Synthesisers

Notes: The Nanobox series kicks off with a tiny wavetable synth. 1010music's Fireball offers eight-voice polyphony, touchscreen control, built-in effects and custom user wavetables. Small but spicy.

Supplier's Notes:
Red Hot Wavetable Synthesis

Bring some heat to your music creation workflow with Nanobox | Fireball, a polyphonic wavetable mini synthesizer with intuitive touchscreen control. Featuring eight voice polyphony, two wavetables and an oscillator, Fireball unlocks a huge array of sounds, from punchy and aggressive leads to atmospheric pads. Touchscreen X/Y control allows you to instantly morph and shape sounds with the swipe of a finger. Choose from hundreds of professionally designed presets and wav files, or quickly create your own patches with deep parameter control via the 2" touchscreen. Integrate fireball seamlessly with your existing tabletop gear or create on-the-go thanks to a compact design that fits in the palm of your hand.

What is included:

Nanobox | Fireball compact polyphonic granular synthesizer with touchscreen control
MicroSD card with presets and wav files
USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Technical Specs:

Includes 123 presets and 103 wavetables
Wavetables use 2048 samples per cycle and 256 cycles
Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: Oscillators: 96kHz Rest of Engine: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type A/B selectable
Clock Input: 4 PPQ
MIDI support: Note On/Off, Mod Wheel, Sustain, Pitch Bend, Mono & poly Aftertouch, assignable CCs, and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.

Notes: One of 1010music's first miniature Nanobox instruments, the Lemondrop is a granular synth in a compact format. Touchscreen interface gives full hands-on control of the four-voice sound engine.

Supplier's Notes:
Freshly Squeezed Granular Synthesis

Explore a freshly squeezed approach to granular synthesis with Nanobox | Lemondrop, a polyphonic granular mini synthesizer with intuitive touchscreen control. Four voice polyphony, two granulators and an oscillator provide a wide sonic paletteifrom lush environmental pads to rugged and glitched-out textures. Instantly morph and shape sounds with the swipe of a finger using touchscreen X/Y control. Choose from hundreds of professionally designed presets and wav files, or quickly create your own patches with deep parameter control via the 2" touchscreen. Integrate lemondrop seamlessly with your existing tabletop gearior create on-the-go thanks to a compact design that fits in the palm of your hand.

What Is Included

Nanobox | Lemondrop compact polyphonic granular synthesizer with touchscreen control
MicroSD card with presets and wav files
USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Technical Specs

Includes 153 presets and 311 wave files
16 grains per oscillator for a total of 128
Sample memory per oscillator 30 seconds
Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type A/B selectable
Clock Input: 4 PPQ
MIDI support: Note On/Off, Mod Wheel, Sustain, Pitch Bend, Mono & poly Aftertouch, assignable CCs, and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.

Notes: This synthesizer will make any desktop proud! The TI Desktop features an all-metal enclosure with a wooden strip on the front. Loads of knobs and buttons give direct access to the most important sound shaping parameters.

This range of instant access hands-on control will delight those who don't like menu diving. Like all other Virus TI synthesizers, a stereo analogue input offers the power to process external signals through the Virus' sound engine.

An optional 19" rack mounting kit is available for purchase.

There are not many modern synthesizers which can claim to have shaped the sound of music -- from electronica to soundtrack -- as much as the Virus line of synthesizers has. The Virus is known as much for its flexibility and powerful sound as for Total Integration, our award winning way to interconnect a hardware synthesizer with your DAW.

The first Virus was released in 1997 and each new iteration has added more features more powerful hardware, and greater musical potential. That evolution explains why the Virus TI series is so sought after and why it receives such praise from owners, press, and fans all over the world.

Artists including Depeche Mode, Madonna, Linkin Park and The Prodigy tour with a Virus-based setup. Producers such as Sasha, Pete Tong, Roger Sanchez and Dr. Dre consider the Virus a core part of their studios. Composers such as Hans Zimmer, James Newton Howard, John Powell and Mark Isham are enthusiastic Virus users, utilising its signature sound for their Hollywood blockbuster soundtracks.

Notes: ***B-STOCK: Box opened, product in perfect working order***


There are not many modern synthesizers which can claim to have shaped the sound of music -- from electronica to soundtrack -- as much as the Virus line of synthesizers has. The Virus is known as much for its flexibility and powerful sound as for Total Integration, our award winning way to interconnect a hardware synthesizer with your DAW.

The first Virus was released in 1997 and each new iteration has added more features more powerful hardware, and greater musical potential. That evolution explains why the Virus TI series is so sought after and why it receives such praise from owners, press, and fans all over the world.

Artists including Depeche Mode, Madonna, Linkin Park and The Prodigy tour with a Virus-based setup. Producers such as Sasha, Pete Tong, Roger Sanchez and Dr. Dre consider the Virus a core part of their studios. Composers such as Hans Zimmer, James Newton Howard, John Powell and Mark Isham are enthusiastic Virus users, utilising its signature sound for their Hollywood blockbuster soundtracks.

The Virus TI line of synthesizers includes 4 different variations: two keyboard models and two desktop versions. The great news is that all of these instruments produce the same award-winning sound. In this way, Access offer you a choice of formats without compromising the most important aspect of any instrument: how well it performs musically.

Designed as the ideal companion to any DJ or project studio, this 37-key model is not only compact but also stunningly beautiful. The side panels are a mix of wood and pure aluminium, while the white LEDs add class and style. The sound engine is exactly that used in the powerful and versatile TI Desktop and Keyboard models.

Even though the Virus is truly multi-talented instrument with great range, you still instantly know it when you hear a it in a production. That's because Access really "get" synthesizer basics: outstanding oscillators, amazing filters and breathtaking effects.

Every part, even in multi-mode, comes with its own chain of independent effects (including reverb and delay). The massive voice count makes it possible to stack even complex sounds for the first time without breaking a sweat.

Notes: Fully configured and ready to go

In response to demand AJH Synth are now offering a range of ready built systems! With each size of system, AJH Synth have selected the best combination of modules to give maximum versatility - of course the full configuration has been fully tested and designed for maximum productivity and reliability so that you can concentrate on the most important part of using any modular system - making music!

Putting together a complete Eurorack system from scratch can be quite a daunting prospect, so AJH Synth have taken the pain out of it for you. Trying to choose the best mix of modules for maximum versatility and arranging them so that there is no unused space is often just the start of the process. We also need to find the power consumption of each module, and then calculate total power draw per rail for the chosen case to ensure the PSU can provide sufficient power without being overloaded. There is also the problem of having audible noise on the power rails from a noisy power supply, which can range from barely noticeable to unacceptable. On top of that, there's the it takes to put it all together, then fully testing everything to make sure it is all working as it should.

6U Full system

This is AJH Synth's 'starter' system of two-rows (6U), built around a complete MiniMod voice and additional modules. This is a great, straight-forward instrument to use, learn and understand. It is however deceptively capable, and with it's 3 VCOs, 2 sub-bass generators, mixers, 2 LFOs, 3 envelopes, and 2 VCAs, the following examples are possible:

One huge, single Minimoog-style, 3-VCO monosynth/voice, with 2 additional sub-octaves.
As above, but using the Gemini 2412 as a stereo filter with the 2 VCAs.
Three different sounds using separate filters, sharing VCO & noise, using Muting Mixer to switch each sound on and off.
A simple, single-VCO, 2 voice polyphonic patch with matching filters (Gemini 1 & 2).
Two completely separate monosynths - a 2-VCO synth similar to a Prodigy or Odyssey, AND a single-VCO synth with 2 sub-basses, similar to an early Roland SH101 or Micromoog, but with 2 sub-octaves and multiple mixable waveforms.
The Precision Voltages additionally adds (among other things) the ability to immediately and accurately shift the pitch of the VCOs in relation to an incoming CV signal from a keyboard or sequencer. Having all of this power and flexibility, in a single box with a single plug, is an excellent entry into the MiniMod world of unrivalled, rich analogue sounds.



Here's a breakdown of the modules, case and power supply used in this system:

Glide Noise Glide / Noise Module - Glide up and down, CV buffering and splitting, White, Pink and Red Noise Source
3 x MiniMod VCO - The best sounding Analogue VCO based on the early RA Moog circuitry.
MiniMod Transistor Ladder Filter - An absolute legend, based on the early MiniMoog filter.
Dual Contour Generator - two independant envelopes using Model D transistor circuitry
Discrete Cascaded VCA - two stage VCA using early MiniMoog circuitry
Precision Voltages Module - Transpose and mix pitch CV's wth sufficient accuracy to keep everything perfectly in tune
Dual LFO with VCA - Provides two multi waveform LFO's along with a DC coupled VCA for extra level control
Ring SM - AJH Synth's award winning Ring Modulator, Dual Sub Bass generator and five channel CP3 based discrete transistor mixer
Gemini 2412 - Hugely versatile Dual Multimode VCF based on the vintage Oberheim SEM circuitry
Gain Switch Multi - Control Overdrive of the MiniMod VCF and VCO, and passive multi
DH-ADSR Envelope - Envelope with Delay, Hold and invert features, this also allows the system to be configured as two voices
Muting Mixer and VCA - Both a mixer and a Linear / Exponential VCA
Case - Doepfer A100 LC6V Vintage Black case, 6U with two rows of 84HP for a total of 168HP of rack space.
Power supply - Doepfer PSU3 extra low noise power supply and distribution rails, suitable for 230V or 115V operation

Specifications

Dimensions: 44.5 cm x 27.5 cm x 16 cm

6U with 2 rows of 84HP, total of 168HP rack space.

Weight: 6.5 kg

Voltage: 100V to 240V, auto sensing

Notes on patch cables for 6U system:

Patch cables are a very personal choice, so these systems are supplied without these, however here is a suggestion of suitable sizes to get started:

10 of 25-30cm,

5 of 50-60cm,

2 of 80-90 cm

The 2 longest cables will be useful for connecting the CV & Gate outputs of a controller or sequencer to the CV IN of the Glide + Noise and the GATE inputs of either contour/envelope generator module. The medium-length cables will comfortably reach from one side of the case to the other, whilst the short cables will be most useful for connecting VCOs & noise to the Ring SM or filters, and the envelope generators to VCAs or filter frequency inputs - since these are mostly in close proximity to each other, it will reduce cable overhang.

Notes: Fully configured and ready to go
In response to deman, AJH Synth are now offering a range of ready built systems! With each size of system, AJH have selected the best combination of modules to give maximum versatility - of course the full configuration has been fully tested and designed for maximum productivity and reliability so that you can concentrate on the most important part of using any modular system - making music!

Putting together a complete Eurorack system from scratch can be quite a daunting prospect, so the pain has been taken out of it for you. Trying to choose the best mix of modules for maximum versatility and arranging them so that there is no unused space is often just the start of the process. We also need to find the power consumption of each module, and then calculate total power draw per rail for the chosen case to ensure the PSU can provide sufficient power without being overloaded. There is also the problem of having audible noise on the power rails from a noisy power supply, which can range from barely noticeable to unacceptable. On top of that, there is also the time it takes to put it all together, then fully testing everything to make sure it is all working as it should.

9U Full system

Building on the 6U system, this case offers 3 rows (9U), adding an extra VCO, VCF, VCA, and even more modulation. This system also features a complete MiniMod voice, but with enough modules to add an additional, distinctly different voice to play along side it. It can do everything the 6U system can do, but with the Wave Swarm's dual waveform animators, wave-folding diode filter, and 'clockable' multi-waveform, voltage-controlled LFO, this system offers a huge increase in capability. Such configurations might include:

A 2-voice polysynth, with each voice featuring 2-VCOs, 2 envelopes, and their own matching waveform animator/multiplier (Wave Swarm), LFO, VCF and VCA.

Two huge sounding 2-VCO monosynths, each with distinctly different characteristics and voice architecture. One serving as a lead synth, the other controlled by a sequencer with syncopated filter modulation (Tap Tempo VC-LFO).

Three modest, completely separate mono voices, with their own modulation, all melodically controlled, or perhaps one providing a clocked percussive beat or sound effects.

One ridiculously huge sounding, 4 VCO and 2 sub-octave monosynth! Or perhaps, in order to preserve the structure of nearby architecture, patching a range of variations of the sound sources through the various filters and Wave Swarm, then bringing them together via the Muting Mixer, so that multiple sounds could be selected during a performance.

This system is a real powerhouse, with an absolutely huge range of sonic and performance possibilities.

Here's a breakdown of the modules, case and power supply used in this system:

Glide Noise Glide / Noise Module - Glide up and down, CV buffereing and splitting, White, Pink and Red Noise Source
4 x MiniMod VCO - The best sounding Analogue VCO based on the early RA Moog circuitry.
MiniMod Transistor Ladder Filter - An absolute legend, based on the early MiniMoog filter.
Dual Contour Generator - two independant envelopes using Model D transistor circuitry
2 x Discrete Cascaded VCA - two stage VCA using early MiniMoog circuitry
Dual LFO with VCA - Provides two multi waveform LFO's along with a DC coupled VCA forextra level control
CV Mixer with VCA - mix, invert, amplify and attenuate CV voltages
Ring SM - AJH's award winning Ring Modulator, Dual Sub Bass generator and five channel CP3 discrete transistor mixer
Sonic XV - Vintage style Diode Ladder filter and Wavefolder
Tap Tempo LFO - Amazing Voltage Controlled LFO with Tap Tempo, 16 waveforms and VCA
Precision Voltages Module - Transpose and mix pitch CV's wth sufficient accuracy to keep everything perfectly in tune
Muting Mixer and VCA - Both a mixer and a Linear / Exponential VCA
WaveSwarm - 6 x 2 channel Waveform animators, make 1 VCO sound like twelve!
Gemini 2412 - Hugely versatile Dual Multimode VCF based on the vintage Oberheim SEM circuitry
Gain Switch Multi - Control Overdrive of the MiniMod VCF and VCO, and passive multi
2 x DH-ADSR Envelope - Envelope with Delay, Hold and invert features, this also allows the system to be configured as two voices
Case - Doepfer A100 LC9V Vintage Black case, 9U with three rows of 84HP for a total of 252HP of rack space
Power supply - Doepfer PSU3 extra low noise power supply and distribution rails, suitable for 230V or 115V operation

Specifications

Dimensions: 44.5 cm x 42 cm x 16 cm
9U with 3 rows of 84HP, total of 252HP rack space.
Weight: 9.0 kg
Voltage: 100V to 240V, auto sensing

Notes on patch cables for 9U system:

Patch cables are a very personal choice, so AJH supply these systems without these, however here is a suggestion of suitable sizes to get started:

10 of 25-30cm,

10 of 50-60cm,

4 of 80-90 cm

9. Special appendix: sound effects 1. Table tennis (1:00) 2. Helicopter (0:30) 3. Racing car (0:30) 4. Steam locomotive (0: 30) 5. Truck (0:30).

Side B includes two Japanese Jazz standards as well as other recordings to test your settings.

Notes: Based on AJH's excellent Eurorack clones of classic Minimoog circuits, the MiniMod KeyZ is a hugely capable synth, packed with vintage character and modern build quality.

Supplier's Notes:
The timeless Model D, reinvented in Eurorack

The AJHSynth MiniMod Keyz synth is an exciting new modular monosynth featuring the much acclaimed MiniMod modules, which recreate the vintage circuitry and sound of the early RA Moog Model D in Eurorack modular format. It functions as a standalone keyboard synthesiser, or can be expanded even further by patching it to other Eurorack modules, with excellent connectivity. These are partnered with the feature-packed Cre8audio Niftykeyz controller keyboard, which has been given a vintage makeover with custom-designed, American Walnut end cheeks. It has a huge specification, including a full size 49 note keybed that outputs Pitch CV's, gate CV's, Velocity and Aftertouch CV, along with a multi mode arpeggiator to give you total control over expression and sound.

MiniMod Modules

The MiniMod Keyz is an absolute powerhouse of a monosynth, with three VCO's, two Shaped sine Sub bass generators, classic 24dB vintage Ladder filter, 6dB & 12dB High Pass VCF, Dual Cascaded VCA, Dual Contour generators, Glide Noise module, Ring modulator, Tap-Tempo VC-LFO and onboard second multi-function modulation LFO.

Glide Noise

Glide with added Up/Both/Down function, including correct glide slope profile, along with Hold function that recreates the "Glide only when key is depressed" behaviour. Noise generator with White, Pink and DC Red noise CV modulation source.

Discrete Transistor VCO x 3

Three Discrete Transistor Core VCO's, much acclaimed analogue design featuring the circuitry of the early and very rare RA Moog oscillator which is often acknowledged as the fattest analogue VCO in Eurorack.

Ring SM

AJH Synth's hugely versatile three-in-one module, with fantastic sounding ring modulator based on the EMS VCS3 discrete transistor design, two Sub bass generators with unique, shaped sine waveforms to add -1 and -2 octave waveforms, and last but not least, a five channel DC coupled vintage Moog CP3 transistor mixer.

Transistor Ladder Filter

The Moog Ladder Filter is renowned for its beautiful creamy sound, and the Transistor ladder Filter from the early Model D was the pinnacle in terms of sound, with its unique overdriven circuitry and roll off of resonance at low frequencies. It has featured on countless recordings over the last 50 years or so.

Low Fat Filter

Voltage controlled High Pass filter with 6dB and 12dB slopes. It can be used standalone, or can be combined with the MiniMod Ladder Filter to create a fully customisable band pass filter, allowing the range of passbands to be cherry-picked rather than fixed.

Discrete Cascaded VCA

The Model D cascaded VCA is an essential part of creating the classic MiniMoog sound, because in addition to it's VCA function, it adds harmonic distortion and further character to the sound. There were three different gain configurations used in Model D, with the very early RA Moog and Musonics models having the highest distortion and most sought after sound, so this is the circuitry that we use here. It is actually two VCA's in series, hence the cascaded label. The second VCA is normally unused, however by patching to the Master IN we can use this second VCA here to control Velocity from the keyboard.

Dual Contour generator

The contour generators play a larger part in the sound of the Model D than many people realise. There are two factors that make them unique, firstly the exponential slope when it's used in conjunction with the (near) linear slope of the original VCA, which is responsible for the famous Model D "punch". Secondly, the re-trigger behaviour is quite unique, as multiple re-triggering increases the output level. AJH Synth have faithfully reproduced all of these essential characteristics in the MiniMod Contour Generators.

Tap Tempo VC-LFO

A considerable limitation of the Model D was the lack of any LFO's for modulation, so VCO 3 had to be switched from Audio to LFO mode to provide modulation. As the MiniMod synth benefits from a full open modular architecture AJH Synth have added two LFO's, the first being the onboard LFO that is hard wired to the Modulation wheel, and the second and much more powerful addition being the Tap Tempo VC-LFO. Its huge specification includes built in VCA for CV control of modulation amount, tap tempo and CV control of LFO rate, 16 different modulation and random voltage waveforms, each with a unique PWM style twist function. Clock in and out, and CV control of all parameters.

NiftyKeyz controller Keyboard

By combining these MiniMod modules with the Niftykeyz keyboard controller AJH Synth have created a stand alone MiniMod system that gives the huge, rich AJHSynth sound in a stand alone instrument with unrivalled performance capability. The open architecture of the Eurorack system already allows unlimited onboard patching and easy expansion by patching to other external Eurorack cases and modules, but now we can just as easily connect to a DAW, other Midi synths and pro audio equipment. It can also be used as a master controller for a DAW or other Midi sound modules. Needless to say, it lends itself very well to live performance as a standalone monosynth. Here is a list of the main features of this very versatile keyboard controller:

High quality full size 49 key synth action keybed with CV outputs for both Velocity and aftertouch.
Five mode arpeggiator, including swing control, latch and sequencer mode. Range control allows Arpeggiator span to be varied from one to four octaves.
Two mode modulation wheel that can output either a variable CV voltage or control the level of the LFO 1 waveforms.
Internal LFO 1 that can generate Ramp, Saw, Triangle, Square or Random waveforms
Front panel octave switch -1/ 0 / +1 octaves
Transpose up or down in semitones by up to one octave.
Selectable pitch bend range, either +/- 2 semitones or +/- 1 octave.
Clock input and output
Two active multi's for splitting CV and audio signals
Switchable between Gate retrigger or legato (no retrigger when second note is pressed) modes.
Dual outputs, each with 2 x mix jacks, so four signals can be routed to outputs
Aftertouch and expression pedal smoothing adds a glide to slowly increase the effect with time, selectable from 0 to 5 seconds.
Four Pitch CV outs and 4 Gate outs allows four voice modular polyphonic control and keyboard can be split into two zones.
Autochord function

Connectivity:

Works as a fully featured polyphonic Midi controller for DAW or other Midi instruments, with 5 pin Din and class compliant USB sockets
Sustain Pedal input triggers arpeggiator latch function
Expression pedal input, this generates either a 0 to +5V or 0 to +10V range to the Expression CV jack.
Two outputs, both with 1/4" and 3.5mm jacks, and output level controls
Headphone output to full size stereo 1/4" jack, with separate headphone level control.
Midi In with 5 pin Din socket and class compliant USB socket. Incoming Midi Velocity and Aftertouch dataCV jacks, and CC#1 is routed to Modulation CV
Midi out over USB and 5 pin Din allows it to be used as a polyphonic midi controller keyboard fro your DAW or otherMmidi synths, with local off capability.
Generates midi clock from internal arpeggiator and recieves Midi clock in.

Notes: One of the most unusual synths around, based on a rotating optical disc which functions as a sequencer. Program the built-in pulsewave synth engine or control other synths using the optional Wave Expander.

Supplier's Notes:
Taking its cosmic inspiration from star charts and ancient astrolabes, Star Song is a rotating optical disc-programmed sequencer with a built-in minimalist synthesizer.

Star Song can be used either to play its own built-in pulsewave synthesizer, or in combination with the A.M.P. electronics Wave Expander (sold separately) to drive external analogue and modular synthesizers.

How it is used

To create sequences on Star Song, the seven translucent rings (orbits) of the optical disc are marked with a marker (included) or opaque tape. The disc is removable and additional discs are sold separately, allowing for indefinite storage of your favourite sequences.

The outer six rings control the tuned note selection and note-on/off sequencing. The innermost ring controls the cut-off frequency for the built-in bandpass filter.

Disc on/off and disc direction are toggled from touch contacts on the front panel, and disc speed is controlled from the central rotary control.

Additionally, there are 1/8" inputs to control rotation speed and rotation direction with an external source.

The addition of Wave Expander makes the Star Song into an incredibly versatile Gate(6 channels) and CV (1 channel) sequencer, as well as providing the Star Song's tuned audio oscillator over five separate octave divisions (four audio and one sub-audio), 12 outputs in all to integrate into your modular system.

Multiple Star Song units can be synced by using an external clock signal, and you can even slave Star Song to your existing Melody Oracle/Wave Expander combo.

Sing the cycles of the spheres, with Star Song, a "revolutionary" new sequencer.

Tech Specs:

Disc Rotation: 0~15RPM
Panel Controls: Disc rotation on/off, disc rotation rate, disc rotation reverse.
Synthesizer: Quasi-monophonic pulsewave, 8 tuned notes, each with three octaves used in any combination. Sequenced via optical disc.
Tone Filter: Bandpass, optically-controlled.
Audio Output: 1/4" LINE (5V p-p)
AMP LINK Output: CAT 5 or 6 w/SHIELDED connector (compatible with Wave Expander and future AMP accessories only).
Motor Clock Input: 1/8" 0-12V. ON @>7.5V
Disc Direction Input: 1/8" 0-12V. CCW @>7.5V
DC input: 15VDC, 2.1mm, tip positive (US adapter included)

Notes: Unique touch-activated instrument with built-in speaker, allowing you to trigger notes with one hand and modulate the timbre via touch pads. Unorthodox tones, unorthodox interface. Lots of fun.

Supplier's Notes:
Touch Tones is a touch activated auto harmonic synthesizer, with a 3 octave tuning range, XOR logic modulator, Harmonicon auto harmony generator, and two onboard bandpass filters. The left side of the Touch Tones holds three capacitive touch pads for playing notes, while the right side contains a set of 7 touch pads to modulate the different parameters sequencing the synthesizer.

Three octave range plus XOR modulator.
Harmonicon automatic harmony keys play a perfect 5th of each tuned ROOT note.
Dual Luma filters for active timbral shaping via light control.
Wear the Touch Tones for Function or Fashion with the included chain lanyard.

Notes: Wave Expander bridges the gap between the Melody Miracle and Touch Tones synthesizers, and the rest of the synthesizer world. Control other synths by sending CV and gate signals via Wave Expander, and dial in the right amount of control with onboard CV tuners. Outputs are visually indicated with the Chrominancer color window at the center of Wave Expander, bringing cosmic insight to the signals at hand.

Melody Oracle and Touch Tones expander module
Use AMP synthesizers to control external gear
12 outputs (6 CV/6 Gate)
CV Range: 0V to +12V
Chrominancer color window

Notes: Inspired by the early 80s Synton Syrinx, the SER-2020 is a semi-modular monster, featuring an excellent formant filter section, unique Touch 'N Bend Control and MPE-compatible MIDI interface.

Supplier's Notes:
The SER-2020 is a monophonic semi-modular analog synthesizer with an formant filter section, designed to use as standalone synthesizer or in combination with Eurorack modules. Inspired by the Synton Syrinx *(1) added the flexibility of an MS-20. Its filter design features a combination of a 24dB/octave VC Low Pass Filter, and two independent Resonant VC Peak Filters for precise and dynamic sound shaping. The sound is ranging from solid bass sounds to articulated formant effects. Other features on the SER-2020 are the Touch 'N Bend Control together with the MPE (MIDI Polyphonic Expression) capabilities makes the SER-2020 a special instrument which response to its player. The flexible routing makes the SER-2020 a versatile machine for sound effects.

Key Specifications:
2 VCO's (CEM3340 based)
1 Sub-Oscillator
Ring Modulator
Noise Generator
Audio Mixer
Multi-Mode Sync & Sync D-Tune
3 VCF's (CEM3350 based)
2 ADSR's
2 LFO's with Reset & Shaper Modes
Auto-Glide
Multiple Triggering
Touch 'N Bend Pad
Bend Assign
Sample and Hold
Semi Modular Setup - CV inputs and outputs
Signal and Headphone output.
MIDI interface
USB MIDI interface
MPE compatible - Sensitive for; Strike (note-on velocity), Press (aftertouch), Glide (pitch bend), Slide (brightness) and Lift (note-of velocity).

The SER-2020 consist of two VCO's and one sub-oscillator, driven by VCO 1. Both VCO's deliver a triangle, sawtooth, square wave and pulse signal, which can be selected. A rich spectrum can be obtained with Pulse Width Modulation of VCO 1 and VCO 2. The LFO 1 and 2 signals can be feed to the pulse width modulation section introducing phase shift effects and Doppler frequency shifts. Since the both VCO's have a separate LFO for PWM, chorus-like effects can be obtained by controlling both pulses with different LFO speeds. VCO 2 can be synchronized to VCO 1 in different modes. Synchronization is applied when two or more VCO's have to produce exactly the same pitches, without phase shift or beat effects. When VCO 2 is detuned from VCO 1 another effect occurs, which will result in quite dramatic tone colors.
Each VCO has an individual output, also the noise generator and sub-oscillator has individual outputs.

The most important sections of this synthesizer is the filter. The SER-2020 features a very extensive filtering system, which consists of the standard 24 dB/octave low pass filter and two independent band pass filters, which together form the Voltage Controlled Formant filter.
Both band pass filters have a frequency control and a resonance control for setting the selective amplification in the pass band. The bandpass filters are equipped with a control voltage mixer for LFO, ADSR and key range voltages. The LFO control can be used for the external modulation input.
The low pass filter is an standard 24 dB/octave roll-off. It has a frequency control and a modulated CV mixer from several sources like LFO, ADSR and the key range. The LFO control can be used for the external modulation input. Also the resonance of the low pass filter can be controlled.

The SER-2020 has two ADSR generators, of which one is used to control the internal VCA, and the other one to control the filter section. The control signal can be inverted by means of the ADSR controls in the filter section, so that the filters can be swept in opposite directions.
ADSR 1 and 2 have a positive and negative (inverted) direct output available on the patch panel.

The SER-2020 has two independent Low Frequency Oscillators (LFO's) of which the rate can be controlled, and for LFO 2 also the wave shape.

LFO 1 generates a triangle wave which exclusively is routed to the pulse width modulation control input of VCO2. LFO 1 also generates a square wave and a pulse wave. The square wave is available as direct output on the patch panel. The pulse wave of LFO 1 is internally routed to the sample and hold generator as clock source.

LFO 2 is more versatile and can be used for the modulation of the VCO's and the filters. Moreover LFO 2 can be used as a one shot generator which means that a signal is generated much alike an Attack/Release generated function. Except for the LFO 2 rate control with the preset knob, it also can be controlled dynamically with the pad.

Several sections in the synthesizer can be controlled with the bend pad, by pressing it with the left hand index and middle finger. The pressure sensitivity for the VCO, VCF and VCA can be adjusted. The touch 'N bend pad also reacts on the MIDI modulation control and the MIDI brightness (CC#74) control for MPE compatibility.
Also the speed of the rise/decay mode of the LFO 2 is possible. Pressing the UP pad will result in a shorter cycle, and pressing the DN pad in a longer cycle.

Notes: Explore unique sonic possibilities with this semi-modular digital synth, combining physical modelling with spectral sound sources, versatile effects and complex modulators.

Supplier's Notes:
An affordable hybrid monophonic synthesizer that allows you to create new sound universes inspired from the real world, where objects collide, vibrate, and resonate.

Anyma Phi blends the classic ingredients of electronic music with physical modelling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal.

Anyma Phi is compact enough to stand on your keyboard, or anywhere on your desk, and is compatible with any MIDI controller, such as keyboards, sequencers, or even wind controllers, including Aodyo's own Sylphyo.

Whether you play live or record in the studio, design sounds or play presets, Anyma Phi will become an indispensable tool. It can even be used as a stand-alone effects processor, or as part of a guitar effects pedal setup.

The heart of the Anyma Phi is the matrix, which provides a quick and easy way to explore your sounds by following a physical metaphor, with four macros for each of the five stages of sound generation:

With its matrix, Anyma Phi offers a straightforward way to tweak, explore, and create sound universes. It also provides easy ways to make your sound react to your MIDI controllers with mapping shortcuts. But don't be fooled by the simplicity!

If you want to dive deeper, you can take control of the powerful semi-modular synth engine beyond the matrix, with oscillators covering a wide range of synthesis techniques, effects, and modulators.

By connecting those together, you can create any kind of sound, and control it any way you want.

Anyma Phi offers you:
Up to 3 oscillators (sound sources)- physical models, classic spectral, noise souces, external input
Up to 5 effects: resonators, filers - EQ, pitch shifter, ring mod, delay - reverb, chorus - phaser, drive - folder
Up to 8 modulators: envelopes, LFOs, curves, slew limiter, math & logic

This amounts to 69 different module types available, including 30 sources, 22 effects, and 17 modulators.

Technical specifications:
Hybrid monophonic synthesizer
Stereo audio output:
Two 1/4" mono line jack outputs
One 1/4" stereo headphone jack output
1/4" stereo jack audio input (internal piezoelectric mic when external input unplugged)
MIDI inputs and outputs via USB and DIN ports
Powerful digital semi-modular synthesizer engine :
Memory: 200 patches
3 oscillator slot
5 effect slots along 2 serial buses (Main, Aux) + 1 mono reverb
16 modulator slots, including envelope generators, LFO, curves, interpolators, slew limiters, etc.
32 mapping slots (virtual patch cords), each allowing to control any synth parameter (including another mapping) using a modulator or a controller input, with a sidechain input
Responsive to pitch, pitch-bend, velocity, breath control / expression, as well as 4 other controller inputs

Additional features:
Percussive playing surface
Patch librarian / editor
Extended memory

The percussive playing surface will allow you to tap and scratch your sounds directly on the case, making your performance even more expressive and fun! This would be made possible by integrating a piezoelectric contact microphone into the case. The resulting sound would be available to use on the Anyma as an audio input, ready to be fed into resonators and effects!

You can edit patches directly on your Anyma, as well as send and receive patches via MIDI SysEx. But what about something more comfortable and powerful?

This software will allow you to easily manage and share patches, as well as edit them in depth in a streamlined environment on your PC or Mac, by making all the synth components directly visible and showing their interactions.

With more memory, you can have a huge library of sounds at your fingertips, or you can make many variations of your patches without having to worry about space or having the computer editor around to make backups!

Let's free the Anyma Phi from the shackles of the Western 12-tone equal temperament! A440 be gone!

Notes: ***B-STOCK: Box opened, product in perfect working order***


Explore unique sonic possibilities with this semi-modular digital synth, combining physical modelling with spectral sound sources, versatile effects and complex modulators.

Supplier's Notes:
An affordable hybrid monophonic synthesizer that allows you to create new sound universes inspired from the real world, where objects collide, vibrate, and resonate.

Anyma Phi blends the classic ingredients of electronic music with physical modelling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal.

Anyma Phi is compact enough to stand on your keyboard, or anywhere on your desk, and is compatible with any MIDI controller, such as keyboards, sequencers, or even wind controllers, including Aodyo's own Sylphyo.

Whether you play live or record in the studio, design sounds or play presets, Anyma Phi will become an indispensable tool. It can even be used as a stand-alone effects processor, or as part of a guitar effects pedal setup.

The heart of the Anyma Phi is the matrix, which provides a quick and easy way to explore your sounds by following a physical metaphor, with four macros for each of the five stages of sound generation:

With its matrix, Anyma Phi offers a straightforward way to tweak, explore, and create sound universes. It also provides easy ways to make your sound react to your MIDI controllers with mapping shortcuts. But don't be fooled by the simplicity!

If you want to dive deeper, you can take control of the powerful semi-modular synth engine beyond the matrix, with oscillators covering a wide range of synthesis techniques, effects, and modulators.

By connecting those together, you can create any kind of sound, and control it any way you want.

Anyma Phi offers you:
Up to 3 oscillators (sound sources)- physical models, classic spectral, noise souces, external input
Up to 5 effects: resonators, filers - EQ, pitch shifter, ring mod, delay - reverb, chorus - phaser, drive - folder
Up to 8 modulators: envelopes, LFOs, curves, slew limiter, math & logic

This amounts to 69 different module types available, including 30 sources, 22 effects, and 17 modulators.

Technical specifications:
Hybrid monophonic synthesizer
Stereo audio output:
Two 1/4" mono line jack outputs
One 1/4" stereo headphone jack output
1/4" stereo jack audio input (internal piezoelectric mic when external input unplugged)
MIDI inputs and outputs via USB and DIN ports
Powerful digital semi-modular synthesizer engine :
Memory: 200 patches
3 oscillator slot
5 effect slots along 2 serial buses (Main, Aux) + 1 mono reverb
16 modulator slots, including envelope generators, LFO, curves, interpolators, slew limiters, etc.
32 mapping slots (virtual patch cords), each allowing to control any synth parameter (including another mapping) using a modulator or a controller input, with a sidechain input
Responsive to pitch, pitch-bend, velocity, breath control / expression, as well as 4 other controller inputs

Additional features:
Percussive playing surface
Patch librarian / editor
Extended memory

The percussive playing surface will allow you to tap and scratch your sounds directly on the case, making your performance even more expressive and fun! This would be made possible by integrating a piezoelectric contact microphone into the case. The resulting sound would be available to use on the Anyma as an audio input, ready to be fed into resonators and effects!

You can edit patches directly on your Anyma, as well as send and receive patches via MIDI SysEx. But what about something more comfortable and powerful?

This software will allow you to easily manage and share patches, as well as edit them in depth in a streamlined environment on your PC or Mac, by making all the synth components directly visible and showing their interactions.

With more memory, you can have a huge library of sounds at your fingertips, or you can make many variations of your patches without having to worry about space or having the computer editor around to make backups!

Let's free the Anyma Phi from the shackles of the Western 12-tone equal temperament! A440 be gone!

Notes: The ARP 2600 is arguably the most iconic and recognizable synthesizer of all time. Having been used in countless records, film scores, TV shows and game soundtracks since its appearance from the 70's through to today, the ARP 2600's sound remains an essential part of the music world.

The new ARP 2600 M delivers the sound admired around the world, in a more compact and portable format and including added features that make it the ideal incarnation of this historic synth.

When the ARP 2600 FS was announced in January 2020, it quickly became a phenomenal success with musicians all over the world recognizing the faithfulness to the original ARP 2600.

The ARP 2600 M is around 60% the original size, making it lighter, more portable and easier to place and use in a studio. It integrates the same analogue circuitry and components as the ARP 2600 FS, thus faithfully reproducing the characteristic ARP sound.

The ARP 2600 M is built in Japan with the same care and extraordinary quality standard as the ARP 2600 FS, and uses the same analogue components to accurately reproduce the sound and feel of the original.

The Spring Reverb has been re-engineered and adapted to the new size body to the same lush effect.

The ARP 2600 M comes with a dedicated Carry Case that not only protects your instrument, but also makes it easier to transport, thanks to its custom casters with special anti-shock damping technology.

There is also enough space to carry other gear together, like your favourite volca, SQ-64 or MIDI controller!

It is not by chance that the ARP 2600 has been so extremely popular to this day.

More than a synthesizer, the ARP 2600 M is a complete sound design studio. Even today, the ARP 2600 stands as a bridge between the individual elements of modular synthesis and the immediacy of a production / performance instrument. Included are an ample supply of oscillators, envelopes, a filter and amplifier - all of the building blocks of analogue synthesis. But the ARP 2600 M goes even further, with a spring reverb tank and even a pair of built-in monitor speakers. Also present is much of the versatility of a vintage modular system, including a ring modulation, lag and voltage processors, an envelope follower, audio preamp, a clock-able switch, noise source, a sample-and-hold module, signal inverters, an auxiliary mixer, and even a set of parallel-wired/multi jacks.

The new ARP 2600 M is not only faithful to the original, it also includes an array of added features that will make it even easier to use:

Plug and play: Connect any class compliant MIDI controller such as a KORG microKeys, nanokeys or SQ-64 to one of the ARP 2600 M's USB ports (USB-A and USB-B) and automatically get full control of your instrument!

Resized: The new size makes it easier to visualize your patch and also allows you to use shorter patch cables

Filter Choice: Two types of filters from two versions of the original ARP 2600(4012 type, 4072 type)

More MIDI: 5-Pin DIN plug MIDI IN added

Modern Control: Pitch-bend, Modulation, Portamento ON/OFF and Portamento ON/OFF can be controlled through MIDI CC messages (USB/DIN MIDI)

Normalized voltage: The threshold of the trigger signal required to activate the ADSR through the S/H GATE JACK has been reduced from 10V to 5V, making it much easier to use in combination with other gear such as volcas or Eurorack modules

Tweaked Parameters: Improved Attack and Release time ratios

Easy Connections: L/R Stereo Output Jack (instead of XLR)

Speakers turn automatically off when using headphones- improved, smoother sliders

Celebrating the rebirth of this iconic synth, the first 1000 units will come with a special colour road case, as well as a KORG microKEY2-37 so you can start playing right away!

The ARP 2600 FS comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.

In other words, the moment you get your hands on this synthesizer you'll have a variety of tools to help you take your music to the next level.

Notes: Full-scale kit version of the legendary ARP Odyssey, reissued by Korg. Simple DIY assembly with no soldering required, replicating the iconic sound of an analogue classic.

Supplier's Notes:
With switchable sawtooth and square waveforms, pulse width modulation, oscillator sync, ring modulation, and pink or white noise, the sound of the ARP Odyssey is legendary. The new ARP Odyssey FS Kit offers enthusiasts the unique opportunity to assemble this iconic synth with no technical knowledge or soldering required. The kit features the same analogue circuitry as the original ARP Odyssey FS, complete with a full-sized keyboard and the option to switch between filters from all three historical revisions.

The Synth Odyssey

Originally produced by ARP in 1972, this iconic two-oscillator analogue synth can be heard on tracks from Abba, Herbie Hancock, Devo, Jean-Michele Jarre, Ultravox, Jon Lord, Yellow Magic Orchestra and more. With switchable sawtooth and square waveforms, pulse width modulation, oscillator sync, ring modulation, and pink or white noise, the sound of the ARP Odyssey is legendary.

In 2015, ARP's history was thrust into the spotlight with the revival of the ARP Odyssey. This was just the beginning. From the ARP ODYSSEY FS with its full-size keyboard, to the long awaited ARP 2600 FS and ARP 2600 M, ARP synths once again stand at the forefront of the modern music scene.

Build the legacy

Staying true to the ARP Odyssey FS, this build-it-yourself kit uses the same analogue circuitry, preserving the original warm and rich sound. The kit also features the original specs of the Rev. 3 model with a full-size keyboard and a iconic black panel design with orange lettering.

To help simplify assembly, a pictorial guide is included and no technical knowledge (or soldering) is needed! To commemorate the unique experience of building it yourself, it is distinguished from any other ARP Odyssey with its own unique serial number engraved into an elegant metal plate.

Control

The original PPC (Proportional Pitch Control) based on a rubber pad has been reproduced. Press the rubber pad with your finger to control pitch bend or vibrato depth in proportion to the pressure.

A portamento slider and transpose switch are included, and you can even use a switch to select the way in which Rev1 and Rev2/3 of the original ARP Odyssey differ as to whether portamento is applied the moment that you operate the transpose lever.

Connect

The ARP Odyssey FS Kit is a versatile analogue synthesizer with multiple connectivity options. It has both 1/4" jack and XLR outputs, an audio input jack for external processing, and a headphone jack for self-feedback. The instrument also features CV, GATE, and TRIG jacks for sending and receiving analog signals, and includes both 1/4" and mini-size patch cables. Additionally, it has a MIDI IN connector and USB MIDI port for connection to a computer or other MIDI device. The GATE OUT and TRIG IN jacks can be connected to play legato without triggering the EG.

Specs

Keyboard: 37-note (Standard key or Full size key, No velocity sensitivity, No aftertouch)
Maximum Polyphony: 2 voices for duophonic; normally monophonic

Controllers
Transpose Positions: 2 octaves down, normal, 2 octave up
Proportional Pitch Control: b (Pitch down) Pad: about -2 / 3 octave; - (Modulation) Pad; # (Pitch-up) Pad: about +2 / 3 octave

Noise Generator: Noise Spectrum Types (white and pink)

Portamento: Maximum Speed: about 0.01 msec./oct; Minimum Speed: about 1.5 sec./oct

VCO (Voltage Controlled Oscillator)
Waveforms: Sawtooth, Square, Pluse (Dynamic Pluse)
Frequency Range: VCO-1 in low freq. mode, 0.2 Hz - 20 Hz; VCO-1 and VCO-2 (audio range) about 20 Hz - 20 kHz
Warm Up Drift: 1/30 semitone from turn on max
Pulse Width: 50 % - 5 %
Pulse Width Modulation: ADSR, +45 % - LFO, +15 %
Voltage Controlled Response: 1 V/oct
Maximum Frequency Shifts: LFO sin wave, +1/2 oct., LFO square wave, +1.5 oct., ADSR, +9 oct. - S/H, +2 oct.
* VCO-1 is low note priority, VCO-2 is high note priority.

VCF (Voltage Controlled Filter)
Types: Low pass (I: 12 dB/oct., II III: 24 dB/oct.)
Frequency Range: 16 Hz - 16 kHz
Maximum Usable Q: 30
Resonance: 1/2 - self oscillate
Voltage Controlled Response: C3 key (left edge): 0 V, C6 key (right edge) 3 V

VCA (Voltage Controlled Amplifier)
Dynamic Range: 80 dB

Ring Modulator
Type: Digital
Input Signal: VCO-1, VCO-2 (square wave)

Sample & Hold
Command Sources: Keyboard or LFO trigger
Sampled Signals: VCO-1 sawtooth wave and square wave, VCO-2 square wave and pink noise

ADSR Envelope Generator
Attack Time: 5 msec. - 5 sec.
Decay Time: 10 msec. - 8 sec.
Sustain Level: 0 - 100 % or Peak
Release Time: 15 msec. - 10 sec.

AR Envelope Generator
Attack Time: 5 msec. - 5 sec.
Release Time: 10 msec. - 8 sec.

Control Input Jacks
Pedal: 6.3 mm monaural phone jack
Portamento Foot Switch: 6.3 mm monaural phone jack

Audio Output Jacks LOW
Connector: 6.3 mm monaural phone jack
Maximum Output Level: -20 dBu@ 10 k ohm load
Output Impedance: 10 k ohm

Audio Output Jacks HIGH
Connector: XLR connector
Maximum Output Level: +4 dBu@ 1 k ohm load
Output Impedance: 330 ohm

Headphones Jack
Connector: 6.3 mm stereo phone jack
Maximum Output Level: 50 mW + 50 mW@ 33 ohm load
Output Impedance: 10 ohm
* Controllable by volume knob.

External Audio Input (Ext Audio Input) Jack
Connector: 6.3 mm monaural phone jack
Maximum Input Level: -10 dBu
Input Impedance: 22 k ohm
MIDI Connector: IN
USB Connector: Type B

CV IN/OUT Jacks
Keyboard CV (IN/OUT):
1 V/oct.
Connector: 3.5 mm monaural phone jack

GATE IN/OUT Jacks
GATE IN: +3 V (minimum)
GATE OUT: +10 V, key down; 0 V all keys up
Connector: 3.5 mm monaural phone jack

TRIG IN/OUT Jacks
TRIG IN: +3 V pulse min., 10 ?sec. Duration minimum
TRIG OUT: +10 V pulse on key depression, 10 ?sec. Duration
Connector: 3.5 mm monaural phone jack

Power Supply: AC adapter (DC 12V) + power cable
Power Consumption: 7.1 W
Dimensions (W x D x H): 585 x 466 x 163 mm / 23.03" x 18.35" x 6.42"
Weight: 7.3 kg / 16.09 lbs.
Included Items: AC adapter (DC 12V), power cable, phone cable, mini-phone cable

Notes: *** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


Updated take on Artiphon's unique instrument, now with built-in sample engine. Loop, manipulate and create all in the unit, with built-in speaker and expressive motion sensor options.

Supplier's Notes:
Hold out your hands and meet Orba 2, the follow-up to Artiphon's award-winning synth, looper, and controller. Orba 2 has everything you loved about the original with multiple ground-breaking upgrades. Now, you can play any sound imaginable with its unique sample engine. Listen through the built-in speaker, or plug in and get loud. Customize your instrument with the Orba App and share your creations with friends. Take your creativity to new heights as you take Orba 2 anywhere you go.

Play any sound in the world
Orba 2 features a brand new sound engine that includes sampled audio recordings. This means you can now play instruments like electric guitars and upright pianos, as well as more adventurous sounds like vocals, found sounds, and custom artist songs. Imagine conducting an orchestra in the park with no strings attached and no screens required.

Create your own instruments
Orba 2 players can also capture or import their own sounds to create completely unique instruments. With the press of a button in the Orba App, everything around you can be turned into an Orba preset. A bicycle bell, a bird singing, or your roommate's amazing voice can all be played, looped, and shared as a musical melody. Sample recording requires a cabled USB connection.

Loop songs in seconds
Orba 2 allows you to record loops right on the device itself. Using Drum, Bass, Chord, and Lead, you'll be able to layer sounds to create songs that are uniquely yours. Orba 2 also has a quantize feature that snaps your musical phrases to the beat so that every moment fits perfectly into the groove. And since Orba 2 has far more memory than its predecessor, you'll be able to make way longer songs: up to 128 bars!

Play with gestures
Orba 2's touch and motion sensors combine to capture even the most subtle micro - movements. Its improved ceramic - like playing surface simultaneously reacts to the nine simple gestures: Tap, Press, Radiate, Tilt, Shake, Spin, Vibrato, Move, and Bump. Each gesture can control the onboard synth engine or your MIDI music software of choice. With unprecedented express ive potential, you'll never play the same note twice.

MIDI control
Use Orba to control your MIDI - based software and hardware instruments (via USB - C or wirelessly via Bluetooth MIDI). Orba works with GarageBand, Ableton Live, Logic Pro, Pro Tools, Cubase , FL Studio, as well as any MIDI - compatible mobile app. In addition, Orba is fully compliant with the new standard for MIDI Polyphonic Expression (MPE), making it capable of multiple independent note expressions.

What's in the box?

Orba
USB Cable
Quickstart Guide

Dimensions

3.14" (diameter) x 2" (height)

I/O
USB-C (USB 2.0 Class Compliant Audio/MIDI)
3.5mm (1/8") TRS Analog Headphone Stereo Out


Bluetooth
Bluetooth LE MIDI (MIDI only)
Note: Windows 10 does not currently support Bluetooth LE MIDI
Speaker System
3W built-in active speaker system

Compatibility

iOS 11 and newer
Android 9 and newer
macOS 10.12 and newer
Windows 10 (64 bit)

Note: Firmware updating requires a cabled USB connection and can only be done from a desktop computer.

Note: Transferring a sample from your device to Orba 2 requires a cabled USB connection.

Notes: Limited-edition black version of Arturia's top-of-the-range monophonic Brute. Ultra-creative matrix-based analogue synth engine with dual multi-mode filters.

Supplier's Notes:
MatrixBrute

Analogue Avant-Garde

MatrixBrute is arguably the most powerful analogue monophonic synthesizer ever! As flexible as a modular system but offering presets, MatrixBrute is a dream machine for everyone interested in creating a sound palette of their own.

When was the last time you felt your heart beating faster?

When was the last time you heard sounds you had never heard before?

When was the last time you met an instrument that truly inspired pleasure and creativity?

MatrixBrute is an outstanding analogue synthesizer. Offering three Brute oscillators, a Steiner-Parker filter and a ladder filter, five analogue effects, and the incredible modulation matrix, it is a massive sonic beast.

Distinction in design

The heart of the MatrixBrute is its unique modulation matrix that allows you to create your own routings. You can invent a sound palette of your own that will be sure to be heard in any mix!

The matrix can also be used to recall your presets. So go on stage, and select any of the 256 presets instantly! No menus or awkward selection screens, everything is at your fingertips.

As if it was not enough, the matrix is also made to program and play sequences. This is no ordinary step-sequencer. With its ability to also be used as a modulation source, sounds evolve in melody and texture, Just the way you want.

Hands-On Heaven

The digital brain for MatrixBrute's analogue heart

The Matrix is where MatrixBrute's analog reactivity and digital precision collide - an advanced architecture unlike any synth before it.

Sound beyond the power
Offering a audio signal path that is 100% analogue, MatrixBrute also features true analogue effects. The MatrixBrute gives you the sonic quality and power of a vast modular synthesizer but with the flexibility of presets along with a great arpeggiator and an advanced sequencer.

What's in the box

Box content:
MatrixBrute unit
Power cable
Instrument dimensions
Size : 33.8 x 17 x 4.2 inches (860 x 432 x 107mm)
Weight : 44lbs (20kg)

Main Features
Analogue Matrix Synthesizer
256 Preset memory locations
Two Analog Exponential VCO's
Saw + UltraSaw
Square + Pulse width
Triangle + Metalizer

Sub
One Analog Linear VCO/LFO
Saw, Square, Triangle, Sine waveforms
LFO time divisions

Key track
VCO 2>1 Hard Sync

Audio Mod
VCO1>2
VCO1 < VCO3> VCO2
VCF 1 < VCO3> VCF 2
VCF1 < Noise> VCF2

Noise Generator
White; Pink ; Red ; Blue noise types
5 input Audio Mixer with Filter routing
Steiner Parker filter with 12+24 db per octave modes
Drive; Brute factor; Low Pass, High Pass, Band Pass, Notch
Ladder filter with 12+24 db per octave modes
Drive ; Brute factor; Low Pass, High Pass, Band Pass

Two LFO's
Sine, Tri, Square, Ramp, Saw, Random, S&H

Three Envelope Generators
Two Attack, Decay, Sustain, Release
One Delay, Attack, Decay, Sustain, Release

External Audio In
16x16 Matrix modulation panel

64 step sequencer
STEP enable, Slide, Accent, Modulation
Save and recall sequence patterns on the fly

Analogue Effects
Stereo delay, Delay, Flanger, Chorus, Analog Reverberator

Arpeggiator
12 CV / Gate Inputs/Outputs

Audio Input, Line or Instrument level

Stereo audio output
MIDI and USB I/O
Pedal inputs for Expression and Sustain

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Arturia's best-selling small-format analogue monosynth has been re-designed with a new black and metallic colour scheme.

The striking stylized snippet of "The Creation of Adam" by Michelangelo, one of humanity's finest works of art, is emblazoned across the front panel, and the whole instrument has been decked out with metallic trim.

MicroBrute is pure analogue sonic powerhouse of a synth. Small in size but loaded with features, it follows in the footsteps laid by its big brother the MiniBrute.

Packed with mixable waveforms, a new sub oscillator design, the famous Steiner-Parker multimode filter, super-fast envelope, syncable LFO and the new step sequencer, not to mention the patchable mod matrix the MicroBrute is a landmark new synth at an incredible price.

The MicroBrute is new but carries the award-winning heritage of its big brother, the MiniBrute.

The MicroBrute was designed to be small but still retain an amazing sound quality. With a 100% pure analogue voice path and advanced interconnectivity via MIDI, USB, CV/GATE, this machine is a true powerhouse synthesiser that takes your sound to a new level.

A synthesiser is a musical instrument that is meant to be played. However, playing a synthesiser is more than just playing some notes on a keyboard and recalling someone else's presets. If that was the goal you could be looking at accordions or going to a department store to buy your keyboard (along with socks, milk and toilet paper) - but you aren't because you are more creative than that.

No presets, no menus, nothing to get between you and the ability to sculpt your sound live. Not only does MicroBrute give you the means to create, perform and be completely original every time you power up, it does so with astounding sound quality.

Notes: The lovable oddball of the Arturia range, this brilliant hybrid synth combines versatile wavetable and digital oscillators with analogue filters. Touch keyboard gives uniquely expressive control.

*** New firmware update (26th October 2021) *** Arturia are happy to announce another major new firmware update for MicroFreak, bringing massive new creative functionality for users free of charge.

Firmware V4.0 elevates this hybrid desktop synthesizer's status as a sound design powerhouse even further:
New WaveUser sound engine
Allows for user wavetables(!!)
64-new presets
Sequencer Unison & Chord Voices
Faster Oscillator Encoder Response
....and more!

This update, plus ALL the of previous updates (see Vocoder & Noise Engineering oscillators etc.) cement the MicroFreak as one of the most interesting, powerful and flexible synthesizers on the market, whilst maintaining excellent value for money.

Supplier's Notes:

A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.

Notes: Another stylish offering from Arturia's Noir range, the MiniBrute 2 gets a black paint job and retains its hugely powerful semi-modular analogue sound. Still great value for money.

Supplier's Notes:
Arturia's revolutionary analog monosynth reborn for the modular age; the MiniBrute 2 Noir Edition is a thrilling, adaptable synthesizer that can't wait to meet your other instruments. Combining huge analog tone, powerful sound shaping features, step-sequencer, arpeggiator, a modular patch bay, and a stealthy black finish, MiniBrute 2 Noir represents the darker side of analog.

Hands-on synth joy

Intuitive, accessible, and fun; the pure synthesis power of MiniBrute 2 is easy to understand, quick to master, and will provide endless enjoyment. With instant, hands-on control of every parameter, you can mix your oscillators, ride your filters, sync your LFOs, and control your envelopes. MiniBrute 2 is a synth that gives you the freedom to create the sounds from your imagination.

Discover the modular world

Now you're able to make a music system that's truly more than the sum of its parts. MiniBrute 2 features a comprehensive modulation matrix with dozens of sources and destinations at your disposal. Whether you want to experiment with its internal parameters, wire in your modular setup, or sync your other gear to its sequencer, the possibilities are endless.

Performance power

Sporting the same luxurious, smooth-action keyboard as the venerable MatrixBrute, you'll never want to stop playing on this inspiring synth. The keyboard also features aftertouch, which can be routed through the modulation matrix, opening up massive performance possibilities. MiniBrute 2 also features an arpeggiator with multiple modes, tap tempo, and rock-solid sync, and an intuitive step-sequencer to give you as much creative freedom as possible.

The Brute Noir Editions

Unique analog instruments, where vintage synthesis and cutting-edge technology collides in the name of creative freedom and controlled sonic chaos, decorated with stealthy black exteriors. These are the Brute Noir Editions, the darker side of analog.

Included Software:
Arturia MIDI Control Center

Notes: Synth meets sequencer in this limited-edition Noir version of Arturia's excellent MiniBrute. Semi-modular design and extensive patch bay offer a wide variety of sound design options.

Supplier's Notes:
The MiniBrute 2S Noir Edition is a thrilling hybrid synthesizer enhanced for the modern musician. Combining raw analog power, an intuitive triple-layered step sequencer, a modular-worthy patch bay, and a stealthy black exterior, MiniBrute 2S Noir delivers the Brute Factor, and then some.

Pure synth power

A powerful standalone instrument, MiniBrute 2S Noir has massive synth potential that's intuitive, accessible, and fun to use. Whether you're a seasoned pro or new to the world of synthesis, you'll find its layout easy to understand, quick to master, and hugely inspiring. Thanks to its analog semi-modular architecture, you have hands-on control of every parameter, so you can sculpt your oscillators, sweep your filters, sync your LFOs, and control your envelopes on the fly to create a sound that's uniquely yours, bound only by your imagination.

Discover the modular world

Open up exciting new possibilities by rerouting MiniBrute 2S' signal with the modular patch bay. Better still, patch it to your existing Eurorack system and explore new connections, then sequence and shape with MiniBrute 2S' myriad of controls. With this synth at your command, your creative workspace will become a experimental sound laboratory.

Step in line

Featuring an awesomely powerful, triple layered step-sequencer, multi-mode arpeggiator, and high-quality performance pads, MiniBrute 2S Noir perfectly suits adventurous electronic musicians who want to take their creations further than ever before.

The Brute Noir Editions

Unique analog instruments, where vintage synthesis and cutting-edge technology collides in the name of creative freedom and controlled sonic chaos, decorated with stealthy black exteriors. These are the Brute Noir Editions, the darker side of analog.

Included Software:
Arturia MIDI Control Center

Notes: Big brother to the excellent MicroFreak, the MiniFreak is a hugely impressive hybrid synth, teaming dual digital sound engines with analogue filters for creative approaches to polyphonic sound.

Supplier notes:
MiniFreak is a 6-voice polyphonic hybrid keyboard that fuses two digital sound engines with analog filters, outside-the-box sequencing, and instant-access modulation in a playful, curious, and sometimes unpredictable way. MiniFreak encourages users to escape the ordinary and explore the unconventional with a 37-note velocity-sensitive keybed with aftertouch, weave intricate evolving performances with multiple modulation lanes, and discover endless sweet spots with a built-in digital FX engine - a wildly creative experience.

Unprecedented hybrid polyphony

With over 20 modes to choose from including Virtual Analog, FM, and Additive, the interplay between MiniFreak's two oscillators can result in truly unique compound sonic behavior. With 6-voice polyphony, analog filters, and the ability to process engine 1 through engine 2, MiniFreak puts premium polyphonic synthesis exploration into a compact & tactile instrument that's as addictive as it is powerful.

Customizable & experimental sound design

Embellishing the popular Freak modulation matrix, MiniFreak gives users even more control over shaping, transforming, and evolving their sound, with features like polyphonic ADSR envelopes, customizable multi-segment LFO shapes, FM & Ring Modulation, and the familiar Spice & Dice randomization.

Mix-ready stereo sound

MiniFreak comes with stereo outputs and 3 digital FX slots with 10 FX types to choose from. From stereo-enhancing chorus, to surgical 3-band EQ, to gritty 6-mode distortion, users will have everything they need to push their sound over the edge while keeping it mix-ready.

Expression, meet chaos

Despite its penchant for wild & exploratory sound design, MiniFreak is also built as a responsive instrument of expression. Its velocity-sensitive 37-note keybed with aftertouch and spontaneous Seq/Arp functionality makes it a dream to perform with, while its randomization features and modulation lanes put playfulness and sonic momentum immediately at users' fingertips.MiniFreak VMiniFreak comes with a dedicated VST counterpart, letting users totally integrate its unique hybrid sound into their DAW productions and vice versa. Using identical sound engines and architecture, it offers a like-for-like virtual experience of the synth itself, at no extra cost.

What's in the box:

Box content
MiniFreak Unit
Universal PSU - 12V 1A
USB A to USB 2.0
Registration card

Instrument dimensions
Size : 22.75 x 9.09 x 1.57 inches (578 x 231 x 55mm)
Weight : 6.48 lbs. (2.94 Kg)

Notes: Premium synth action from Arturia. Six-voice analogue design with all the bells and whistles: dual filter section, modulation matrix, sequencer, effects and unique Morphee expression controller.

*** Firmware update September 2023 ***

Arturia's PolyBrute goes deeper with firmware 3.0:

Explore new heights of Polyphonic sound with an array of embellishments, experimental features, and creative upgrades for PolyBrute:
New effects distortions
Effects Routing
New Tuning Options
New Layer Modes
MPE Support and more improvements
Dive to new depths of coloration and customization with a free update that brings features, fixes, and fresh sounds to PolyBrute:

7 Distortion modes:

Add crunch, saturation, and pure sonic carnage with 7 modes of Distortion, accompanying PolyBrute's Modulation, Delay, Reverb, and EQ effects.

Flexible effects routing

Rewire PolyBrute's effects and signal chain to suit your sound design flow; both the Insert and Send modes can now be adjusted in terms of order.

Enhanced tuning:

Adjust PolyBrute's musical role in your projects with deeper individual oscillator tuning, transposing the keyboard by semitones, and more.

New Stereo Layer mode:

Allocate one voice to the left channel and one to the right to add increased natural width to PolyBrute's sounds.

Over 350 new presets:

A total rework of PolyBrute's library means hundreds of new presets, further exploring expressivity, analogue power, and new features like Distortion.

PolyBrute Connect:

Enjoy quicker, smoother communication between PolyBrute and its software counterpart, also accommodating other new features from firmware 3.0.

Workflow & expression improvements:

Reload your last saved preset on startup, send program changes, adjust LED brightness, and more.

Supplier's Notes:
Imagine using 6 analog voices to craft a sound that's powerful, raw, and entirely yours. Imagine a sound existing in two states simultaneously in a single preset, with seamless morphing between them. Imagine multi-axis performance controls offering next-generation musical expression. Imagine instant and limitless modulation at your fingertips. Imagine a polysynth made by musicians, for musicians.

Raw, powerful, organic. The analog Brute voice is an unmistakable sonic force to be reckoned with - how about six at once?

PolyBrute's six-voice power starts with two Brute waveshaping oscillators. With sprawling timbral versatility from delicate airy pads to snarling stacked bass, these are six voices you can count on to excel in every application.

The tactile and reactive nature of analog synthesis is right at the heart of PolyBrute's architecture. Tame or animate the oscillators with an expanded array of multiple filters, envelopes and LFOs for absolute control over the analog domain. Once you've harnessed its sound sources, PolyBrute is your vessel for an inspiring voyage into sound.

PolyBrute's morphing abilities let you perform, compose, and explore sound without boundaries.

Imagine being able to sweep all the parameter settings between two different patches all at once. PolyBrute goes even further with its groundbreaking ability to gradually morph between two completely different states within any patch.

For morphing to work, hands-on control is essential - PolyBrutes takes it to another level. The all-new Morphee three-dimensional performance touchpad ensures that intricate morphing expression is always right at your fingertips. Manipulate any facet of PolyBrute's sound, from delicate morphing to extreme dynamic shifts, across the X, Y and Z axis in an instant.

It doesn't end there; PolyBrute is armed to the teeth with articulate controllers to give your performances and compositions the elusive human touch.

This unparalleled sonic flexibility and expressivity is what earns PolyBrute its place in synthesizer history - a trailblazer of creativity.

The Matrix- the digital brain for PolyBrute's analog heart. The Matrix is where PolyBrute's analog reactivity and digital precision collide - an advanced architecture unlike any synth before it.

PolyBrute puts all that analog power right up front with dedicated knobs and switches, offering unmatched control and immediacy.

Almost everything you touch also generates MIDI, so you can capture your every move as part of your DAW productions. Need some instant attitude? Crank up the enhanced Steiner filter's Brute Factor. Want to change the cutoff on both filters at once? Grab the Master Cutoff knob. Time to move the floor beneath your feet? Dial in VCO 2's sub-oscillator. It's all right there in front of you.

Library management, parameter editing, and instant integration with your DAW..

Analog Morphing Synthesizer:
6 voices of Polyphony
Mono, Unison, Poly voicing
Single, Split, Layer modes

Two Analog VCOs:
Saw
Triangle + Metalizer
Square + Pulse Width
Sub
Linear FM
Hard Sync

Three LFOs:
LFO1 and LFO2 with waveform selection
LFO3 with waveform shaping using Shape and Symmetry
Rate control & Tempo Sync
Various retrig options

Three stereo digital effects:
Modulation FX : Chorus, Phaser, Flanger, Ring Modulation, ...
Delay : 9 algorithms including BBD, Digital delay, ...
Reverb : 9 algorithms including Hall, Plate, Spring, Shimmer,

Box contents:
PolyBrute unit
Power cable

Instrument size : 38.3 x 14.9 x 4.4 inches (972 x 378 x 110mm)
Instrument weight : 44 lbs. (20 Kg)

Notes: Limited-edition murdered-out Noir version of Arturia's mega PolyBrute, with expressive multi-axis Morphee controller and Morph knob to blend between patches.

*** Firmware update September 2023 ***

Arturia's PolyBrute goes deeper with firmware 3.0:

Explore new heights of Polyphonic sound with an array of embellishments, experimental features, and creative upgrades for PolyBrute:
New effects distortions
Effects Routing
New Tuning Options
New Layer Modes
MPE Support and more improvements
Dive to new depths of coloration and customization with a free update that brings features, fixes, and fresh sounds to PolyBrute:

7 Distortion modes:

Add crunch, saturation, and pure sonic carnage with 7 modes of Distortion, accompanying PolyBrute's Modulation, Delay, Reverb, and EQ effects.

Flexible effects routing

Rewire PolyBrute's effects and signal chain to suit your sound design flow; both the Insert and Send modes can now be adjusted in terms of order.

Enhanced tuning:

Adjust PolyBrute's musical role in your projects with deeper individual oscillator tuning, transposing the keyboard by semitones, and more.

New Stereo Layer mode:

Allocate one voice to the left channel and one to the right to add increased natural width to PolyBrute's sounds.

Over 350 new presets:

A total rework of PolyBrute's library means hundreds of new presets, further exploring expressivity, analogue power, and new features like Distortion.

PolyBrute Connect:

Enjoy quicker, smoother communication between PolyBrute and its software counterpart, also accommodating other new features from firmware 3.0.

Workflow & expression improvements:

Reload your last saved preset on startup, send program changes, adjust LED brightness, and more.

Supplier's Notes:
PolyBrute Noir is a 61-note polyphonic analogue keyboard, uniting unparalleled expressivity and sound design flexibility with 6 fearsome Brute voices, complete with a limited-edition stealthy black finish. The result is an instrument that lets musicians perform fearlessly, compose with fluidity, and explore sound in perpetual motion.

Limited Noir Edition

A true dark horse in any setup, PolyBrute Noir stylishly conceals its enormous creative potential within a slick black exterior, complete with colorful accents, luxurious dark wooden appointments, and signature ionized parts that'll make anyone look twice.

Massive analogue polyphony

Harness the raw power of analogue with 6 powerful analogue Brute voices, comprising seamless waveshaping VCOS, dual filters, and a tactile array of modulation. Split, layer, and stack PolyBrute's voices for every flavor of analogue polyphony - from beauty to beast.

Morphing: sounds within sounds

Explore sound between the lines with 2 distinct sonic states within each preset, yours to seamlessly morph and navigate between. With a single sweep of the multi-axis Morphee controller and Morph knob, discover endless sweet spots in every patch.

Perform, express

Freely express your musical style and bring your creative ideas to life with PolyBrute's hands-on controls, flexible interface, and premium velocity-sensitive keybed with aftertouch. From the Morphee to the responsive ribbon controller, every aspect of PolyBrute ensures that your sound is an extension of yourself.

Your sound to infinity

Built to satisfy your inner sound explorer, this polysynth comes fully equipped for perpetual patch discovery and sound design. Quickly create modulation connections with the Matrix, color your patch with 3 digital stereo FX engines, and instantly animate any idea with musical sequencing and effortless arpeggiation.

Included Software:

PolyBrute Connect

Arturia MIDI Control Center

Notes: One of the most exciting new synths of 2020. Extremely high-quality wavetable synth engine with great expressive features like a CS80-style ribbon controller and polyphonic aftertouch. Powerful.

*** New 2.0 Firmware update for all Hydrasynth models - March 2023 ***

This is a free of charge update for all current and new users of Hydrasynth. The biggest news in this update includes:
Expanded memory to 8 banks (Keyboard, Desktop, and Explorer only)
NEW modulation source: VOICE MODULATOR
OSC Bit reducer
LFO quantizer
ENV quantizer
LFO Step Advance
Global FX bypass
Increased Vibrato resolution
New Sustain pedal options including Sostenuto
More LED options
Glissando in glide options
Arp Range goes to 6 octaves
Arp Step Offset parameter
More Rand/Init shortcuts (all STEP LFO steps, Wavescan waves, Voice mod offsets)
Local On/Off saved
......And more!
This is the first major update to the Hydrasynth family in a little, which adds a tonne of new features.


Supplier notes:
The HYDRASYNTH keyboard is both a sound designers dream synth as well as a performing musicians ideal. The sound engine is designed for maximum flexibility. At the same time, we designed the user interface in a way to allow you to edit the patch quickly with a minimal amount of paging and many workflow shortcuts.

Utilizing an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutators and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, The HYDRASYNTH keyboard has our proprietary Polytouch keybed that offers polyphonic aftertouch over each note, giving you the type of expressive control found only in certain vintage synths.

Add to this a 4 octave ribbon controller and ergonomically designed pitch and mod wheels and you have expression and control that is not equaled in any other hardware synthesizer on the market.

The new ASM Polytouchr keybed allows not only the standard velocity and aftertouch found on other keybeds but it also supports fully polyphonic aftertouch.

In recent years companies have been trying to find ways to give the keyboard musician more ways to better express themselves. The problem is that their solution is almost never a keyboard, so you have to learn a new technique to play them.

The Polytouch keybed features a high quality, standard sized keys, so you can start playing it instantly.

The tone generation capability is the heart of any synthesizer.

The 3 oscillators allow you to choose from a selection of 219 single cycle waveforms.

Wavemorphing is a feature usually found on synths with preset wave tables. Creating user wavetables is arduous or downright impossible. Unlike most wavetable synths, the oscillators 1 & 2 have our WAVELIST mode.

This mode allows you to pick and choose 8 waves, from the bank of 219, arrange them in the order you want, and then morph from one to another.

Oscillators 1 & 2 are routed into our MUTATORS. The Mutators allow you to modulate, bend and sculpt the sound in new (and old) ways.

Each MUTANT allows you to choose from the following processes:

FM-Linear - for making classic FM sounds. Choose multiple FM sources, including external inputs.

Wavestack- creates 5 copies of the incoming sound and allows you to set a detune amount.

Hard Sync - This gives you those classic hard sync sounds. Try hard syncing a morphing wavetable for some fun.

Pulse Width - This will pulse width modulate ANY input sound.

PW - Squeeze - This is a different form of pulse width mod that creates a smoother sound.

PW-ASM - this mode divides the incoming wave into 8 slices and allows you to set how much pulse width mod will happen in each section.

Harmonic Sweep - this will sweep the harmonics of the incoming sound.

The Mutant's can also generate its own waveforms in both FM and Sync modes so that you do not have use another oscillator....Of course the routing is flexible so you can choose the other oscillators as mod sources if you like.

The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator.

The Mixer allows you to mix levels as well as pan the input source.

There is a balance control that allows you to choose how much signal of each source is routed to filters 1 and 2.

The filters can be set to be parallel or series for ultimate flexibility.

If oscillators and tone generators are the heart of a synthesizer, the filters are the soul.

The Hydrasynth has two filters that can be configured in series or parallel.

The first filter has 11 different filter models, giving you multiple options for tailoring your sound.

The second filter is a 12db per octave has a continuous sweep from Low pass to bandpass to high pass, similar to the way the classic SEM filter worked.

5 DAHDSR Envelopes.

An advanced sound engine needs plenty of modulation sources. Our 6 stage envelopes feature Delay, Attack, Hold, Decay, Sustain and Release stages.

The time settings for the stage can be set in seconds or in time divisions, giving you envelopes that play in
sync to your song.

You can also loop the envelopes to create LFO's whose shape can be voltage controlled in the modulation matrix.

The modulation capabilities on the Hydrasynth are endless.

With 32 user definable modulation routings, you will have plenty of ways to use the 29 modulation sources and 155 modulation destinations.

Almost everything in the synth engine can be a modulation destination including the effects and arpeggiator.

The Modulation matrix points themselves can also become modulation destinations.

Notes: A smaller, more affordable version of the excellent Hydrasynth Keyboard. Advanced wavetable synthesis with 8-voice polyphony, hands-on control and an excellent keybed with polyphonic aftertouch.

*** New 2.0 Firmware update for all Hydrasynth models - March 2023 ***

This is a free of charge update for all current and new users of Hydrasynth. The biggest news in this update includes:
Expanded memory to 8 banks (Keyboard, Desktop, and Explorer only)
NEW modulation source: VOICE MODULATOR
OSC Bit reducer
LFO quantizer
ENV quantizer
LFO Step Advance
Global FX bypass
Increased Vibrato resolution
New Sustain pedal options including Sostenuto
More LED options
Glissando in glide options
Arp Range goes to 6 octaves
Arp Step Offset parameter
More Rand/Init shortcuts (all STEP LFO steps, Wavescan waves, Voice mod offsets)
Local On/Off saved
......And more!
This is the first major update to the Hydrasynth family in a little, which adds a tonne of new features.


Supplier's Notes:
The ASM Hydrasynth Explorer takes the now legendary Hydrasynth into new territories. The Hydrasynth Explorer offers the same 8-voice sound engine as the Hydrasynth Keyboard and Desktop, but in a compact and portable battery powered form factor. The 37-note mid-sized PolyTouchr keybed features polyphonic aftertouch, offering great playability and expression but in a reduced footprint. The extremely deep yet easy to use sound engine features the famous WaveScan oscillators, Mutator waveshaping, flexible dual Filter section, 32-slot modulation matrix, and dual Insert and dual Master effects allowing a lifetime of sonic explorations. The CV/GATE outputs provides for easy integration with equipment such as modular synthesizers and the USB MIDI and full-sized MIDI DIN connectors takes care of standard connectivity without the need for special cables. The ASM Hydrasynth Explorer can also be powered by 8xAA batteries for true on-the-go mobile operation. Simply put, this is one very powerful compact-sized synthesizer and controller all-in-one for the modern musician.

Tech Specs

Type: Polyphonic Wave Morphing Synthesizer
Sound Engine Type(s): Wavescan
Analog/Digital: Digital
Number of Keys: 37 mid-sized keys
Type of Keys:ASM POLYTOUCH Polyphonic Aftertouch Keyboard, On/Off Velocity-sensitive
Other Controllers: Pitch Bend, Mod Wheel
Polyphony: 8 voices
Number of Presets: 640
Oscillators: 3 x Wavescan oscillators (219 Waveforms), 4 x Mutator wave shapers (8 Types), Noise (7 Types)
Mutators: 8 Types (FM-Lin, WaveStack, PW-Orig, PW-Squeeze, PW-ASM, Harmonic Sweep, Hard Sync, PhazDiff)
Noise: 7 Types (White, Pink, Brown, Red, Blue, Violet, Grey)
LFO: 5 per Voice (Sine, Triangle, Saw Up, Saw Down, Square, Pulse27%, Pulse13%, S&H, Noise, Random, Step), Tempo syncable, Semitone Lock
Envelopes: 5 per voice, Tempo syncable, Variable trigger sources
Filter Types: 1 Multimode Filter (16 types) and 1 Variable LP-BP/Notch-HP filter, series or parallel routing
Filters: Filter 1 (LP Ldr12, LP Ldr24, LP Fat12, LP Fat24, LP Gate, LP MS20, HP MS20, LP 3-Ler, BP 3-Ler, HP 3-Ler, LP Stn12, BP Stn12, HP Stn12, LP 1 Pole, LP 8 Pole, Vowel), Filter 2 (LP-BP-HP, LP-Notch-HP)
Effects: 9 Insert Effects, 5 Delays, 4 Reverbs.
Effects Types: Chorus, Flanger, Rotary, Phaser, Lo-Fi, Tremolo, EQ, Compressor, Distortion, Delay, Reverb
Arpeggiator: 8 types (Up, Down, Up&Down, Up/Down, Order, Random, Chord, Phrase)
Other: Mod Matrix (32 slots), Macro Controllers (8), Favorites (32), Randomizer (Patch and Module), MPE Compatibility, Warm Mode, Microtuning
Audio Outputs: 2 x 1/4" Balanced (L/Mono, R)
Headphones: 1 x 1/4"
USB: 1 x Type B
MIDI I/O: In/Out
Pedal Inputs: 1 x 1/4" (sustain)
Other Outputs: 5 x 1/8" Outputs (CV, Gate, Mod1, Mod2, Clock)
Power Supply: 12V DC switchable power supply
Height: 2.28" / 5.8cm
Width: 21.81" / 55.4cm
Depth: 9.72" / 24.7cm
Weight: 7.63lbs / 3.46kg
MPN: HSMK

Notes: Based on the legendary Roland Jupiter-8, the ISE-NIN is a synth with the attention to detail we've come to expect from Black Corporation. Eight voices, fully analogue, with MPE support. Beautiful.

Supplier's Notes:
ISE-NIN (pronounced ee-seh-nin) features eight voices, each consisting of 100% analogue voltage controlled oscillators, analogue lowpass and highpass filter, noise generator, two ADSR envelopes and a VCA. 2 different presets can be layered, making richer sounds, but limiting voices amount to 4 per layer. Each layer has its own fully assignable velocity and poly-aftertouch controls and global MPE settings.

Furthermore the synth offers full MIDI/USB control and the ability to store 128 presets per bank across 10 banks. Sophisticated microtuning with a support of ODDSound MTS-ESP and a signature arpeggiator integrates this classic synth concept seamlessly into the future of your modern studio needs.

Design: 19" / 4U
Polyphony: 8
Sound Generation: Analogue
MIDI interface: 1x In, 1x Out/Thru
Storage Medium: Internal
USB-port: Yes
Effects: No
Arpeggiator: Yes
Number of Analogue Outputs: 2
Digital Output: No
Display: Yes

Notes: Latest incarnation of Buchla's legendary modular synth. Massively creative with incredible sound and history stretching all the way back to the 1960s.

Supplier notes:
The evolution of the legendary modular analog synthesizer by Don Buchla. The Buchla Easel Command is the newly updated 208C in a standalone desktop form with MIDI and CV control.

Buchla's own Joel Davel led the charge to create a new version of the legendary Music Easel instrument with more modular flexibility and independence, while also providing the means to easily interface with more devices, such as the various DAWs like Ableton and MIDI controllers, including the very expressive Sensel Morph. It's still fully analog in its default configuration and provides the unique and exquisite Buchla experience with greater functionality at a lower cost.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Latest incarnation of Buchla's legendary modular synth. Massively creative with incredible sound and history stretching all the way back to the 1960s.

Supplier notes:
The evolution of the legendary modular analog synthesizer by Don Buchla. The Buchla Easel Command is the newly updated 208C in a standalone desktop form with MIDI and CV control.

Buchla's own Joel Davel led the charge to create a new version of the legendary Music Easel instrument with more modular flexibility and independence, while also providing the means to easily interface with more devices, such as the various DAWs like Ableton and MIDI controllers, including the very expressive Sensel Morph. It's still fully analog in its default configuration and provides the unique and exquisite Buchla experience with greater functionality at a lower cost.

Notes: The Buchla Music Easel was one of the first truly portable electronic music instruments. Fifty years ago, in 1973, only a few dozen were made. Unlike many iconic technologies, the influence was not grown through force of scale, but rather the force of the ideas. The Music Easel made available virtually every musical dimension: timbre, melody, rhythm, and time; how these dimensions intersected was no longer the court of acoustics and material, but signals and voltage. The 208 Stored Program Sound Source engendered "a new functional organization [with a] particularly rapid system of patching and program storage via plug-in cards."

Taking cues from the then-recent discipline of cybernetics, the 218 touch plate was for "real-time communication" to help realize the "potential vocabulary" of the Easel, rather than exploiting existing modes of musical virtuosity. The Stored Program Cards ensured rapid repeatability and repertoire on its own terms. The battery terminals made sure the music was as portable as any acoustic instrument. And the name let you know it was designed for art rather than science.

Buchla is ecstatic to revive the Music Easel for its third run in 50 years. Buchla first released the updated 208 Stored Program Sound Source, dubbed the Easel Command, with expanded MIDI and USB capability. Next came the update of the Easel Program Manager - a complete kit for storing and recalling sounds sources, even more rapidly than imagined in 1973. The new 218 Touch Activated Voltage Source provides the optimal input facility, as originally envisioned. It is now all together in a rugged case and the advanced EMBIO module that unifies all the audio and control inputs and outputs for integration with the rest of your musical world.

More than a retro novelty, the Music Easel still speaks to a future we strive for. A technology that invites conversation, not chats, and controls that engage expression, not work. There are many new worlds to explore in this instrument created at the crossroads of the jazz and computer ages. Designed as "an integrated assemblage of functions", rather than a collection of modules, the Music Easel's colour coding, comfortable access to controls, and solid patch connections allow for satisfying sessions of sonic discovery.

The Music Easel is available for pre-order starting June 16 at Buchla.com and your favourite Buchla Dealer. Delivery of the Music Easel (modern) is expected fall 2023.

Stored Program Sound Source Model 208C

The sound source of the Music Easel is the 208C, which includes a complex oscillator and a modulation oscillator (which can also serve as another voice), each with independent switchable waveforms, as well as a noise generator, allowing for rich and intricate sound design. The 208C also features a five-stage sequencer, envelope generator, pulser and modulation source - with switchable triggers - allowing for complex patterns and evolving textures. The dual low pass gate provides dynamic control over the tone and amplitude of the sound, as well as natural-sounding decay and sustain. The 208C has a number of modulation sources, including a random voltage generator, the envelope generator, modulation oscillator, and an envelope detector. These sources can be used to modulate various parameters via the extensive patchfield - creating movement, texture, and complexity. The 208C also includes a mixer section with spring reverb.

Touch Activated Voltage Source Model 218e (v3)

The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been elevated with a new foundation of stable, modern electronics with incredible sensitivity and accuracy - the lightest touch will produce triggers and control voltages. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience. As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the 218e a uniquely expressive controller. The 218e includes portamento and an arpeggiator, which can be driven by external inputs and are allowed to interact with the automated notes to make patterns more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising. The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control. The 218e also gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel.

Electric Music Box Input/Output (EMBIO)

Maintaining the spirit, sound, and process from the original, the new Music Easel adds a variety of new features. Buchla's latest renditions of the Stored Program Sound Source and Touch Activated Voltage Source are tied together with the Electric Music Box Input/Output (EMBIO) module. This of course provides MIDI out (mini jack and USB) and CV out from the 218, MIDI in to the 208, and the audio out from the 208C. Additional creative control comes from the Audio Mixer, for integration with other Buchla modules and systems, and the CV conditioners and controls. The slew control can turn your sequencer into a wavy modulator, or soften up a square LFO. The attenuator and crossfader gives you the opportunity to find new levels and combinations of voltages from existing ones. The pulse converter offers new rhythms to trigger. And a simple LFO provides another valuable modulator when you just can't quite let yourself flip that Mod Osc switch from "high" to "low."

Notes: The Buchla Music Easel was one of the first truly portable electronic music instruments. Fifty years ago, in 1973, only a few dozen were made. Unlike many iconic technologies, the influence was not grown through force of scale, but rather the force of the ideas. The Music Easel made available virtually every musical dimension: timbre, melody, rhythm, and time; how these dimensions intersected was no longer the court of acoustics and material, but signals and voltage. The 208 Stored Program Sound Source engendered "a new functional organization [with a] particularly rapid system of patching and program storage via plug-in cards."

Taking cues from the then-recent discipline of cybernetics, the 218 touch plate was for "real-time communication" to help realize the "potential vocabulary" of the Easel, rather than exploiting existing modes of musical virtuosity. The Stored Program Cards ensured rapid repeatability and repertoire on its own terms. The battery terminals made sure the music was as portable as any acoustic instrument. And the name let you know it was designed for art rather than science.

Buchla is ecstatic to revive the Music Easel for its third run in 50 years. Buchla first released the updated 208 Stored Program Sound Source, dubbed the Easel Command, with expanded MIDI and USB capability. Next came the update of the Easel Program Manager - a complete kit for storing and recalling sounds sources, even more rapidly than imagined in 1973. The new 218 Touch Activated Voltage Source provides the optimal input facility, as originally envisioned. It is now all together in a rugged case and the advanced EMBIO module that unifies all the audio and control inputs and outputs for integration with the rest of your musical world.

More than a retro novelty, the Music Easel still speaks to a future we strive for. A technology that invites conversation, not chats, and controls that engage expression, not work. There are many new worlds to explore in this instrument created at the crossroads of the jazz and computer ages. Designed as "an integrated assemblage of functions", rather than a collection of modules, the Music Easel's colour coding, comfortable access to controls, and solid patch connections allow for satisfying sessions of sonic discovery.

The Music Easel (retro) is available for pre-order starting in June 16 at Buchla.com and your favorite Buchla Dealer with delivery expected in winter 2023.

Stored Program Sound Source Model 208C

The sound source of the Music Easel is the 208C, which includes a complex oscillator and a modulation oscillator (which can also serve as another voice), each with independent switchable waveforms, as well as a noise generator, allowing for rich and intricate sound design. The 208C also features a five-stage sequencer, envelope generator, pulser and modulation source - with switchable triggers - allowing for complex patterns and evolving textures. The dual low pass gate provides dynamic control over the tone and amplitude of the sound, as well as natural-sounding decay and sustain. The 208C has a number of modulation sources, including a random voltage generator, the envelope generator, modulation oscillator, and an envelope detector. These sources can be used to modulate various parameters via the extensive patchfield - creating movement, texture, and complexity. The 208C also includes a mixer section with spring reverb.

Touch Activated Voltage Source Model 218e (v3)

The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been elevated with a new foundation of stable, modern electronics with incredible sensitivity and accuracy - the lightest touch will produce triggers and control voltages. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience. As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the 218e a uniquely expressive controller. The 218e includes portamento and an arpeggiator, which can be driven by external inputs and are allowed to interact with the automated notes to make patterns more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising. The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control. The 218e also gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel.

Electric Music Box Input/Output (EMBIO)

Maintaining the spirit, sound, and process from the original, the new Music Easel adds a variety of new features. Buchla's latest renditions of the Stored Program Sound Source and Touch Activated Voltage Source are tied together with the Electric Music Box Input/Output (EMBIO) module. This of course provides MIDI out (mini jack and USB) and CV out from the 218, MIDI in to the 208, and the audio out from the 208C. Additional creative control comes from the Audio Mixer, for integration with other Buchla modules and systems, and the CV conditioners and controls. The slew control can turn your sequencer into a wavy modulator, or soften up a square LFO. The attenuator and crossfader gives you the opportunity to find new levels and combinations of voltages from existing ones. The pulse converter offers new rhythms to trigger. And a simple LFO provides another valuable modulator when you just can't quite let yourself flip that Mod Osc switch from "high" to "low."

Notes: Unreal value from Cre8audio's West Pest, the more experimental sibling to the East Beast. Loosely Buchla-inspired semi-modular synthesis with built-in sequencer, MIDI control and full Eurorack compatibility.

Supplier's Notes:
West Pest

Fully analogue West Coast style semi-modular synthesizer

The cousin of Cres8audio's East Beast desktop synthesizer, West Pest is a pesty cornucopia of simple complexity.

West Coast style is typically characterized by additive derived, rich and complex sounds. Often, more traditional user interface elements are replaced by the abstract and experimental.

All that said, West Pest is actually not a deep dive into the abstract. It provides a wide array of sonic capabilities while maintaining a quick and easy workflow. You'll make fresh & inspiring sounds in a flash. West Pest's huge sonic capabilities emanate from its modest bento box-sized exterior.

You can also feel free to pop West Pest out of its enclosure and transform it right into a 40HP eurorack module, or keep it in its case and use it anywhere for your West Coast style pleasure.

West Beast's oscillator, designed in partnership with Pittsburgh Modular Synthesizers, stems from 10 long years of stoic commitment to a continuous development of analogue oscillator research and development.

Its beautiful buzzy circuitry is not a clone or based on any outside designs. It is made with 100% modern components. This keeps it very stable, and giving it a super rich, and unique sound.

Folding waves, space, time & laundry?

West Pest utilizes a custom wave folder to shape the sound. It adds additional dimensions to West Pest's already unique sounding oscillator core.

A wave folder shapes sounds differently than a filter. Instead of removing harmonics, the wave folder increases the harmonic content of the oscillator by folding the wave in on itself to create sonically rich waveforms.

West Pest's wave folder takes what traditional wave folding circuits have done for years and ups the ante, allowing the user to fold previously unfoldable waveforms.

In addition to being able to send all of West Pest's waveforms through its wave folder/shaper, you can also input external sound sources. So go ahead, get weird with it.

Sculpt west-coast style

In continuity with the whole West Coast synth vibe, West Pest has a dynamics controller as well as an LFO to further sculpt its sound.

The Dynamics Controller combines the functionality of a VCA with a low pass filter to imitate the behaviour of soundwaves in the real world by dynamically modifying the harmonic content with the volume of the sound.

Go patch yourself

Semi-modular means that the West Pest will work without any patch cables. But who doesn't want to build a magnificent web of patch cables flowing in and out of their synthesiser? Brewing up sounds the old fashion way like unwavering generations before you, one patch cable at a time is where the real magic happens.
West Pest provides access to basically 8 different modules (Oscillator, wave contour, dynamics controller, LFO, multi-mod tool, MIDI to CV converter, sequencer, and button keyboard) worth of functionality with a whopping 18 Eurorack compatible patch points to plug into itself and your other gear. Rewire West Pest's signal flow, or share your favourite elements from West Pest with any other compatible synthesisers and vice versa.

And furthermore, the West Pest has got MIDI in, and MIDI through. Connect to a DAW, controller, daisy chain, or not. West Pest has you covered, at least, MIDI-wise. There's really no better way to get West Pest integrated into a DAW environment or connect to a controller.
Get your performance on.

But wait, there's more! West Pest includes quite a few additional performance features. You can dive in with its built-in tap tempo clock, arpeggiator, and sequencer. There's a lot of opportunities to inject in some randomness too.

Specifications for when used as a eurorack module
Width when used as a module = 40hp
Depth = 25mm
250mA power draw when running +12V rail
190mA power draw when running -12V

Input voltage range of oscillator = 0-10V

Included in the box - 1x West Pest, 1x West Pest wall-wart power supply, 5x Amazing Nazca Noodles Patch Cables, 1x 3.5mm to 5 pin MIDI Din pigtails and pizzazz (pizzazz's presence not guaranteed)

Notes: The updated Pocket Piano builds on the original, featuring six sound engines, built-in sequencer, arpeggiator and note pattern options, plus a fully customisable open-source software environment.

Supplier's Notes:
The Pocket Piano returns and is better than ever! Like its predecessor, the 201 Pocket Piano is fun, portable, and packed with a medley of musical magic!

The 201 is nearly pocket size, but don't let its small size fool you! Under the hood is some powerful circuitry that will allow you to explore your musical ideas quickly and easily.

Description

Sounds

At the heart of the 201 are six sound engines providing a wide range of sonic texture. Use the shift key to select an engine. There is a little bit of everything: chiptune style waveforms, analogue style filters, drum samples, realistic physical instrument models, and even a human vocal synthesizer. Use the three centre control knobs to further explore the sounds. Dial in the right amount of sustain, or adjust the tone. Or turn the 'surprise' knob if you are brave!

Patterns

Play directly on the keyboard or turn on one of the pattern generators. From simple octave arpeggiation to randomizing polyphonic patterns you will be inspired by the notes coming out of the 201! Use the first control knob to set the pattern's tempo.

The pattern generators also work great for creating drum beats using the drum samples!

Sequencer

If you like the way something sounds, recording it is just a button press away! There is a handy metronome that you can play/record along with. When the sequence is playing back you can endlessly change the pattern and synth engine. When you get it just right, hit the save button. You can save 'unlimited' sequences (well... not really unlimited, but many thousands). Then recall saved sequences easily using the navigation buttons.

Connectable

The 201 wants to be friends with all your other gear! It works great with guitar effects pedals and amps. With MIDI in and out you can control other synthesizers with the 201, or the other way around. A USB-C connector lets you easily move files on and off the instrument.

Open source

Critter & Guitari is committed to making musical electronics that are open platforms. Like the Organelle and EYESY instruments, the 201 is built entirely with Open Source software.

Inside, the 201 uses a combination of Pure Data and Faust musical programming environments. Users are invited to modify or create new sound engines!

Quality materials

The 201 is built to last. It features an anodized aluminium enclosure and maple buttons for a nice, tactile feel. It's assembled and tested by hand at Critter & Guitari's shop in Brooklyn, NY.

Design/Specs

Physical characteristics:
Size: 9.3" x 3.4" x 2.1" / 23.6 x 8.6 x 5.3 cm.
Height includes knobs.
Weight: 18oz / 500g.
Enclosure Top: Powder Coated Aluminium w/ silkscreen
Enclosure Bottom: Powder Coated Aluminium
Rock Maple Keyboard Keys

Input/output:
Audio Output: 14" Monophonic Line Output Jack
Speaker Output: Built-in 3W Speaker
MIDI Input: 1/8" Mini MIDI In jack (TRS Type A connection)
MIDI Output: 1/8" Mini MIDI Out jack (TRS Type A connection)

Processing & storage:
ARM Cortex-A7 processor at 900 MHz
512 MB RAM
An included 8GB micro SD card stores the OS and supplemental files such as synth modes, patterns, and presets.

Power:
External Power via USB-C Port
3x 'AA' batteries can be used as Internal battery power for portability. The battery holder can be found on the bottom face of the 201. Batteries not included.

Included items:
1x 201 Pocket Piano
1x External Power Supply with USB-A Port
1x Power Cable: USB-A to USB-C

Resources:
Manual (for additional troubleshooting and support, visit the forum)
More videos on YouTube
Critter & Guitari Forum
User Modes & Patterns on Patch Storage

Notes: The Pocket Piano returns and is better than ever! Like its predecessor, the 201 Pocket Piano is fun, portable, and packed with a medley of musical magic!

The 201 is nearly pocket size, but don't let its small size fool you! Under the hood is some powerful circuitry that will allow you to explore your musical ideas quickly and easily.

Description

Sounds

At the heart of the 201 are six sound engines providing a wide range of sonic texture. Use the shift key to select an engine. There is a little bit of everything: chiptune style waveforms, analogue style filters, drum samples, realistic physical instrument models, and even a human vocal synthesizer. Use the three centre control knobs to further explore the sounds. Dial in the right amount of sustain, or adjust the tone. Or turn the 'surprise' knob if you are brave!

Patterns

Play directly on the keyboard or turn on one of the pattern generators. From simple octave arpeggiation to randomizing polyphonic patterns you will be inspired by the notes coming out of the 201! Use the first control knob to set the pattern's tempo.

The pattern generators also work great for creating drum beats using the drum samples!

Sequencer

If you like the way something sounds, recording it is just a button press away! There is a handy metronome that you can play/record along with. When the sequence is playing back you can endlessly change the pattern and synth engine. When you get it just right, hit the save button. You can save 'unlimited' sequences (well... not really unlimited, but many thousands). Then recall saved sequences easily using the navigation buttons.

Connectable

The 201 wants to be friends with all your other gear! It works great with guitar effects pedals and amps. With MIDI in and out you can control other synthesizers with the 201, or the other way around. A USB-C connector lets you easily move files on and off the instrument.

Open source

Critter & Guitari is committed to making musical electronics that are open platforms. Like the Organelle and EYESY instruments, the 201 is built entirely with Open Source software.

Inside, the 201 uses a combination of Pure Data and Faust musical programming environments. Users are invited to modify or create new sound engines!

Quality materials

The 201 is built to last. It features an anodized aluminium enclosure and maple buttons for a nice, tactile feel. It's assembled and tested by hand at Critter & Guitari's shop in Brooklyn, NY.

Design/Specs

Physical characteristics:
Size: 9.3" x 3.4" x 2.1" / 23.6 x 8.6 x 5.3 cm.
Height includes knobs.
Weight: 18oz / 500g.
Enclosure Top: Powder Coated Aluminium w/ silkscreen
Enclosure Bottom: Powder Coated Aluminium
Rock Maple Keyboard Keys

Input/output:
Audio Output: 14" Monophonic Line Output Jack
Speaker Output: Built-in 3W Speaker
MIDI Input: 1/8" Mini MIDI In jack (TRS Type A connection)
MIDI Output: 1/8" Mini MIDI Out jack (TRS Type A connection)

Processing & storage:
ARM Cortex-A7 processor at 900 MHz
512 MB RAM
An included 8GB micro SD card stores the OS and supplemental files such as synth modes, patterns, and presets.

Power:
External Power via USB-C Port
3x 'AA' batteries can be used as Internal battery power for portability. The battery holder can be found on the bottom face of the 201. Batteries not included.

Included items:
1x 201 Pocket Piano
1x External Power Supply with USB-A Port
1x Power Cable: USB-A to USB-C

Resources:
Manual (for additional troubleshooting and support, visit the forum)
More videos on YouTube
Critter & Guitari Forum
User Modes & Patterns on Patch Storage

Notes: The Pocket Piano returns and is better than ever! Like its predecessor, the 201 Pocket Piano is fun, portable, and packed with a medley of musical magic!

The 201 is nearly pocket size, but don't let its small size fool you! Under the hood is some powerful circuitry that will allow you to explore your musical ideas quickly and easily.

Description

Sounds

At the heart of the 201 are six sound engines providing a wide range of sonic texture. Use the shift key to select an engine. There is a little bit of everything: chiptune style waveforms, analogue style filters, drum samples, realistic physical instrument models, and even a human vocal synthesizer. Use the three centre control knobs to further explore the sounds. Dial in the right amount of sustain, or adjust the tone. Or turn the 'surprise' knob if you are brave!

Patterns

Play directly on the keyboard or turn on one of the pattern generators. From simple octave arpeggiation to randomizing polyphonic patterns you will be inspired by the notes coming out of the 201! Use the first control knob to set the pattern's tempo.

The pattern generators also work great for creating drum beats using the drum samples!

Sequencer

If you like the way something sounds, recording it is just a button press away! There is a handy metronome that you can play/record along with. When the sequence is playing back you can endlessly change the pattern and synth engine. When you get it just right, hit the save button. You can save 'unlimited' sequences (well... not really unlimited, but many thousands). Then recall saved sequences easily using the navigation buttons.

Connectable

The 201 wants to be friends with all your other gear! It works great with guitar effects pedals and amps. With MIDI in and out you can control other synthesizers with the 201, or the other way around. A USB-C connector lets you easily move files on and off the instrument.

Open source

Critter & Guitari is committed to making musical electronics that are open platforms. Like the Organelle and EYESY instruments, the 201 is built entirely with Open Source software.

Inside, the 201 uses a combination of Pure Data and Faust musical programming environments. Users are invited to modify or create new sound engines!

Quality materials

The 201 is built to last. It features an anodized aluminium enclosure and maple buttons for a nice, tactile feel. It's assembled and tested by hand at Critter & Guitari's shop in Brooklyn, NY.

Design/Specs

Physical characteristics:
Size: 9.3" x 3.4" x 2.1" / 23.6 x 8.6 x 5.3 cm.
Height includes knobs.
Weight: 18oz / 500g.
Enclosure Top: Powder Coated Aluminium w/ silkscreen
Enclosure Bottom: Powder Coated Aluminium
Rock Maple Keyboard Keys

Input/output:
Audio Output: 14" Monophonic Line Output Jack
Speaker Output: Built-in 3W Speaker
MIDI Input: 1/8" Mini MIDI In jack (TRS Type A connection)
MIDI Output: 1/8" Mini MIDI Out jack (TRS Type A connection)

Processing & storage:
ARM Cortex-A7 processor at 900 MHz
512 MB RAM
An included 8GB micro SD card stores the OS and supplemental files such as synth modes, patterns, and presets.

Power:
External Power via USB-C Port
3x 'AA' batteries can be used as Internal battery power for portability. The battery holder can be found on the bottom face of the 201. Batteries not included.

Included items:
1x 201 Pocket Piano
1x External Power Supply with USB-A Port
1x Power Cable: USB-A to USB-C

Resources:
Manual (for additional troubleshooting and support, visit the forum)
More videos on YouTube
Critter & Guitari Forum
User Modes & Patterns on Patch Storage

Notes: The new basic system 3 from Doepfer is a return to Dieter Doepfer's original vision of analogue modular synthesis. Modules can be connected via front panel audio and CV connectors and used in infinite combinations. The Basic System 3 is an easily accessible and well-structured system that can be used by enthusiasts and beginners alike. It can be used as a base for exploring sound synthesis and electronic sounds, or as a supplement to delve deeper into different types of synthesis. For example, it is possible to create 4-part paraphonic patches or create complex sounds using the ring modulator. Percussion and drum sounds can also be created in a variety of ways alongside the classic synth sounds. The system's two filters can also be set to self-resonance to provide additional sound sources. The Waveshaper can be used to modify simple sounds and change their overall timbre. As each user's personal requirements are different, blank panels are installed that can be replaced with modules. This means there is no need to buy a new cabinet.

The following modules are included in the basic system 3:

1x A-108 6/12/24/48dB Low Pass Filter
2x A-110-1 Standard VCO
1x A-118 Noise / Random
1x A-121-2 Multimode Filter
1x A-131 VCA exponential
1x A-132-3 Dual linear/exponential VCA
1x A-137-1 Wave Multiplier I
1x A-138j Inverting/Interrupting Mixer (Janus Mixer)
1x A-138b Mixer logarithm.
1x A-138s Mini Stereo Mixer
1x A-140 ADSR Envelope Generator
1x A-140-2 Dual Mini-ADSR
1x A-147-4 Dual VCLFO
1x A-151 Quad Sequential Switch
1x A-160-2 Clock Divider II
1x A-171-2 VC Slew Processor / Generator
2x A-180-2 Multiples 1
1x A-184-1 Ring Modulator/S+H/T+H/Slew Limiter
5x Blind Panel 4HP

The following Patch cables are included:

5x A-100C15 Cable 15cm yellow
10x A-100C30 Cable 30cm black
15x A-100C50 Cable 50cm grey
5x A-100C80 Cable 80cm red

Notes: ***B-STOCK: Box damaged, but product is in excellent condition and in perfect working order***


Inspired by the legendary Roland TB-303, the B1 is a bargain-priced analogue acid and bass synth, featuring a built-in sequencer plus saturation and delay effects to bring your sound to life. Incredible value.

Supplier's Notes:
Donner B1 Analogue Bass Synthesizer & Sequencer with VCF, Saturation and Delay Effects

In order to provide better use experience, Donner B1 analog bass synthesizer has made unprecedented innovation in the operation interface, provide simpler and more intuitive interface for all music lovers. And this innovation won the 2022 reddot design award.

Beginner-Friendly Synthesizer Interface

Donner have optimized the sequencer of this synthesizer to be easier and more intuitive to use. Easily edit your own sequences with 128 sequence presets covering a range of musical styles, and 128 user programmable presets.

Silicone Tactile Keyboard with Backlight

The Donner B1 sequencer features modern silicone keys with a color changing backlight, making them a joy to play. In addition to sequencing, you can also play your synth lines live with the keys.

Classic Deep Bass Tone With Saturation and Delay Effects

The B1 allows you to dial in classic deep bass tones such as, distortion and tape delay. It will give you the taste of being one of the famous EDMs, Hip-Hop DJs or producers.

Flexible and Versatile Music Studio at Your Fingertips

The B1 controller connects to your DAW via USB-MIDI for use as a MIDI keyboard, and the MIDI IN/OUT interface connects the B1 to your external MIDI devices for sequencing or as a MIDI controller.Connect external sound sources using the 1/8" audio input. The 1/4" TS mono Main Out carries the main output signal. The 1/8" headphone jack is perfect for monitoring your sound. The B1's audio I/O options have you covered.

The B1 controller & sequencer features all of the deep bass and acid synthesizer sounds of the classic synth, but brings it back in a more intuitive format. Our B-1 bass synth gives you the perfect combination of retro and new school cool.

Specifications

Number of Voices: Monophonic
Type: Analog
VCF: 1 low pass
Oscillators: 1
Size: 54×323×130mm - 0.62kg (1.37 lbs)
Control Knobs: SATURATION knob, DRIVE knob, TONE knob, DELAY knob, LEVEL knob, TIME knob, FEEDBACK knob
Control Buttons: UP and DOWN, TRANSPOSE, PATTERN, TEMPO/TAP, PLAY/STOP, CLEAR, WRITE, BAR, SIGNATURE, DOTTED
Power Input: DC input connector
Power Adaptor: 9VDC 500mA inner positive
MIDI IN/OUT: MIDI In & MIDI Out, 5-pin IN
USB (MIDI): USB 2.0, Type C
Outputs: Line output: 1/4' TRS
Headphones: 3.5mm TRS
Supported Operating Systems: Win 7 or higher / Mac OS X 10.6.8 or higher
Inputs & Outputs (TS 3.5mm): AUX in: maximum input +5 dBu, Sync in: More than 2.5V
Number of Voices: Monophonic
Type: Analogue
VCF: 1 low pass
Oscillators: 1
Size: 54×323×130mm 0.62kg (1.37 lbs)
Control Knobs: SATURATION knob, DRIVE knob, TONE knob, DELAY knob, LEVEL knob, TIME knob, FEEDBACK knob
Control Buttons: UP and DOWN, TRANSPOSE, PATTERN, TEMPO/TAP, PLAY/STOP, CLEAR, WRITE, BAR, SIGNATURE, DOTTED
Power Input: DC input connector
Power Adaptor 9VDC 500mA inner positive
MIDI IN/OUT: MIDI In & MIDI Out, 5-pin IN
USB (MIDI): USB 2.0, Type C
Outputs: Line output: 1/4' TRS
Headphones: 3.5mm TRS
Supported Operating Systems: Win 7 or higher / Mac OS X 10.6.8 or higher
Inputs & Outputs (TS 3.5mm): 3.5mm TRS

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Inspired by the legendary Roland TB-303, the B1 is a bargain-priced analogue acid and bass synth, featuring a built-in sequencer plus saturation and delay effects to bring your sound to life. Incredible value.

Supplier's Notes:
Donner B1 Analogue Bass Synthesizer & Sequencer with VCF, Saturation and Delay Effects

In order to provide better use experience, Donner B1 analog bass synthesizer has made unprecedented innovation in the operation interface, provide simpler and more intuitive interface for all music lovers. And this innovation won the 2022 reddot design award.

Beginner-Friendly Synthesizer Interface

Donner have optimized the sequencer of this synthesizer to be easier and more intuitive to use. Easily edit your own sequences with 128 sequence presets covering a range of musical styles, and 128 user programmable presets.

Silicone Tactile Keyboard with Backlight

The Donner B1 sequencer features modern silicone keys with a color changing backlight, making them a joy to play. In addition to sequencing, you can also play your synth lines live with the keys.

Classic Deep Bass Tone With Saturation and Delay Effects

The B1 allows you to dial in classic deep bass tones such as, distortion and tape delay. It will give you the taste of being one of the famous EDMs, Hip-Hop DJs or producers.

Flexible and Versatile Music Studio at Your Fingertips

The B1 controller connects to your DAW via USB-MIDI for use as a MIDI keyboard, and the MIDI IN/OUT interface connects the B1 to your external MIDI devices for sequencing or as a MIDI controller.Connect external sound sources using the 1/8" audio input. The 1/4" TS mono Main Out carries the main output signal. The 1/8" headphone jack is perfect for monitoring your sound. The B1's audio I/O options have you covered.

The B1 controller & sequencer features all of the deep bass and acid synthesizer sounds of the classic synth, but brings it back in a more intuitive format. Our B-1 bass synth gives you the perfect combination of retro and new school cool.

Specifications

Number of Voices: Monophonic
Type: Analog
VCF: 1 low pass
Oscillators: 1
Size: 54×323×130mm - 0.62kg (1.37 lbs)
Control Knobs: SATURATION knob, DRIVE knob, TONE knob, DELAY knob, LEVEL knob, TIME knob, FEEDBACK knob
Control Buttons: UP and DOWN, TRANSPOSE, PATTERN, TEMPO/TAP, PLAY/STOP, CLEAR, WRITE, BAR, SIGNATURE, DOTTED
Power Input: DC input connector
Power Adaptor: 9VDC 500mA inner positive
MIDI IN/OUT: MIDI In & MIDI Out, 5-pin IN
USB (MIDI): USB 2.0, Type C
Outputs: Line output: 1/4' TRS
Headphones: 3.5mm TRS
Supported Operating Systems: Win 7 or higher / Mac OS X 10.6.8 or higher
Inputs & Outputs (TS 3.5mm): AUX in: maximum input +5 dBu, Sync in: More than 2.5V
Number of Voices: Monophonic
Type: Analogue
VCF: 1 low pass
Oscillators: 1
Size: 54×323×130mm 0.62kg (1.37 lbs)
Control Knobs: SATURATION knob, DRIVE knob, TONE knob, DELAY knob, LEVEL knob, TIME knob, FEEDBACK knob
Control Buttons: UP and DOWN, TRANSPOSE, PATTERN, TEMPO/TAP, PLAY/STOP, CLEAR, WRITE, BAR, SIGNATURE, DOTTED
Power Input: DC input connector
Power Adaptor 9VDC 500mA inner positive
MIDI IN/OUT: MIDI In & MIDI Out, 5-pin IN
USB (MIDI): USB 2.0, Type C
Outputs: Line output: 1/4' TRS
Headphones: 3.5mm TRS
Supported Operating Systems: Win 7 or higher / Mac OS X 10.6.8 or higher
Inputs & Outputs (TS 3.5mm): 3.5mm TRS

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Reissued version of one of Dreadbox's back catalogue synths, the Erebus is a paraphonic design with two VCOs, a characterful low-pass filter, built-in delay and updated snappy envelopes.

Supplier's Notes:
Dreadbox's most unique sounding analogue synthesizer is finally back, warmer and snappier than ever!

All you synth lovers, the time has come to dive into the Erebus...

All Analogue Paraphonic Synthesizer
Faithful Reproduction of the Erebus V1
2 Oscillators with 2 Waveforms each
Separate Glide controls and Hard Sync function
2-pole Low Pass pre-fed Filter
1 ADSR envelope and a AR Amp Envelope
Snappier than the V1

OTA VCA
Lo-Fi Delay effect
Wide Range LFO
15 patch points for an astonishing and spectacular modular experience
Compact, USB powered, Eurorack Format (42HP)

Ethereal & Dreamy

Warm sounding Oscillators
Classic Dreadbox Filter
Snappy Envelope Generators
Lo-Fi Delay effect to expand your sound
CV outputs: Envelope, LFO, Mod Wheel, Gate, CV1, CV2
CV inputs: Osc1, Osc2, Echo, Cutoff, CV, Gate, LFO Rate, PW, VCA

Specifications & Connections

USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via DIN5
14 MONO TS Jack Out

Dimensions: 21.5 x 13 x 6.5 cm
Weight: 1 kg

Requirements:

USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with DIN5 midi output
Monitor, Amp or Headphones

Included in the box:

Erebus Eurorack module
42 HP case
1x DIN5 to 3.5mm adapter
1x Ribbon cable

Notes: Dreadbox go back to their roots with this reissued analogue beast. Simple but effective single-oscillator monophonic design with a three-pole resonant filter and analogue distortion.

Supplier's Notes:
Dreadbox's highly anticipated Bass Synthesizer is finally back.

Its Deep and Dark sound is here to haunt you ...

All Analogue Bass Synthesizer
Faithful Reproduction of the 2016 Hades
1 Oscillators with 2 Sub Octaves and 2 Waveforms with PW control
3-pole Resonating Low Pass Filter
1 AD/RS envelope and a AR Amp Envelope

OTA VCA
OTA Distortion
Wide Range Triangle LFO
11 patch points for an astonishing spectacular modular experience
Compact, USB powered, Eurorack Format (42HP)

Monophonic Epicness
Super Fat Oscillator
2x Sub Octaves for extra headroom
Special Internal Bass Boost Circuit
Warm Filter
Drive effect for aggressive sounds
CV outputs: Envelope, LFO, Mod Wheel, 1v/oct
CV inputs: PW, Cutoff, VCA, CV, Gate

Specifications & Connections

USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via DIN5
14 MONO TS Jack Out

Dimensions: 21.5 x 13 x 6.5 cm
Weight: 0.9 kg

Requirements

USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with DIN5 midi output
Monitor, Amp or Headphones

Included in the box

Hades Eurorack module
42 HP case
1x DIN5 to 3.5mm adapter (specs as found at midi.org)
1x Ribbon cable

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Dreadbox go back to their roots with this reissued analogue beast. Simple but effective single-oscillator monophonic design with a three-pole resonant filter and analogue distortion.

Supplier's Notes:
Dreadbox's highly anticipated Bass Synthesizer is finally back.

Its Deep and Dark sound is here to haunt you ...

All Analogue Bass Synthesizer
Faithful Reproduction of the 2016 Hades
1 Oscillators with 2 Sub Octaves and 2 Waveforms with PW control
3-pole Resonating Low Pass Filter
1 AD/RS envelope and a AR Amp Envelope

OTA VCA
OTA Distortion
Wide Range Triangle LFO
11 patch points for an astonishing spectacular modular experience
Compact, USB powered, Eurorack Format (42HP)

Monophonic Epicness
Super Fat Oscillator
2x Sub Octaves for extra headroom
Special Internal Bass Boost Circuit
Warm Filter
Drive effect for aggressive sounds
CV outputs: Envelope, LFO, Mod Wheel, 1v/oct
CV inputs: PW, Cutoff, VCA, CV, Gate

Specifications & Connections

USB powered (1.5 Watts)
50 Playing hours with 20,000mA portable power bank
MIDI IN via DIN5
14 MONO TS Jack Out

Dimensions: 21.5 x 13 x 6.5 cm
Weight: 0.9 kg

Requirements

USB-A Adapter (5v) with 1000mA or more
MIDI device or keyboard that is equipped with DIN5 midi output
Monitor, Amp or Headphones

Included in the box

Hades Eurorack module
42 HP case
1x DIN5 to 3.5mm adapter (specs as found at midi.org)
1x Ribbon cable

Notes: Typhon has been developed with ultimate care and love, so as to be a great-sounding, portable and affordable synthesizer. It has a complex modulation routing, 256 preset memory, a 32 note sequencer, and powerful stereo effects developed by Sinevibes.

Since it is packed in a compact USB powered box, it can be carried everywhere you go!

Specifications & Connections:

USB powered (at least 500mA)
60 Playing hours with 20,000mA portable power bank
MIDI Din IN and OUT
1/4 in Stereo Out
1/8 in Headphone Out
1/8 in Mono Audio In (for routing via Typhon FX)

Dimensions: 23 x 13 x 6 cm
Weight: 1kg

Notes: Desktop module incarnation of Electrosmith's customisable DSP platform, designed with plenty of audio, MIDI and CV connectivity to allow you to create your own synths, drum machines and sequencers.

Supplier's Notes:
Create a mono-synth, drum machine, or MIDI sequencer with the Field! It works as a great development tool, or handy small-form synth to take with you on the go. Comes with Daisy installed and 9V power adapter.

Notes: SOLAR 42 is an analogue microtonal ambient drone machine.

It is an improved model of the SOLAR 50.

On board:

Four drone voices as in SOLAR 50
Two new drone voices, totally different from SOLAR 50. To create space sound
effects
Two white noise generators.
Two Samples and Holds
Two volt octave VCO voices with different waveform variations, including
morphing.
Two LFOs as in SOLAR 50.
5 step analogue sequencer
Preamp for contact mic.
Envelope follower
Stereo mixer with panoramic left and right channels
Dual polyvox stereo filter
Dual cartridge effector combiner with CV control. Now you can load a different
effect on each channel.
Stereo audio output
Dry audio outputs volt octave voices
External audio input.
Joystick
Separate push-button keypad for six drone voices
Touch sensitive keypad controller for volt octave voices.
Power supply unit no longer needs to be reset.
Reduced output noise compared to SOLAR 50.

Size: 49,5 x 32 x 2,9 cm
Weight: 5,5 kg
Designed and engineered by Arseniy Tokarev
Elta Music

TOUCH SENSITIVE CONTROLLER settings

Behaviour:
- single: 12 key mode
- twin*: 2x6 key mode, the parameters are the same for both sides
- split*: 2x6 key mode, but with separate parameters for both sides (e. g.: you can have an arpeggiator on one side, but a basic keyboard controller on the other side)
* in twin and split modes the pressure output acts as the note CV output, therefore pressure parameters (output, rise and fall) have no effect

Arpeggiator state:
- off: the module acts as a keyboard controller
- on: enables arpeggiator

Arpeggiator hold:
- off: the arpeggiator will play only while the keys are held
- on: the arpeggiator will continue to play the last progression after the keys are released

Arpeggiator clock:
- sets the clock multiplication/division ratio for the arpeggiator

Arpeggiator direction:
- forward
- backward
- ping-pong
- random

Arpeggiator variation: when enabled the arpeggiated progression will be played again transposed by the selected interval.
- OFF
- x1
- x2
- x3
Arpeggiator variation interval: 1 - 12 semitones

Arpeggiator rhythm: an eight step trigger sequencer placed between the arpeggiators virtual clock input and clock source, applies a rhythmic pattern to the arpeggio. - turn steps on/off

Arpeggiator rhythm length: sets the length of the rhythm sequencer. 1 - 8 steps

Portamento: creates slew limiting effect on the CV output, sets the speed of gliding (ie: how much time it takes to transition from one pitch to the next). 0 - 255

Legato:
- off: portamento is always on
- on: gliding happens only when two or more note plates are touched simultaneously (this parameter has no effect when arpeggiator is enabled)

Vibrato speed: sets the speed of the LFO that's modulating the note CV output. 0 - 127

Vibrato depth: sets the modulation amount. 0 - 127

Vibrato delay: specifies a time delay before vibrato begins to apply until it reaches the full strength specified by the depth parameter. 0 - 127

Vibrato pressure control: when enabled, the modulation amount is altered by the pressure applied to keys.
- off
- on

Pressure output:
- pressure: voltage on the pressure output will continuously follow the pressure applied to key plates
- ASR: attack/sustain/release envelope generator
- AD: attack/decay envelope generator
- LOOP: looped AD envelope generator
- random: outputs a random voltage

Rise: creates slew limiting effect on rising edge in pressure and random modes, sets attack time in envelope modes. 0 - 255

Fall: creates slew limiting effect on falling edge in pressure and random modes, sets decay/release time in envelope modes. 0 - 255

Scale editor: turn notes on/off of the scale applied by the note quantiser, when all notes are disabled the module works as a microtonal keyboard.

Load scale: select and load a preset scale/mode.
- Semitones
- Ionian
- Dorian
- Phrygian
- Lydian
- Mixolydian
- Aeolian
- Locrian
- Blues major
- Blues minor
- Pentatonic major
- Pentatonic minor
-Folk
-Japanese
-Gamelan
-Gypsy
-Arabian
-Flamenco
-Whole Tone

Root note: sets the root note of the scale applied by the note quantiser. C - H

Notes: A collaborative effort between the techno icon and one of the best synth brands around, the Bullfrog is designed to encourage newcomers to analogue synths while secretly packing killer sound and some innovative features.

Supplier's Notes:
Introducing Erica Synths X Richie Hawtin Bullfrog

Learn. Produce. Perform

Created by Erica Synths & Richie Hawtin, Bullfrog is an educational electronic music instrument designed to captivate and inspire both youth and professionals alike. Bullfrog invites you to unlock musicality while combining the thrill of electronic music production with a comprehensive learning experience.
Bullfrog is a classical subtractive synthesiser - it consists of several "modules" for sound generation - VCO, NOISE GENERATOR - and treatment - VCF, VCA/DELAY, as well as "modules" that generate control and modulation signals to control them - ENVELOPE GENERATORS and SAMPLE & HOLD. The Bullfrog will not make the sound on its own unless it is patched - using eurorack patch cables to interconnect the "modules" or by inserting voice cards that create internal connections between the "modules" in a specific way and add extra functionality, like sampler/looper, sequencer, groovebox, etc. This approach better helps to understand functionality of a subtractive synthesizer and the principles of sound design with instruments like these.

In order to provide a well rounded understanding of the functionality of this synthesizer and sound synthesis in general, a comprehensive user manual is created to accompany the learning process.

Electronic music with its rich traditions and innate sense of exploration at core is ever popular, with artists and fans stretching around the globe. For me, one of the most exciting parts of creating electronic music is the playful exploration that leads one deep into their own imagination. Whether the intention to create completely imagined or real-life inspired sounds, the route one takes to create is always personal and often surprising. It is within these experiments where the beauty of synthesis really comes alive and which often unlocks a new sense of creativity and purpose.

Whether someone's experience with Bullfrog points them down a career in electronic music or not, the goal is to both nurture the love for electronically produced sounds and promote the accessibility of learning and understanding the basics of sound synthesis.

Erica Synths believe that the hands-on approach and problem solving that is innate to synthesis on a semi-modular synth like the Bullfrog, contains life lessons that go beyond what we can hear.

Bullfrog encapsulates the foundations of synthesis and is built with an immediate, intuitive design and a unique expandable architecture that grows and expands together with the user's imagination. This instrument feels at home anywhere - as an educational tool in music and physics classes, as an addition to your basement studio or even as a tool for performance on a stage.

What's included:

BULLFROG synthesizer
Universal 12VDC wall wart adapter
User manual
10 patch notes stencils
10 patch cables
3 pre-patched voice cards
3 DIY voice cards with adjustable offset
Delay effect with adjustable delay time and feedback amount
Two looping attack-sustain-release envelope generators (EG)
Sample & Hold circuit with an individual clock
Manual gate button
Voicecard slot
Built in speaker
DIN5 MIDI input
USB connector

What's included

BULLFROG synthesizer
Universal 12VDC wall wart adapter
User manual
10 patch notes stencils
10 patch cables
3 pre-patched voice cards
3 DIY voice cards

Notes: No prizes for guessing that the legendary TB-303 might have been a reference point here but Erica's take on the bassline synth is definitely not just another clone. Huge synth sound and a powerful built-in sequencer.

Supplier notes:
From basslines and rave sounds to massive drones and drums - the Erica Synths Bassline DB-01 synthesizer lets you explore new territories of sound and performance techniques and go from a melody to noise and back in no time. The DB-01 packs analogue Erica Synths signature sound engine with an advanced sequencer on top of it.

Notes: Inspired by the legendary EMS Synthi AKS, this is easily one of Erica's most impressive releases to date. Proper experimental analogue brilliance developed in conjunction with Riga Technical University.

Supplier's Notes:
Since its beginnings Erica Synths has promoted experimental electronic music and has developed instruments that enable musicians to explore it.

When it comes to standalone instruments, one of the most encouraging instruments in experimental music was Synthi AKS, so Erica Synths have teamed up with engineers from Riga Technical University to develop a synthesizer with a user interface inspired by Synthi AKS.

SYNTRX [sintrex] is developed from scratch all analogue synthesizer (no part of schematics is cloned from Synthi AKS) with digitally controlled patch matrix. Unlike most of patch matrixes around, that mechanically connect signals, our 16x16 matrix utilizes 32 (!!!) 16 channel analogue switch ICs AS16M1 (made in Latvia, Alfa RPAR) and is a mixer/buffered multiple with 3 level attenuation (gain 1, 0,6 and 0,3) in connection points. It has 256 patch memory, automatic patch switching in performance mode or via MIDI messages.

SYNTRX has 3 highly accurate VCOs that track great over 8 octaves, noise generator with "colour" filter, resonant VCF, ring modulator, spring reverb, looping envelope generator, joystick controller, input amplifier with adjustable gain for microphone to line level signals, 3 VCAs, output signal filter, analogue CV/audio signal level indicator and built in speakers. Extra features, not found on Synthi AKS, are Sample & Hold circuit with individual clock, octave switch for VCO1, synchronization of VCO2, AD mode on the envelope generator, as well as MIDI that accepts CV, Gate, Modulation wheel messages and program change messages for the matrix control. The SYNTRX comes in aluminium enclosure with ash tree side panels.

SYNTRX will inspire users to explore the space and travel to previously undiscovered audible realms.

Notes: Updated version of Erica's superb EMS-inspired synth, featuring a powerful dual oscillator synth architecture, piano roll sequencer, modulation matrix and recordable joystick.

Supplier's Notes:
Based on lessons learned from the SYNTRX, Erica Synths decided to create an instrument that would integrate even deeper into contemporary electronic and experimental music setups and cover sonic territory from daunting drones to powerful basslines and glitched noisescapes - the SYNTRX II is a new dark horse for experimental sonic rides.

The SYNTRX II is the culmination of Erica Synths' analogue sound design circuits - two perfectly stable main oscillators with waveshapers, a modulation oscillator with 1V/oct tracking, a versatile multimode filter, supercharged external instrument inputs with an envelope follower, a unique, great-sounding ring modulator, a recordable joystick, built-in piano roll sequencer and stepped modulation sources, all arranged around Erica Synths' signature matrix mixer and topped off with powerful FX on their new DSP platform.

"The SYNTRX 2 is awesome, a very different instrument from V1. My first synths were the VCS3 and the AKS and are still among my favorites today. The Syntrx 2 is pushing the boundaries of possibilities & experimentations much beyond the original analogue version. The Syntrx 2 is an instant classic". - Jean Michel Jarre

Features

Two perfectly stable main oscillators with CV-controlled waveforms
Modulation oscillator with variable waveforms
Highpass and Lowpass filters in series
Free running or gate synced sample and hold circuit
Multi-colour noise generator
DC coupled instrument inputs with signal inversion and envelope follower
Ring modulator of unique design
Looping trapezoid envelope generator and VCA
Two output VCAs
Signal meter with a dedicated audio/CV output
FX section with great sounding Delay and Reverb developed in collaboration with 112db.com
Recordable Joystick
Analogue patch matrix with 3 attenuation levels in each patch point
254 patch memory
Piano roll sequencer and two stepper modulation sources
DIN5 MIDI Input and MIDI Thru
Two assignable outputs
Headphone output
Dimensions: 309mm x 457mm x 115mm (with the joystick in centre position)
Weight: 3.9 kg

Notes: Acoustic Electronic "synthesiser" and external audio effect processor with CV control. Little sister of the Resonant Garden.

The Nano Garden is an acoustic-electronic hybrid designed to create anything from beats and oddities to dense soundscapes. From its inception in 2006, the original garden has gone through many changes and refinements: micro garden, luminist garden and illuminist garden and finally this latest and likely final version of what is essentially an expanded micro garden.

The Nano Garden essentially utilizes a single Alter circuit with 7 effects selected specifically for this instrument. Each is also equipped with a mic pre-amp, and 2 garden (stringed) panels for generating acoustics. By plucking, rubbing, tapping or even bowing, those micro-acoustic sounds become amplified and effected by the Alter in any number of ways. In essence, the garden is a large microphone designed to pick up vibrations. Aside from the internal mic, the nano can be used to process external signals with any of the internal effects as well.

Effects

There is a single Alter in the Nano which has seven different DSP effects, selected by touching the copper hexagon. The effect list is different than either Alter 1 or 2 - these are selected specifically for the Nano (this selection is subject to change):

1 - long delay (capable of near infinite feedback looping)
2 - notated granular delay
3 - plate reverb
4 - choral reverb
5 - palindrome reverse delay - backward/forward repeat
6 - pitch delay
7 - time stretch/glitch

Control

- Control for the gain of the mic pre-amp or any incoming audio.
- Controls for Mix, X, Y and Sift as well as clock.
- All effects have a variation of a filter which may change effect to effect.
- X and Y control various rates.
- Clock control adjusts the rate which controls the DSP which can drastically change the effect. In doing so it does slightly lower the quality of the output signal but the results are fantastic. This clock is not for synchronization.
- Mix, X, Y and Sift all have CV control inputs.
- Each control level or cv input is visualized on the control panel.


Acoustics

Each sprout panel is equipped with a contact mic. A contact mic is designed to pick up vibration. The mic pre-amp is specifically designed to deal with the frequencies of the contact mic by boosting certain frequencies and dulling others in order to optimize the sound quality. The mic pre-amp has a gain control so the level can be adjusted according to how you intend to play.

Design

The box is constructed with Sapele African hardwood and a white birch bottom panel. It features anodized black aluminium rails for mounting the faceplates. Each sprout of strings is bolted in from the back and held in place with a backing panel under the main board.

Each box has unique wood grain patterns. The wood grain shown in the images will appear different for each instrument Folktek ship.

Included

- Power Supply: 12V positive tip AC Adapter (included) - US - 100-240V ~ 50/60Hz 0.6A
- Four (4) black 24" (60cm) 3.5mm TS mono patch cables