with you on the road.

General specifications

Speaker type: 2-way powered speaker, Bass-reflex type
Frequency response (-10dB): 60 Hz - 22 kHz
Frequency response (-3dB): 83 Hz - 20 kHz
Crossover: 2.3 kHz
Maximum Output Level (Measured peak, IEC noise@1m): 102 dB SPL
Components: HF: " Dome, LF: 4.5" Cone
Nominal impedance: 6 O
I/O connectors: [Input Connector] L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini, R Side: Speaker Input; [Output Connector] L Side: Headphone, Speaker Output
Output power: 26 W + 26 W (Dynamic, RL=6 O), 20 W + 20 W (THD 0.1%, 1kHz, RL=6 O)
Input sensitivity: LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu (Volume: Maximum)
Input Level: LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu (Maximum Input)
Input impedance: LINE 1 (COMBO): 20 kO, LINE 2 (RCA, ST Mini): 10 kO
Controls: Front: Volume, Rear: ROOM CONTROL SWITCH (0/-2/-4 dB under 500 Hz), HIGH TRIM SWITCH (+2/0/-2 dB above 2 kHz)
Indicators: Power ON (White LED)
Power requirements: Depending on area of purchase; 100-240 V, 50/60 Hz (*)
Power consumption: 15 W
Cabinet material: MDF

Dimensions

Width: L Side: 150 mm (5.9"), R Side: 150 mm (5.9")
Height: L Side: 240 mm (9.4"), R Side: 240 mm (9.4")
Depth: L Side: 213 mm (8.4"), R Side: 203 mm (8.0")

Net weight: L Side: 3.7 kg (8.2 lb), R Side: 3.1 kg (6.8 lb)

Accessories: Stereo Mini - RCA Cable 1.5 m, Speaker Cable 2.5 m, Anti Slip Pad, Quick Start Guide, Safety Guide
Packaging: Pair

* While this product will work at a voltage of between 100 V to 240 V, as limiter settings vary depending on the supply voltage, make sure to use this product at the supply voltage indicated on the rear panel of this product.

est. release 29 Feb 24 HK$2,205.09

(No payment required now - pay when released)

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Tangible Waves AE Modular Heartbeat Extender Heartbeat's Expander Module (clock generator/MIDI/utility/expander synth module)

Tangible Waves

Cat: 967225

Heartbeat's expander module.

Tags: Clock generator module | MIDI interface module | Utility module | Expander module

coming soon HK$432.79

(No payment required now - pay when released)

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Tangible Waves AE Modular Grains Granular Sound Player/Multi-Purpose Digital Sound Module (digital/filter/oscillator synth module)

Tangible Waves

Cat: 967218

Arduino compatible granular sound player or multi-purpose digital sound module.

Tags: Filter module | Oscillator module

coming soon HK$461.40

(No payment required now - pay when released)

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SoMa Laboratory Cosmos Cotton Dust Cover (white) (effects pedal dust cover)

Soma Laboratory

Cat: 951508

Dust cover

Notes: Cotton dust cover for Soma Laboratory Cosmos.

Tags: Dust covers

coming soon HK$130.64

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AJH Synth Low Fat VCF Switchable 6dB & 12dB Slope High Pass Voltage Controlled Filter Module (silver) (filter synth module)

AJHSynth

Cat: 959010

Switchable 6dB and 12dB slope high pass voltage controlled filter module - 2HP.

Notes: The Low Fat is a new 2hp Eurorack module by AJH Synth, it's a High Pass filter, with frequency control by either manual pot, and/or external CV with attenuator. It's intended to compliment other filters, particularly low pass VCF modules, in practical tasks such as removing excessive low frequencies, for example when the bass is swamping a mix. It can be switched between 6dB (1 pole) response and 12dB (2 pole) response.

By patching a CV signal to the FCV input it can be voltage-controlled and used musically as with any other VCF. When used in conjunction with a LP filter it forms a fully customisable band pass filter, allowing the range of passbands to be cherry-picked. Feeding in a 1V/Oct pitch CV and setting the FCV pot to a suitable level allows it to track an incoming pitch CV, so the amount of High Pass filtering remains constant as the pitch of the incoming VCOs traverse up and down the frequency range. This can be particularly useful in creating percussive sounds, such as snares and hats, but also on sequenced bass lines. Since it is only 2HP it's a great way to occupy one of those frustrating gaps in your eurorack modular case with something that is deceptively useful, and adds another dimension to the classic bass monster that is the Transistor Ladder Filter.

Dimensions:
2 HP
26 mm deep

Current Draw:
9 mA +12V
12 mA -12V
0 mA 5V

Tags: Filter module | VCF module

coming soon HK$1,094.31

(No payment required now - pay when released)

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Softube Console 1 Channel MKIII Channel Strip Hardware Controller (hardware controller)

Softube

Cat: 978269 Rel: 31 Jan 24

Channel strip hardware controller

Notes: Mixing. The way it should be.

Console 1 Channel lets you use your hands to mix and your ears to sculpt your sound. Each knob corresponds to a specific parameter and no mapping is necessary. Gain is always gain. Ratio is always ratio. The dual high-resolution smart screens keep you focused on the sound of your mix. Intuitive and efficient, Channel lets you go deeper into your creative process. And enjoy it!

World-class console sound

Console 1 Channel gives you world-renowned console sounds because that's what Softube do: give you exacting models of professional-grade, standard-setting gear - from Solid State Logic and Tube-Tech to Chandler Limited. You can load Summit Audio Grand Channel, Weiss Gambit Series, or extremely punchy Empirical Labs strip. Channel comes with Softube's take on the perfect channel strip: the new Core Mixing Suite software.

World-class console feel

Console 1 Channel will be the sexiest gear your desk has seen in a while. The premium materials, stunning Nordic Night Sky finish, and robust build mean that it outshines all others in its class. But Channel is more than just studio bling. Every rotation of Channel's touch-sensitive Analog Feel™ potentiometers - and an increase of more than ten times the resolution over the previous generation - gives you the sensation of the priciest outboard gear. They feel analogue because they are.

Core Mixing Suite: the perfect channel strip

Console 1 Channel comes with the new Core Mixing Suite software. It gives you the award-winning sounds of Tape, FET Compressor Mk II, and Bus Processor in the versatile preamp, shape, equalization, and compression sections. Also included is an innovative drive section befitting Softube's reputation for saturation. Core Mixing Suite combines Softube's deep DSP knowledge with processors that will take you through your entire process, from the broad strokes to the surgical corrections.

A perfect fit for your DAW

Just plug it in and Console 1 Channel works with all major DAWs. Without mapping. Click below to learn more about Console 1 compatibility with Logic, Pro Tools, Ableton Live, Cubase, Studio One, LUNA, Reaper, FL Studio, Nuendo, and Cakewalk.

A perfect fit for your studio

A studio is as individual as the music makers who call it home. Console 1 Channel is built to fit your studio - no matter the setup.

Technical specs & setups

Included Software

Console 1 Core Mixing Suite, including:
Tape/Preamp: tape drive model
Filters: 6, 12, 18, 24, 48 dB included (default is 18 in bass and 12 on top
Shape: Dynamic Shaper, Panner, Dual Dynamics
2 EQs: Modern precise and vintage passive parallel
3 Compressors: FET Mk II, Opto and Bus Compressor

Connectivity: Dual USB-C ports
Daisy Chain Units: Yes
Power: Console 1 bus powered (USB-C), or powered by included power supply
Sections: Tape/Preamp, Filters, Shape (Dual), EQ (Dual), Compressor (Dual), Drive/Character
DAW Control: Volume, Pan, Solo/Mute, 6 Sends, Track Select
High Resolution Screens: 2 high resolution screens showing EQ and compressor curves, VU meter, and track information
LED colour: 51 RGB LEDs for track selection. White LEDs for knob read-out
Knobs: 27 touch sensitive high-resolution Analog Feel potentiometers
Mounting options: 100 mm M4 VESA on the bottom. M4 threads on the sides
Construction: Anodized aluminium top, injection moulded smooth sides and back with integrated connectivity points
Dimensions (W x H x D): 435 mm x 45 mm x 219 mm / 17.1" x 1.77" x 8.66"
Weight: 1,80 kg / 3.96 lbs

est. release 31 Jan 24 HK$7,309.43

(No payment required now - pay when released)

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